A man nearing 40 is getting a divorce from his wife and has to re-evaluate his life. He discovers a dark fairy tale book written by his mother, who killed herself when he was 6, and he has very little recollection of her. Tracking down his mother's friends and reading the stories help him learn about his past, his family and himself.
The writing style is very smart. The dark fairy stories within the book are killer and they neatly parallel what happened in the mother's past as well as the protagonist's present. The story starts off right in the middle of his moving out of his house, and then continues on a steady pace, building and spiraling until the end.
This book was right up my alley. I look forward to reading more works by Amanda Craig.
Read aright, the story of Benedick's quest interlarded with his mother's dark tales WILL keep you up at night. To come to the conclusion that all she and Benedick need or needed is/was some psychotropic drug like Lithium is to say the same of, say, Shelley or Van Gogh. If you think the ending, at first glance, is simplistic, you're right. But if you think that it undermines the the otherwise terror and fairy tale ridden narrative, then you're reading it on the level which most adults read fairy tales: That is, you're not reading it.
For the ending is the most terrifying part of the book: a fairy tale full of fairy tales that tell us more about ourselves than we like to think. Why is the ending so almost hostilely, one might say, simplistic? Again, ask yourself, what's the line with which fairy tales, including the dark fairy tales of Benedick's mother, end? Then reread the book, as I did...if you dare!
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1. The Fantastic Four: Marvel's First Family, begins with the working relationship of Stan Lee and Jack Kirby, relates the origin of the FF, focuses on the compelling character drama of the Thing, and the group's main villain Dr. Doom. After covering some of the FF's epic adventures, including the first confrontation with Galactus and the Silver Surfer, the chapter looks at some of the heroes that were created in the comic such as the Black Panther and the Inhumans.
2. The Antiheroes: Human Torch, Sub-Mariner, and Hulk looks at how two Silver Age heroes were updated for the modern era but focuses primarily on old Greenskin, including the pivotal issue #140 written by Harlan Ellison.
3. Your Friendly Neighborhood Spider-Man looks at Marvel's most popular superhero, drawn originally by Steve Ditko. This chapter covers the problems of a teenage superhero, his remorse over Uncle Ben's death, and the supporting cast, as well as the darker vision of Spider-Man brought to the comic by Todd McFarlane. Special consideration is given to the "Kraven's Last Hunt" storyline and "The Death of Aunt May" issue.
4. Avengers Assemble! covers not only Marvel's answer to the Justice League of America as a group, but the individual comic books of Captain America, Henry Pym and the Wasp, Iron Man, Hawkeye and the Black Widow, the Mighty Thor, the Vision, Wonder Man, and even the Black Knight (so you know they have covered pretty much everybody).
5. Strange Tales: Heroes of the Supernatural covers a lot of ground as well with Doctor Strange, Dracula, The Man-Thing, Howard the Duck, Ghost Rider, and other Marvel monsters.
6. Protectors of the Universe is mostly about aliens such as Captain Mar-vel, the Silver Surfer, Adam Warlock, and Nova. Also covered are such diverse comics as "Power Pack," Don McGregor and P. Craig Russell's "Killraven," and Jack Kirby's last comic creations.
7. Vigilantes and Lawmen starts with Daredevil and the Electra Saga, continues with Nick Fury (both with his Holwing Commandos and as an Agent of S.H.I.E.L.D.), and ends with the Punisher.
8. Mutantis Mutandis: The X-Men begins with the original X-Men and Magneto, through the Second Genesis and the Dark Phoenix saga, the ascendancy of Wolverine, to the proliferation of mutants in Alpha Flight, Excalibur, X-Force, and Generation X. Artists Neal Adams, Bill Sienkiewicz, and Rob Liefeld are featured in this section.
My test case for evaluating this volume was the section of 'Tomb of Dracula' (146-48) a minor cult hit all things considered but one of the best comic books I have ever read. Sanderson agrees with the verdict, praising writer Marv Wolfman, penciller Gene Colan, and inker Tom Palmer for their skilled delineation of character. After a concise description of the cast of characters and their complex relationships, there is a description of the choice story line where a character (purporting to be) Dracula, removed his vampire powers. I would have liked to have seen a reference of Dr. Sun, and the comic's wonderful sense of pacing, but this was a decent synopsis.
The key thing to remember her is that Sanderson is juggling a lot of balls. He needs to not only describe the history of each comic book along with the key characters and villains, but also try to work in an appreciation of great artists from Jack Kirby and Jim Steranko to John Byrne and Todd McFarlane, along with some of the key issues and storylines. So I was quite impressed when Sanderson worked in 'Days of Future Past' from X-Men #141 and the Silver Dagger story line in 'Doctor Strange.'
For that matter, I was also impressed that Sanderson worked in some of the most memorable PANELS from these comics: Jack Kirby showing Doctor Doom stripping the Silver Surfer's powers from FF#57, Steve Ditko's Spider-Man struggling free in ASM#33, and John Byrne's shot of Mangeto from X-Men #111. Yes, you can quibble over the details in terms of what was included and omitted, and certainly there is a better way to reproduce comic art than photocopying it or whatever, but Sanderson gets credit for covering a lot of ground and for showing a clear sense of appreciation and affection for these comic books. That is what tips the scales for me in the end.
The bottom line would be that 'Marvel Universe' constitutes a nice walk down memory lane for those who remember buying 10 cent copies of these comic books when they were called Marvel Pop Art as well as a nice history lesson for those who have come to the game when Marvel launched Volume 2 for all of its major titles.
