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The book discusses some of the most notorious black and Indian outlaws (and lawmen) of the Indian (and then Oklahoma) territory. I must admit that I had not heard of most of the names. I was surprised to read of how many black men had served as deputy United States Marshals in this region before statehood.
The author seems to have done extensive research on the subjet, and quotes regularly from newspaper articles and other writings from the late 1800's and early 1900's.
Your book must be great, but since it happens to be about my DIRECT grandparents, could you please send a courtesy copy to me. I tried ordering thru you and never rec'd the book. I have had excerpts read to me by other members of family that found the book & I must say I'm shocked. I feel I deserve the right to have a courtesy copy. Any and all of the part of S. P. Brassfield, Abner Brassfield and Abner Jr. you sure hit home. Thank you for your time, I will be anxious to hear from you.
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I read this book because I watched the movie from Disney called "The Sword in the Stone." It sparked my interest of knights and I was fascinated with the Middle Ages ever since. Then when I went to the library, this book was the only one about King Arthur that wasn't checked out, so I read this wonderful recount of the amazing life of Arthur.
I recommend this book to everyone above the age of 9. There are some "not so good for children parts" in this book. If you are a child who wants to read about King Arthur, then you should choose this book. If you want something that is easier, I suggest you not to select this book since it is kind of a hard book.
The medieval setting is painted in a rather idealized fashion, limited to the nobility and figures of the court, who embrace all that is beautiful, brave and noble. These virtues are sometimes portrayed rather simplistically, as unknown knights engage in mortal combat, and only after they have virtually killed each other do the introductions begin: 'What is your name?' Behind this medieval mayhem is a heightened sense of chivalry more reflective of legend than fact, where knights battle to the death for the sake of a woman - even one they have only just met. But isn't that what the Arthurian legends are all about? Nobody is under the illusion that they are to be taken too seriously. Journeying to Arthur's Camelot is a form of escapism - suspend your sense of disbelief, watch the flashing swords and fearful battles, and enjoy.
That's not to say that the Arthurian tales do not reflect any reality. Arthur's world is in many respects a real medieval world. Medieval beliefs in paganism and Christianity are evident throughout. Witchcraft and enchantment is presented as alive and deadly, and conversely the true religion ' in this case the beliefs of the medieval Catholic church ' is evident throughout as knights commend themselves to God in prayer, thank him for his help, and even repent from their sins. The whole notion of the Holy Grail is of course a very Christian tradition ' although a tradition that represents more fiction than fact. And the moral virtues of justice, truth and right for which the honorable knights fight are still noble ideals of virtue today. Arthur's kingdom is presented as a kingdom blessed by the grace of God, a beacon of light symbolizing all that is good and true and right, and a worthy model for kingdoms in today's world because it revolves around timeless virtues. Tales that promote dignity, courtesy, courage, respect for right, respect for female dignity and purity are as ennobling as they are entertaining.
How much truth there is behind the Arthurian tales will always be the subject of debate. The fact remains that there is an extensive and confusing body of legend to wade through. In this 1923 work, Knowles has essentially followed Malory's fifteenth century classic 'Morte d'Arthur.' Even his language is antiquated and tedious, but persevere because you will soon find that this an enjoyable and essential addition that heightens the heroic atmosphere of the story and gives the legend a fittingly majestic touch. But it is doubtful that Malory or Knowles have been successful in making a great deal of sense out of the confusing mass of legend, because it is not unified in a plausible manner. Those looking for a more readable or easier introduction to king Arthur would be better served by the works by Roger Lancelyn Green or Howard Pyle.
In the end these tales of King Arthur and his knights remains a hodgepodge of anecdotes with different styles that is sometimes hard to wade through. But that doesn't matter. This collection is primarily of historical value, in giving a true picture of the original legends as they have been transmitted across hundreds of years. Even if it's not always easy to read, it cannot be denied that Knowles has produced a very comprehensive collection of the Arthurian tales, and the unbelievable exploits of knights in shining armour will continue to entertain in the future just as they have done in the past. Along with the tales of Robin Hood, the tales of King Arthur are the most exciting tales that British history has produced. This is the stuff of legend, and it's worth a read.
