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Chester, the family cat, noticed that the rabbit started to move in his cage for the first time and he put his nose out and inhaled deeply, as if he were getting sustenance from the moonlight. Chester noticed the weird marking on the rabbit's forehead that was usually a black spot, but it took a strange v-shape, which connected with the big black patch that covered his back and each side of his neck. It looked like he was wearing a coat or a cape. He could hear the soft sound of a gypsy violin which was really the next door neighbor practicing his violin. As Chester sighed with relief he watched the rabbit. Bunnicula's lips gave a hideous smile, where Chester saw two pointed little fangs.
Was Bunnicula really a vampire or not? Read the book to find out more. I really enjoyed the book because the characters are cute and human-like. The book made perfect sense and did have a little bit of imagination because Chester and Harold talk as if they were really human.
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Seth, the youngest Quinn, is home for the first time in years. An acclaimed painter, who is blessed with a gift he can't quite explain, Seth is as handsome and dynamic as the other Quinns. He comes home to find things in St. Chris much the same, with the exception of lovely Dru Whitcomb-Banks, a new shopkeeper in town. Dru is not what Seth expected and he soon finds himself drawn to her, despite his unsavory roots. She's carrying quite a bit of baggage herself, but finds that she's falling for him just the same.
Nora Roberts had already built a compelling family that intrigued readers through the first of the Chesapeake Bay saga, Sea Swept, Rising Tides and Inner Harbor. But in response to overwhelming reader demands (she dedicates the book to "Every reader who ever asked, "When are you going to write Seth's story?") she writes Seth to be as dreamy and decidedly alpha as the other Quinn men. Dru is a perfect match for Seth, strong willed and determined and also a bit of a lost soul. The combined traits make the couple vibrant and interesting. On top of that, you get to revisit your favorite characters from the first three books and find out what's become of them and their children. Nora's greatest gift is her ability to write a family that keeps the reader's attention.
I wholeheartedly recommend this book to both first time, or habitual Noraholics! If this is your first Nora book, I suggest that you read the first three in the saga before reading Chesapeake Blue. You'll find your enjoyment of the story even greater having met the secondary characters before.
Nora's done it again!
Seth is home with his family, the business, and the mother who has followed him over the years since he was a young boy. Blackmailing him, doing her best to ruin everything for him and for the family that gave him everything and made him who he is. Although he's all grown up now, he'll still pay her off, do just about anything to protect the family he loves.
Dru enters the picture, who has fled a cheating fiance and the life of the wealthy in Washington D.C. to strike out on her own in St. Chris. She owns a flower shop and does her best to fit into the community. Given her experience with men, she doesn't want to fall in love, doesn't even want to date. But Seth can be as convincing as any of the Quinn men and Dru finds herself in love with Seth.
I think Nora Roberts did an excellent job with this ending story. Her plot was great, the ending was a surprise and all the characters we loved in this trilogy have returned. If you start with this book you may want to read the first three to start.
Seth turned out just the way I pictured him would be. Dru was one perfect match for him. And the whole reunion with Cam, Anna, Ethan, Grace, Phillip, Sybill, and Aubrey ... surely brought brought a trip down memory lane. I laughed, I had tears in my eyes ... it was a perfect book, with a very great ending. It's surely one of Nora's best, one of my favorite. I can already picture this one as a Hallmark movie.
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Through the voice of the narrative, the rich design of the worlds, and the intensity of the characters, Timothy Zahn recreates the Star Wars universe to absolute perfection. The character of the evil Grand Admiral Thrawn is drawn to show that he is quite distinct from Darth Vader, and could even possible rival Vader as a leader. Where Vader ruled with fear, Thrawn ruled with intellect.
Besides Thrawn, two of the best characters in Dark Force Rising are Talon Karde and Mara Jade. Talon Karde's struggle to escape the clutches of the Empire is shown right at the very beginning of the novel. With Mara Jade at his side, they watched his home in Heir to the Empire be taken away. Mara Jade continues to contain her inner struggle with wanting to kill Luke Skywalker. But, it seems she becomes more of a transitional character, as she begins to look to Luke for help to free Karde from Thrawn. The struggle to free Karde would remind anyone of the scenes in A New Hope when Luke tried to save Leia from the Death Star.
