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The history of this company is laid out from the beginnings of the comic book, to the debut of the long-running Action Comics (Superman) and Detective Comics (Batman). Each of the company's successive stages is detailed, the Golden Age, the Silver Age, the Bronze Age, and the Modern Age. Familiar rivals, such as Plastic Man, Captain Marvel and the Charleston and Quality heros are shown. Frank Miller and Alan Moore are given their just due. Superheroes in film and on television are shown.
The pages contain great photographs and reprints of classic comic culture. It is nice to see the classic covers of the years in high quality reproductions. A cavalcade of toys, badges, trinkets and other tie-ins are displayed.
All in all, this is a great book for DC comics fans.
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"Love and Romance" because I wanted to have a new relationship.
I did the things that were suggested and I attracted a
wonderful loving man into my life.
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Williams spends dozens of pages in abject adoration of Jamal, swooning over "his honeyed baritone voice" and his animal magnetism. Equally cloying is his defense of former handyman Vincent Leaphart, aka John Africa, the founder of the MOVE movement. Leaphart, described by the New York Times as "somewhat of a madman" and by the Philadelphia Inquirer as "borderline retarded," assumes Christ-like proportions at William's hands. Among Leaphart's more intriguing teachings; MOVE women who give birth are required to bite off the umbilical cord and lick their newborns clean. Soap is forbidden and vermin and insects are welcomed into MOVE homes like old friends.
Williams' book is loaded with suppositions, what-if's, could-have-beens and sheer speculation. But you never hear from the two people who could shed real light on what really happened that night Philadelphia police officer Daniel Faulkner was shot down. Jamal still refuses to talk about his actions that fatal night, demanding that his personal declaration of innocence is evidence enough that he's not guilty. Jamal's brother Billy, who was a few feet away when the fatal shot was fired, is nowhere to be found. Williams' legal eagles never get around to looking for him even though the brother supposedly has all the evidence anyone needs to spring Jamal. Billy's attorney, in a newspaper interview, says Billy is not "mentally fit" to come forward. So much for brotherly love.
Buy the book and do what I did -- read portions of it aloud to your lawyer friends. They'll choke with laughter. And spare a few tears for this Harvard-trained author who is so utterly gullible and yet oh-so-earnest.
Political grandstanding, self-destructing testimony by defense witnesses, and a looney-tune conspiracy theory: this book tells enough about the case to give fair warning to anyone interested in becoming part of the pro-Mumia movement.
Along with Leonard Weinglass' RACE FOR JUSTICE and the trial transcripts, this book tells you what the kooks and radicals don't want you to know.
There is an intriguing passage in the book describing a wild conspiracy theory witness that some elements of the defense team wanted to put forward, which Abu Jamal eventually rejected. Williams chides himself for not having enough faith in Abu Jamal to realize he would never try to propagate such a fraud on the court. Of course as soon as he fired Williams, Abu Jamal presented exactly this conspiracy to the Court as the latest version of his defense. Williams, like many defense lawyers, is not a very good judge of character.
Still, this is an excellent look at the inner workings of the Abu Jamal defense team.
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nevertheless, the book is worth it. but if you ever get the chance to see his work, by all means do so. there was an interesting piece on him by the "sunday morning" cbs news show. you may be able to get a tape of it from them.
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I also find it amazing that these ancient myths have such basis in fact. It seems to me that the workings of this world our something a human being can know inately and are not solely the knowledge of the wild animals.
Beautiful illustrations and very respectful treatment of Pele and Her mountain. Highly recommended.
I grew up a Marvel zombie, but because of Daniels's choices, I learned more about the Marvel Universe from Sanderson than I learned from Daniels about the DC Universe, and I expected it to be the other way around. This is not to say Daniels doesn't have valuable information. His material about the founding of DC and much of the Golden Age material is going to be largely new for younger DC readers, who grew up with Action #1 as the most valuable comicbook of all time. I doubt too many people knew about the Golden Age Red Tornado, a hefty homemaker turned superhero who was something like a female predecessor to Marvel's Forbush Man, or certainly dressed that way, and played for comedy. Oddly, aside from showing a two-page spread depicting the Super Powers action figures of the eighties, the better known Silver Age Red Tornado is never mentioned. While Red Tornado is a second-stringer, he's hardly a minor figure in the DC Universe. There is comparatively little on Vertigo, despite its significance, and it perhaps goes into excess on film versions of the DC characters (the only place Congo Bill is mentioned, despite his recent Vertigo treatment). Other characters rating only a few paragraphs or even a mere sentence include Green Arrow, Mister Miracle, Shade the Changing Man, Animal Man, The Spectre, Deadman, The Demon, The Phantom Stranger, The Creeper, Firestorm, even Aquman! Very little about Brainiac; nothing on The Scarecrow or Mr. Freeze, either. Too little on The Flash and Hawkman. Oddly, even though it notes the Super Powers action figures were designed by Jack Kirby, it doesn't mention whther the Super Powers comicbook series he was deeply involved in in the 1980s was really a toy tie-in or really had to do with the Fourth World (though the two page spread on it said it was never completed, it still made no mention of Super Powers other than the action figures).
Perhaps because DC had to restructure its continuity so many times and say certain stories never happened, or were at least part of an eradicated timeline (they happened, but the world itself was revised through a crossover paradox, negating that they happend) that Daniels took this treatment. Perhaps he was trying to be more commericial. But two page spreads on Superman food products, Batman food products, ephemera for each, is a little excessive considering what was chosen to be left out, even if these two ARE more commercial.
At this time, I don't know that there is a better alternative to this book regarding the DC Universe. None of what is here is bad, but some of the choices leave a lot to be desired. Great coffee table book for the DC fan, but one is unlikely to learn much about the characters of the past 30-40 years that isn't going to be well known to them.