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There's also a beautiful coffee table version of this book, re-edited for crisper text and illustrated by Timothy Botts. If it's still in print, it's worth seeking out.
This study takes you through, not only the names that God has been given by Himself and others, but WHY those particular names are used. Kay Arthur's books do not just tell you why, she has questions that are designed for you to go and learn for yourself. This is a great study method for both individual and group study. This way the knowledge actually becomes part of you. For the beginning Christian, this study helps you to learn more of God, His faithfulness, His characteristics, and such. This makes your personal relationship with Him all the richer. This also holds true for the more mature Christian. This is a study that does take some time, thought, research, and reading. But the most important part of this study (and any study that a Christian does) is prayer. Then you are inviting God to make Himself better known to you.
This study does take a commitment of time and energy. If you are looking for a study that makes you dig into your Bible in a deeper manner, get this one. You will be richly rewarded for the effort that you put into it. By the time that you are prayerfully done, God will be even more personal to you. Christ's words of John 15:15, "...I call you friends." will be even more of a reality of your life with Him.
This story is something of an attempt to return to the simple style of tale that worked so well with both "Swallows and Amazons" and "Swallowdale": a tale of children building a world of their own creation and at the same time learning to deal successfully with the real world in which they find themselves. After some of the more exciting later volumes in the S&A series, though, some readers may find the results just a little flat.
As always, though, Ransome weaves his tale through the deftest handling of prose and most adults at least should find this tale as charming as any the others in the series. It is nice, too, to see that the young Bridget is now able to start participating in the activities of her siblings.
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A Czech friend first got me interested in Capek, and made me read WAR OF THE NEWTS, one of his novels, which I adored. WAR OF THE NEWTS is part of this series.
This reader is certainly a good addition to any library, particularly for anyone interested in Capek's work or Czech writing in the Golden Age (the first Republic, before Chamberlain's bargain with Hitler carved up the new state of Czechoslovakia).
However, the translations here do not do Capek justice. While e the translation of the play R.U.R. (a play which introduced the word "robot" to the English language, and which was once more heavily anthologized and taught in America than O'Neill)does include scenes that were cut from the Broadway productions of 1921 and 1945, scenes never before available in Englishl, the translator also takes idiomatic Czech and makes it oddly formal, stilted. "To staci" for example is translated as "That will suffice," which is literally the meaning, but doesn't capture the informality of the phrase. "That's enough" would have been more speakable. If you're a director, use this text only for research but don't give it to your actors-- it will bore an audience, and lacks Capek's humor and zest. And some of the translation, according to native speakers, is simply inaccurate (a word that can mean "scissors" in context was translated as "provisions.") Just as poetry should really only be translated by a poet, plays should really only be translated by playwrights (working with native speakers if necessary). Too much is lost.
Still, the book does put in English, however flawed, much that had been long out of print, and all of it is worth reading.
"RUR" is a comical though moving to thought play about the limits of technology from a social and moral point of view, and how men playing God can lead humankind to a complete disaster. However, the play has a happy and very funny end.
"The Makropulos Secret" is a sort of Faustian comedy which leads to discussion upon immortality and the final conclusion that it's better to remain mortals because nobody could bear immortality's boredom.
"The Insect Play" (better read it complete) depicts the insects' world as a microcosmos which reproduces human behaviour, greed, powerlust, war, shallowness, every human vice incarnated in insects.
"The Mother" is related to Capek's increasing worry about war and the rising of totalitarianism.
One of the best qualities about Capek, apart from his obvious wit, is that he never moralizes, he takes things from the side of the "ridicule" rather than from a sort of preacher's view. His works are very funny, but no less deep. His sense of humour never conceals the depth of his thought, and humour thus makes things even more serious.