Dark Force Rising is the darkest of the trilogy. The term 'Dark Force' has two meanings. The first meaning represents the fleet of 200 abandoned Clone Wars Destroyers out in the middle of the universe, and the one who possesses the fleet has the chance to win the overall war. The second meaning is Thrawn's power rising in the universe.
The book carries three separate storylines. The first storyline deals with the moral conflicts of Luke and the insane Master C'baoth. The second deals with Leia trying to convince the loyal imperial Noghri to turn away from the Empire and join the new republic. Finally, the third storyline deals with Han and Lando, as they deal with the internal political uprising led by Councilor Fey'lya.
The end of the book contains a surprise that would compell the reader to grab for the last book in the series as soon as the second book is complete.
Yet all this effort at realism and character development falls short. Many people who read this book KNOW the true story of how the Allies turned the German agents in England, and the various complex and ingenious methods which deceived Germany about the planned landing point of D-Day.
And such readers KNOW that the British would not be so dumb and reckless with thousands of lives, as to give the Germans information pointing to Normandy, merely because that information MIGHT cause dissension among German intelligence analysts which MIGHT benefit the Allies.
Nor would the type of risky and pointless manipulation WITHIN the British MI5, which is part of the book's plot, be engineered by MI5, just because it MIGHT make fake information received by the Germans look more authentic -- just as it might allow the Germans to get the true information and cause D-Day to fail.
There are so many plot lines, with equal drama and tension, that could have been developed within the framework of known facts, that it seems silly for an author to go so far outside the known facts.
Working on behalf of Germany is the beautiful Catherine Blake, a ruthless Mata Hari type spy who will seduce, maim, and kill in order to help Nazi Germany achieve victory. Hand-picked by Winston Churchill himself is Alfred Vicary, a successful history professor. Vicary's job is to run "Operation Double Cross" for M15 England's couterespionage agency. It is known that Germany has spies stationed in England, but who they are and how to find and break them lands on the shoulders of Vicary. The war could easily be lost to Germany if vital information is leaked to Hitler. For Vicary, not only does he face the challenge of foreign enemies, but also he must deal with a few deceitful people in his own department, jealous of his designation by Churchill. The cat-and-mouse game begins to roll!
Silva's book is not entirely original, you will see shades of Follet and Higgins throughout. Nonetheless, it is entertaining and the historical facts the story is based on are accurate. I believe Silva shows a lot of promise as a future force in the world of high-spy literature. With experience he should develop a style which is uniquely his own. He is definitely worth reading.
Most of the novels of this type follow a formula - Nazi spy, planted in England, uncovers the real facts about the Normandy invasion, and the brave, muddle-headed British intelligence officer must stop the spy before s/he gives it all away. Silva's novel follows this formula fairly well, but there's a very well-written story surrounding it.
Silva's plot is extremely detailed, and there are puzzles within puzzles, and plots within plots. Alfred Vicary is the proverbial (and in some cases literal) absent-minded professor, who shows a surprising streak of ruthlessness when it really matters; Catherine Blake is the Third Reich's ultimate weapon, who would rather not do what she's been doing for the last five years, but has no choice in the matter. These are the two main characters in a very well-done WWII spy novel.
This is Silva's first novel, and if it's any indication of things to come, he has a glorious career ahead of him. I do hope he doesn't restrict himself to this genre, though - if he does his books will grow very stale very fast.
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The story revolves around a young man and his uncle, who is a scientist. They discover a route to the center of the earth (hence the title), and the novel is about their journey. Once you get 100 pages into this book, you aren't able to stop. The things they find boggle the mind, but seem so real.
100 years from now, people will still be enjoying Jules Verne, because he captures the imagination of the young explorer.
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However, DO NOT READ THIS BOOK IF YOU HAVE AND VALUE A CHRISTIAN UPBRINGING, BECAUSE IT WILL CAUSE YOU TO QUESTION EVERYTHING YOU'VE EVER THOUGHT.
In short, I loved this book. It changed the path of my life.