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The plot itself is bland and progresses badly. Even when time is spent trying to give characters depth they end up shallow and boring. The dialogue is poor. The universe has a lot of stolen elements from Dungeons and Dragons (except as futuristic sci-fi) with no really original content or application. I kept thinking this had the potential to be an above average book if the author had written it 8 years later than he did.
If you want to support a writer that might really be worth reading after he finishes college, buy this book. If you're not feeling charitable...don't.
This Sci-Fi novel takes you on a riveting journey of a socially rejected hybrid and his team of wizards, the Elites, who are out to fufill what they believe in. Rights for the good magic users. But, many obsticles stand in their way. This brings us to the other main group of characters.
Division 33, the best team of Enforcers in the galaxy, enforcing the law among all citizens. With many twists between these two sets of characters, the author, astonishingly enough, is able to add a political plot into effect. Two parties create the pro-magic users and the against-magic users. Keeping this in mind the novel is full of Demons and Vampires which keep you interested in the somewhat short boring parts of the Political arena.
To top this all off, it's hard to believe that all this turmoil is part of a plan of a master-minded individual. Can the Elites reach their goal as they explore caves, space stations, and high-security prisons. Read the book and find out. This book, part Sci-Fi, part Fantasy, and part Political has the biggest, and most surprising ending I have ever read.
I suggest you read this book as soon as you can, because it is certain there are more books to come from this author, and each one will take us on a breath taking journey of deceit, frendship, death, and journey for righteousness.
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Bylsma is a true role model, especially in today's world.
Jay Greenberg of the NY Post writes, "THE BEST ADVICE SINCE DON'T RILE GORDIE HOWE!"
For all sports, for kids and parents alike. Inspiration, motivational, I couldn't put it down
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Time for another exception to the rule. The Fairy Gunmother, by Daniel Pennac. No summation of its plot would do it justice. Suffice to say it's set in Paris (originally written in French, translated into English) its got old people, drugs, guns, good guys and bad guys and some very very very likeable characters. Just find it and read it and bathe in the beauty of the writing. It's got all the characteristics you'd want of an old friend, plus a plot twist or two that might genuinely surprise you (now how often does that happen?).
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It was serialized in Eightball and was a hefty portion of many issues. If you read them in order and liked it, maybe buy this. I'll admit - I was familiar with Twentieth Century Eightball only, and I wanted to read this from the beginning. Since then, I have been buying up back issues.
It's not as shocking as many people say. It is, however, as confusing as many people say. You have to use your imagination, inductive logic, and movie-watching experiences to really glue it all together.
And by the way, the people who compare this to Twin Peaks are insane. Twin Peaks cannot be messed with. And I love this book.
Bizarre, nightmarish, surreal, yet riveting. A strange, disturbing read. I loved it, but it certainly isn't for everyone.
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*The Hoboken Chicken Emergency* does have a wonderful premise and some satire as well (hence my pleasure at reading its reviews). I suppose it also has lessons to be learned about fearing the unknown -- but didacticism is not enough to make a good book. Nothing covers up for the fact that this book just plain isn't very good -- not for a modern child to read. I knew I was in trouble when I began reading it aloud to my son: each sentence had a dying fall, and the wit was strained, not spontaneous and fetching. "What am I getting into," I thought. Henrietta the chicken is lost and Henrietta is found, but the whole thing was a contest to see if I could finish the book before my child rebelled -- or I did.
Sad to say, this book shows its age. Some of the writing, too, needs polish. If you are tempted to buy this self-consciously zany book, buy *I Was a Rat* instead. *I Was a Rat* is all heart. *The Hoboken Chicken Emergency* is all lumpy prose. I'm hoping for better things with the other Pinkwater volumes I purchased, but we shall have to see. I love older rediscovered books, but this one doesn't work. Children expect more depth of story, not just cleverness at the expense of story. I'm very sure readers have fond memories of this book, but memory alone cannot bring the book alive for a modern audience. Give *The Hoboken Chicken Emergency* a pass, and go for a funny book that's meaty with heart and soul. If *I Was a Rat" doesn't appeal, you might try *The Little Prince* (Antoine de Sainte-Exupery) -- my son doesn't really understand it, but he loves it and seems to recognize that there are real issues underlying the surface.
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The book reflects the Akashic Records journeys (in 1st person form of each) of the two Essenes who befriended Jesus at an early age, then followed the Master during his teachings and eventual physical death. The book is not all about Jesus, but is also about the people (and their lives) who were influenced by his teachings of Love and Kindness. Its a great book but be prepared to be surprised, amused, and knocked off your conventions.
1. Anyone with an open heart and mind will be be spiritually inspired by it to a very high degree, and there is surely little more that one could ever hope for from a book than this.
2. For those familiar with Rudolf Steiner's Christology, this book provides to my knowledge the first independent corroboration of some of the claims he makes about Christ's esoteric genealogy (specifically about his relation to Zarathustra and about the composite nature of the Jesus-Christ individuality). Steiner of course goes into far more detail - based on his own reading of the Akashic record - than do the authors of this book (who hint at much that they do not say explicitly), but the parallels are nonetheless striking. (For those interested in the relevant Steiner material, I would recommend his lecture series entitled 'From Jesus to Christ', as well as the lectures he gave on the gospels.)
3. For those who feel an inner connection with the esoteric streams of religion and Christianity in particular, this book will convey the strong conviction that these traditions are very much alive and accessible to those who seek them in the right way.