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The novel, unfortunately, does anything but thrive. The protaginistic narration of the story becomes unclear at several key junctures throughout the story. Rather than a novel, this book would have made a splendid basis for a screenplay.
Although character development is virtually non-existent, its absence is a strangely refreshing paradox, and in this case, not necessarily a liability. Instead, it is craftily used as a textual parallel to the boys' transient, sketchy, and confusing world.
The novel, in true 'Vilmure' form, introduces the reader to what seems to be the middle of an existing situation. The reader, as a result experiences developments and complications as they arise, in unison with the book's characters.
Overall, the main themes of life and death are explored and handled exceptionally well, and in outstanding poetic form, with dashing and intriguing introspective. Considering the relative young ages of the narrators, this element should be especially noted. A pleasant read.
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I gave 'The Magic Moscow' a read at least a couple times a year up until the end of fourth-grade, when I started considering it a bit too simple for my maturing reading tastes. Due to the cut-off point I personally experienced, I recommend this for children in the second-through-fourth-grade range. Although listed at 57 pages, only about 40 pages of it is text, the rest simple cartoonish illustrations. If your child has pretty good reading comp, he/she will likely go through this within an hour. More than likely, a very entertaining hour at that!
'Late