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"This superb collection...brings together tales of urban romance and political strife from the beloved Uruguayan writer. The fictions, most only a few pages long, are masterful in form, at once succinct and evocative. Many of the early tales...are reminiscent of Kafka-though with none of the weighty mood. Benedetti's language is light and playful..., full of humorous generosity to the reader." --Review of Contemporary Fiction
"What remains...is the singular and surprising nature of Benedetti's stories." --The New York Times Book Review
Benedetti's early work (1940s and 50s) was rooted in and reflective of the middle class milieu of Montevideo. Like all successful regionalists, his keen eye and ear for local ideosyncracy could be bitingly on- target, while transcending the specific to express universal themes. The upheavals of the 1960s added a political focus that was sharpened when he was exiled (and his work banned) as a result of Uruguay's 1973 coup. His writings on political repression and on expatriate life display the same combination of dry irony and warm compassion as his earlier work; while themes change, there is a continuity of artistic vision.
Having enjoyed Benedetti in Spanish, I can recommend this collection. It offers a good cross-section, ranging from 1949 to 1987. I paid particular attention to translation on three of my favorites: "The Budget," a wickedly funny sendup of stultified bureaucracy; "Requiem Over Tea," a beautiful, sad story as told by a 13 year old; "Just Kidding," the chilling tale of a joke gone awry in the era of wiretaps and detention. Throughout, the author's original rythms, his strong sense of narrative voice, and distinctive use of vernacular came across very well.
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One of my favorite messages in this book reads, "Even when no one else seems to recognize how truly remarkable we are, we always have ourselves, the one inexhaustible resource for positive reinforcement, the one person who will always proudly wave our personal flag."
This is a wonderful message to use as an affirmation, because as one says these words, out loud, with closed eyes, 3 times per day, for 21 days (enough time to form new habits), you see, feel and hear more of your connection to the human race.
And it is in this new place, one is able to transcend the self and focus upon the needs of others around us, while we fulfill our own needs.
It is also the best way to follow the path that you are here to travel.
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1) Shambhala Center of Washington, DC: March 8 - 10th, 2002 (301) 949 0517
2)Ottawa Shambhala Center, CANADA: May 24 - 26, 2002
(613) 562 5800, poste 1783
3)Karme Choling, Vermont:May 3 - 5th, 2002
(802) 633-2384
Although rooted in Buddhism, this book will appeal to Buddhists and non-Buddhists alike. Whoever you are, whatever problems you may face, Tulku Thondup simply wants you feel better...
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In my opinion, anyone who reads this book and can keep from laughing hasn't "lived."
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This book shines like a beacon to future nature writers as it uses every description as the basis for a prosaic mini-essay; rewarding curiosity with enlightenment, fascination and delight. Imagine a reference book so enticing to read that you can't stop reading with just one description. Instead, the object of your curiosity serves as a mere starting point in the book; the first page of what often becomes a genuine sit-down-and-read-it experience.
If every nature writer put this much love into their topics, the trails would be overrun with enthusiastic hikers. Here's hoping that the author visits your neck of the woods soon, and provides you with the same exuberant writing he's given us here in the Pacific Northwest.