1. 'Rossums Universal Robots', which was written in 1920, introduced the word 'Robot' (Czech for the forced labour of serfs) into practically all modern languages, in the sense of an automaton that without protest performs all the chores humans themselves are loath to do themselves. In his play Capek underlines that the process of creating a class of intelligent servile automatons inevitably leads to cruelty. In the end the robots revolt against human oppression.
2. 'The Makropoulos Affair'. A central theme in this theater play is that of a youth elixir that provides eternal life. It turns out that, in the very long run, this is more a curse than a blessing.
Apart from these two famous plays, the selection contains a number of essays and short stories which, without exception, are very whitty and profound. Every cat lover should read his brilliant one page essay 'From the point of view of a cat'.
In 1936, appalled by the threat of expanding Nazism, Capek elaborated the main theme of 'Rossums Universal Robots' in an even grander way in his novel 'War with the Newts'. This novel - which is not included within this selection but separately available on Amazon - is an anti-utopian ('dystopian') novel at least as unsettling as Orwell's '1984" or Huxley's 'Brave New World'.
Not having read Capek means missing a vital part of 20th century world literature.
Capek died soon after the Nazis occupied Czechoslovakia in 1938.
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This work contains 10 essays written between 1935 and 1950, with the common theme being the pernicious impact of dogmatic, unsupportable beliefs. By and large, Russell is highly effective in making his case across a broad range of topics, from the debunking of philosophy's giants such as Plato ("That Plato's Republic should have been admired, on its political side, by decent people is perhaps the most astonishing example of literary snobbery in all history."), Aristotle ("Aristotle, in spite of his reputation, is full of absurdities.") and Hegel ("To anyone who still cherishes the hope that man is a more or less rational animal, the success of this farrago of nonsense must be astonishing.") to the fallacies of discrimination against women, xenophobia and our modern public education system.
His sharpest attacks are reserved for Man's superstitions and particularly for those of the religious variety. Russell is a well-known rationalist thinker and atheist and his views are driven by the common sense dictum that one should only believe that which has sufficient supporting, scientific evidence. This leads to the view that deism is unlikely and that modern revealed religions are pure folly. He convincingly notes the common drivers of these fatuous beliefs across epochs to be fear, a need for self-importance, ignorance and socialization.
My primary issue with Russell is that, while he ostensibly ascribes to a "Liberal" worldview (i.e. a scientific perspective on facts and opinions that holds positions tentatively with a "consciousness that new evidence may at any moment lead to their abandonment.") and excoriates dogmatic beliefs, he can be, in fact, highly dogmatic in the presentation of his views. This is particularly disturbing when he ventures into areas he clearly does not fully grasp, such as economics. In "The Future of Mankind" (far and away the weakest of the 10 essays), he makes the highly naïve, silly statement that "Unless we can cope with the problem of abolishing war, there is no reason whatever to rejoice in labor-saving techniques, but quite the reverse." His point is that higher labor productivity leads to a lower labor requirement to generate life's necessities, thereby freeing up more people for war. Refuting this nonsense hardly seems necessary, but it should be clear that labor does not automatically flow from food production to war production and that more evolved economies do not automatically lead to more war mongering.
Notwithstanding these occasional pratfalls from the platform of reason, Russell is for the most part extremely lucid in his analyses and views. He is also sharp-witted and entertaining in his gleeful exposition of folly. All of this results in prose which is remarkably easy to read while provoking rational thought and leads to my 4-star rating.
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David Cohen
Akeem Hamilton
Steven Pichardo
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Koestler and others were put into camps by the French. Koestler himself was partly a refugee fleeing the Nazis who killed other parts of his family in Hungary and Austria. Being an ex-Communist, led him into suspicion both by the French authorities and the Communists themselves. Koestler was to experience other traumas after this, notably being imprisoned in Franco's Spain (documented in his book "Spanish Testament"). "The Homeless Mind" is the only modern biography of Koestler I'm aware of and should be available from this stockist... and talks of this fascinating and intelligent but sometimes stupid and brutal man.
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