The first book by Quinn that I read was Ishmael, which was fitting, as it was the first one he wrote. In this book, he presents his vision of the future of humanity. It is a dismal one, but not a doomed one. In the form of a didactic conversation between a silver-back gorilla and a middle-aged man, Quinn postulates that at a point in history roughly 10,000 years ago, the main branch of Homo sapiens struck out from the rest of the tree of life into dangerous territory. Ishmael, the gorilla, has a philosophy of teaching that revolves around the fact that knowledge means nothing unless it comes from within the student. Quinn shares that outlook, and through his use of parables and other literary teaching devices, draws out his message from within his audience. Quinn teaches us what we already know but have not placed in context.
I next read Quinn's second book, The Story of B, which does not follow from the end of Ishmael but instead expands on it in a different direction. The teacher in this book is not a gorilla, examining the human species from outside the flow of its history, but instead an itinerant preacher called "B," who is roaming central Europe. Quinn's style also varies, in that here he presents his message for the most part in the form of speeches, without as much concern for what the reader understands. This lecture is interspersed with moments of reflection on behalf of Jared, a Laurentian priest sent to infiltrate B's movement to determine if he is the anti-Christ. Quinn expands his message in this book in order to embrace a wider audience.
Quinn's most recent novel is My Ishmael, in which Quinn again uses the relationship between the gorilla Ishmael and a student to illustrate his points. His main purpose in this book, though, is to show his readers how to effectively change the society in which we live, so that humanity does not run out of time on the course it chose for itself 10,000 years ago. Quinn has Ishmael teach Julie, a twelve year-old girl, how to teach others what she has learned, and how to "save the world."
From my experience, The Story of B is Quinn's most exciting and intellectually engaging tale, and also the one that shows the most hope for the future. However, I would definitely suggest reading them in order, as his philosophy in each book builds on the prior ones, to some degree. But, as Ishmael teaches his students--each telling is different and independent of the others. Since Quinn cannot make you understand things that aren't already within you, cannot answer questions that you aren't ready to ask, you must enter each of his books keeping in mind the personal ad that begins both Ishmael and My Ishamel:
TEACHER SEEKS PUPIL. Must have a serious desire to save the world.
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Like Ishmael and Story of B, I am again absolutely amazed at what Quinn has accomplished here. Great job!
The things he's telling us through his characters are so new and yet so ancient and wise.
If you ever wondered "how things became like this?" or "what is wrong with people?" or "do I have to get up every morning and work 8-12 hours?" this book will provide you with answers and you won't have to join some religion or cult or anything like that...
This book (as well as two others in the trilogy) will make you see through all the lies of our civilization, including east and west religions as well as our political and economic leaders...
The best yet, it doesn't teach you "how to be satisfied with less of what you have" or "how to achieve spiritual peace"!
It's the best blueprint for saving the world WITH people in it so far...
All three books are novels, so you will not feel like being preached all the time. You may say some twists or ending are predictable, but that doesn't matter. If you're falling out of a plane to your doom and someone gives you a parachute, you won't be asking what colour is it...
Read it, if you want to survive!
...
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Voltaire sends the innocent and impressionable Candide on what amounts to a world tour (or as near to it as makes no difference). The reader has to put up with outrageous coincidences and improbabilities: I felt that Voltaire was using such devices deliberately to amuse the reader. Candide experiences various adventures and meets (often more than once) a collection of exotic characters. His travails eventually cause him to question his teacher Pangloss's value system. But really, Voltaire throws various philosophical problems at the reader and invites a reaction - often this is done with a fine wit.
All in all, a pleasure - the more so because it's a surprising one.
At a mere 144 pages (in this edition), this is a classic that is a breeze to read. As to the charge that this book is too "violent" or "in bad taste", I would only ask you to remember that Voltaire was furious that learned members of a "civilized" society (like Leibniz, Pope, and even Rousseau)could claim that the apparent senseless violence and mayhem wrought by disasters, war, disease, man's cruelty, etc. was actually only a part of some 'greater good' - after all, God (being perfect) could not 'logically' created anything but the 'best of all possible' universes.
Voltaire's touch is so light and understated that I defy anyone to write anything that contains a third of the violence in 'Candide' and still manages to read as breezily and somehow be genuinely funny.
But dark satire must be funny - otherwise it lapses into pedantry.
Read it - even if you do not like it, I guarantee you that it will disturb you and make you think.
And for that, we can thank Voltaire.
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