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Now - the scary part, the interpretations...
This author, DR. BOYER, is the only one (again, that I am aware of) to correctly employ Nostradamus' quatrains to predict several major events of the last two decades. This book was written in 1980 and the first prediction of significance that I discovered was that it identified the fall of the Soviet Union and nailed the year - 1991. The author uses the events of WWII and their respective quatrains as a starting point for interpreting the future - specifically the Millennium.
This is not a ... "special", i.e. - no flashy cover, in fact most people have never even heard of this book and can't even find it for that matter. (It does appear to have disappeared off the face of the Earth - save for these internet listings) It is a thesis text - and a good one at that. The thesis: that quatrain X-72 directly relates to an event where a "King of Terror attacks from the sky on/about July of 1999" and that a possible "contemporary" designated by the anagram and riddle "Mars" will reign for "good cause/with luck". The most terrifying part is that the author illustrates how this event will preceed WWIII. When 1999 came and went I shelved this startling, but a bit over-the-top tome. Then 9-11. I dug it back out and took another look. Funny how 1999 is really 9-1-1-1- inverted. Actually not funny at all.
If Dr. Boyer's prediction of this terrible event is interpreted correctly - and this attack does in fact preceed a third world war - then this may very well be the most important book ever written - after the various religious texts used by modern religions.
And Dr. Boyer will go down in history (or at least my opinion) as the greatest interpreteaur of Nostradamus ever.
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Unlike many contemporary painters, Aelbert Cuyp died a wealthy man. He married well and he amassed a fortune in revenue from his patrons. He was frequently commissioned to paint family gatherings such as 'Portrait of a Family in a Landscape' which he may have developed in collaboration with his father Jacob.
Cuyp's patrons were conspicuous consumers who wanted their wealth noted in portraiture. Cuyp addressed this by painting their horses and clothing with exquisite detail. In an essay entitled, "Cuyp's horsemen: what do the costumes tell us?", Emilie E.S. Gordenker traces the origins of the Hungarian-Turkish influence on the clothing Cuyp's models.
Many Hungarians attended school in the Netherlands in the 17th Century. These young men were heros because they had driven the Turks from the doors of Europe and saved Hungary for Protestant Christianity (much to the delight of the Protestant Dutch). Following their victory, the Hungarians adapted Turkish elements of clothing such as linen undershirts, hip-length tunics, and turbans. The Dutch upper classes made this remarkable new dress the latest fashion. (Recall the oriental aspects of clothing in Rembrandt's paintings? Cuyp literally followed suit).
Cuyp (pronounced as "cowpt") is best known by his bucolic landscapes filled with farm animals, particularly cows--cows in the river, cows in the barn, cows in the fields, cows in the woods, cows with herdsmen, and herdsmen with cattle. However, he was also a master horse painter (plenty of gentry and aristoi on horseback), and his maritime scenes are gorgeous. According to Spring, he introduced the "yellow light" of the Italian Renaissance to Dutch landscape painting. His views of lakes, rivers, and harbor scenes exude a peaceful, serene, and almost other worldly beauty. I particularly like 'Dordrect Harbor by Moonlight'.
The last part of the book contains an essay and reproductions of Cuyp's many realistic pen and ink drawings from the area around Dordrect. These are beautiful sepia pieces you won't want to overlook.
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Working as a counselor with proposition 36 clients is a tedious and fast paced job, dealing with monthly progress reports for probation and courts. This has just solved alot of the difficulty and saved loads of time!