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However, Contested Landscape does not quite capture the passion behind the debate of wilderness in the west, and it does not exactly examine wilderness issues from all ventures: there are three sides to the issue: those that are 'pro' wilderness, those that are against wilderness, and the writers. (which seek a unified, balanced, and compromised approach) Within the wilderness movement in Washington state, there are so many multi-factions of each side that the result is that the movement and the debate is not a polarized black and white, but a collision of two shades of grey in the quest to tackle public lands issues. Subsequent research by others associated with the movement will show that this is true for many states dealing with public lands issues. In Contested Landscape however, the sides are painted to be such unified opposites, it hardly seems real.
Utah is the only other state in the West (besides Hawaii) that has less then 1.5 million acres of wilderness in the state. (it has only 750,000) It is because of the horrendous politics (both national and local) that the state has such a low acreage of wilderness compared with Utah's 'western' neighbors: but this notion is not explored anywhere in the book. Contested Landscape paints a picture that the wilderness the state has is a reflection of the politics, of which every western state has. While there is growing difference between rural and urban cultures in western states, the politics of each western state are so uniquely different, Contested Landscape is not an appropriate reference to regional or local wilderness politics by any means: I could not hold Contested Landscape as a means of evidence in an argument if I wished to espouse on the issues of low lying old growth in roadless areas in Washington State.
The book also lacks a sense of place. Angry ranchers and wilderness advocates with no backdrop to put them against. Despite the beautiful picture on the cover, there is nothing else to describe in words or pictures the beauty and landscape of Utah. Thus, you would have no idea what these people are fighting over if you were to pick up the book knowing nothing about Utah. No mention of the shrub-steppe ecosystem, the Great Salt lake, The Rockies, or anything else distinctive. This is a critical failure of the book: to not showcase passion with a sense of place.
Also, because the majority of the federal land is BLM land, there is constant discussion about this agency and anything else regarding wilderness. This can make the book read like a BLM ranger's handbook, with so much technical and bureaucratic lingo regarding range management and what not, it can become dizzying (hat's off to the kid's that had to work on this stuff)
I must give credit to the students, though, they initiated and carried out a very difficult project, and the writing, while too rigid to be engaging and empowering, was of course required of them to I suppose, "make the grade." Out of this I hope some good experience came to each of them. As I understand it, the book did not go over well in Utah, as "both sides" (as the author's constantly refer to a loose confederation of people) opposed the compromise solutions advocated in the book. If you would like a truly interesting read with a good dose of wilderness politics, read Return of the Wild by Ted Kerasote.
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Sherbok advocates "Open Judaism" (See the book "Future of Judaism") in which Jews do not have to believe in God, or anything, to be Jewish. This explains his distrust of Scripture because the Word of God does not have to believed, either. This book has some good information, facts, etc. But it is very opinionated and devoid of scholarly support. Accusations are made as if they are truth when in fact they are his interpretation and opinion. Unfortunately the author does not convey this to the reader.
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I dont know if Mr. Merkur is unable to write well or, as I suspect, he feels that by assuming this dry removed tone his work will seem more scienitic and objective. In either case, his presentation falls short. He makes some good points, if only one can stay awake long enough to read them. It seems ironic that anything written like this should feature the words "ecstatic" and "imagination" on the cover.
-Thomas Seay
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