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enjoyed reading it, the author wrote it in a very good \
and organized way, the colors make reading more interesting
as a beginner i learned very good from it, i was intending
to take a course in adobe photoshop but after reading
the book i am able to work on my own. the book only
lacks giving us several made pictures giving us more
ideas than those present in the book
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The fact that only vegetarian restaurants seemed to get high ratings was peculiar in a country whose cusine revolves around meat and potatoes. While this information is handy for vegans, the rest of us are at a loss when choosing where to eat. We gave up on their restaurant recommendations after three lousy meals. The tips on sights were equally shady...how is it possible that the only sight in Dublin that is given the highest recommendation (the thumbs up) was the Guinness Factory? While it was indeed worth a visit, there were obviouslt other spots more worthwhile in the country's lovely capital city. The maps in the book were either useless or nonexistant - it is of no use to recommend places and then leave it up to the traveler to find it on his/her own (especially in a land onf unmarked, windy streets!). The writing remains entertaining, but this book has made me lose my faith in the series. If you decide to bring Let's Go Ireland along, make sure to bring another (Lonely Planet for the budget traveler or Frommers for those with a little more cash).
(Is Cork in Ireland? I think so)
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The Little Digital Camera Book opens with a very brief history of photography followed by a few steps to prepare your computer for the imminent image exchanges. If you have more than a passing familiarity with RAM and why you need it skip to Chapter 2 that's when the book first becomes useful. Chapter 2 of The Little Digital Camera Book is a potentially big money saver if you're one of those bigger numbers must be better type of person. If you read carefully you'll realize you don't need that 5-megapixel-money pit, a 2 megapixel will likely suit your needs. The rest of the chapter is fairly useful as well, though you are not going to end up saving a couple of hundred bucks by continuing to follow Cynthia L. Baron's advice. If you just can't bring yourself to part with the ... cover price of The Little Digital Camera Book at least stand and read chapter 2 in your local bookstore; the advice therein is well worth following.
The rest of the book is not as immediately useful to the novice user but the majority of The Little Digital Camera Book will be useful to the average digital camera owner at some point. You get your basic photo composition tips (rule of thirds et al), your basic image editing tips (though these a bit too general to truly be useful), some info on storage options and just enough info on online versus local printing options. All of the information is pertinent and all of it is well presented. The information you find most useful will undoubtedly not be the info I find most germane but there's something in The Little Digital Camera Book for everyone.
I do have a few gripes about The Little Digital Camera Book. The same camera is used as the model throughout the book. This is fine if you own an Olympus but if you use any other brand of camera you might feel a bit cold-shouldered. Since The Little Digital Camera Book is (presumably) a book aimed at just about any novice user it might have been more interesting if a variety of cameras were used for demonstration purposes. My last gripe regards color photographs. Photography books have to address color and color correction owing to the nature of the subject but a precious few actually go to the extra expense of providing color plates to illustrate the point being made. I regard this exclusion as a necessary omission but a few color plates could have put The Little Digital Camera Book at the top of my must have list.
Bottom Line: The Little Digital Camera Book manages to cut a wide swath without being over simplistic or overly detailed. The Little Digital Camera is a nice book for beginners, pros should look elsewhere.
MacMice Rating: 3.5 out of 5
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Chris Seibold
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Wilderstein protrays Monet life for the most part as that of a debtor. However to his credit, he tempers the romantic "suffering artist" idealism with insight into Monet the creditor. By illustrating what a jackass the artist could also be, the author creates a deep and lively narrative.
Most of the personal insight into Monet come to us by way of coorespondance with Alice Hoeschede. Due to 'appearances' however she requested of Monet her letters be destroyed immediately and thus we're sadly left with a one-sided portrait of the man. While his artistic talents we're unparalled, it's his devotation to correspondance that allows Wildenstein to bring him back to life. Without giving away the ending, it's Monet's inability to write rather than paint that signals the end.
The Japanese Bridge at Giverny, 1924 is just one of the outstanding paintings in a series of works devoted to the bridge that preoccupied Monet during his final years.
Monet loved his garden at Giverny with such a passion that one could say it bordered on obsession. Harmony in Green, The White Water Lilies, The Water Lily Pond are all explained in detail. There is even a picture of Monet photographed in his beloved garden in 1917.
In every life there is beauty and sadness. The beauty of the water lilies contrasts with the pain Monet felt when he painted Camille on her death bed.
When Monet's wife died, she not only left him without a companion, he then had small children depending on him. He spent most of his meager earnings on his wife's medical treatments and he was also deeply depressed and alone.
This type of revealing information makes him so very human and the paintings then contain a certain depth when these secrets are revealed.
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A proper translation of any work has to be done from the original. Such a new translation of Kuzari is, to the best of my knowledge , in progress.
In the meantime there is no satisfactory English Kuzari available. Therefore, this book might offer the best way to become aquainted with one of the classics (probably the second most important work - after Maimonides) of medieval Jewish philosophy
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At one point we feel that they are almost ready to embrace Buddhism, they are so impressed with the simplicity of their creed and freedom from internal squabbling - unlike their Christian church.
We get insights into the way cultures are developed or destroyed, either by religion, commercial greed or both and how countries bend the rules in order to get a political or commercial advantage - here the British are at their worst in promoting the opium trade, precipitating the war with China.
The book is a nice marriage of the narrative of the two Envangelists and Mr Hiney's well-researched commentary, the two parts blending seamlessly into a very enjoyable read.