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I really liked this book. The key word is fun.
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In the end, I did not use his advice because I was able to obtain the money I needed to pay the IRS, but I found his reassurances very comforting - that there were solutions to this problem of owing big money to Uncle Sam.
I also made a point to hear him (dan pilla) lecture (on the radio) and this guy just makes so much sense. His information is not theoretical but so very practical. Like - "okay, here's the deal...here's the first thing you need to do."
I would recommend this book to my friends. In fact, I loaned out a copy to someone who was having some problems. He said he wished he'd read it *before* the IRS garnisheed his wages for several years.
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K. Chibale, Synthesis, 2000, 10:1498
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The artist spent most of his life in Switzerland's Waldeau Asylum. The mystery surrounding his work is that he did not begin producing art until 4 years after being committed. Although he had no formal training as an artist and no previous interest in drawing, he spent his 35 years at Waldeau producing a prolific (almost unbelievable) amount of work. He created more than twenty five thousand pages of drawings, prose, and musical scores depicting imaginary travels, poetry, landscapes, intricate maps, philosophies, personal mythologies, scientific theories, complex mathematical systems, and cosmic battles. Wolfli worked in pencil on simple newsprint paper and then meticulously bound the pages into books. The quality of the work is impressive considering the inferior materials available in a hospital environment. He also seems to have predicted many of the ideas that have become popular in contemporary art, immortalizing Campbell's soup advertisement thirty years before Andy Warhol's infamous silk screen.
The work itself is rich with ornament and symbolism. It is as beautiful as it is compulsive and strange. The consistent theme in his paintings appears to be an autobiographical account with alternating realities. His crimes and other actual events are depicted along with a fantastic and exaggerated version of himself as the hero of an epic adventure. The essays speculate on the meaning of his illness in relationship to his art and seem to raise more questions than they answer. It is fascinating to read, and through these reproductions and insights, we are assured that understanding is not a requirement for appreciating Wolfli as an artist.