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Thanks for your time T.
It is Arthur Dent's job to make sure that none of this happens. Arthur is a human who was rescued from earth, just as it was about to be blown up by blood thirsty mongrels, named Vogons, to make way for a hyper space bypass. Along to help Arthur is the man who rescued him, Ford Prefect, Tricia McMillan (Trillian), the ex-president of the galaxy Zaphod Beeblebrox, and a handy man from a planet factory, Slartibartfast.
In this story, the 3rd in the Hitchhikers Guide to the Galaxy series, it starts out on prehistoric earth, and through the marvels of time travel, Arthur Dent is teetering on the edge of insanity, while living in a cave where his house will be located in another couple billion years. In the mean time, Ford Prefect has decided to resort to animal cruelty in Africa, until he decides that it is time to try to find a way back to their time. Along the way they meet up with Slartibartfast, who tells them of the pending problem. The people from the land of Krikkit are about to escape from a "Slow Time Envelope", which is supposed to only open when all other life in the universe has disappeared. It is now their job to try to keep the inhabitants of Krikkit from attacking the galaxy, and restore peaceful life to all of the people of the universe. Can Arthur do it? To find out, read Life, the Universe and Everything. But be sure to read the other books in the series before to avoid complete confusion.
Through the insights of Van Weyden we see the cruel, combative, physically imposing and yet highly intelligent Larsen act as if a god over his domain, the Ghost. He holds the fate of his crew in his hands and murders those who he deems unfit. Under the tutelage of Larsen, Van Weyden becomes a capable sailor. After 5 more castaways are rescued at sea including a woman, Maud Brewster, Van Weyden and the woman make their escape by stealing a sealing boat. Van Weyden and Brewster are to fall in love and are stranded on a deserted island. Through a quirk of fate they are again confronted by Larsen, who is marooned and shipwrecked on the same island. There they observe his ultimate and deserved demise.
The book was tied up into too neat a little package for my taste. London spends an awful lot of time, and boringly so, on his philosophies of life. I was hoping for another Moby Dick and was disappointed.
The book is a coming of age story, although it is unique because the one coming of age is already 35 years old. His whole life Humphrey Van Weyden never had to work for anything. He was a scholar; his job was a literature critic because his father had made all of his money for him. Once employed on the Ghost he must learn to fend for himself or be killed. But he finds that his incredibly muscled brute of a captain with no regard for human life or suffering actually has an incredible intellect. They end up discussing the philosophy of life multiple times. Soon, a pretty scholaress from the east of which Humphrey enjoyed reading very much appears on the Ghost setting a gap between Humphrey and Wolf Larsen. From then on the story takes an interesting turn and keeps you on the edge of the railing if not your seat.
If you like swashbuckling adventure, great philosophical arguments and outlooks on life unique to the brain of Jack London, even a love story here and there, then I would recommend this book against all others. I have never read anything like it at all.
I recommend this book because many things are taken for granted in today's rich American society, not least of which being the ability to stand on your own two legs. Most of the modern population depends on others for survival, and this dependence has made us weak. When Humphrey Van Weydon begins to stand on his own he goes through a considerable change, as most people do when faced with a crisis. This change can make or break someone, but like the old adage goes, "whatever doesn't kill you only makes you stronger." While this story is filled with suspense and amazement, the intriguing philosophical concepts arouse your mind and keep the gears turning. The Sea Wolf is an excellent novel, a classic in every sense of the word, and one that teaches much about the human struggle for survival and self-improvement.
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As usual with these books, I envy anyone coming to them for the first time. Watch for the "Rain God", he is quite hilarious, and sort of a stand-in for Marvin in some ways. Ford Prefect has sort of a guest appearance, he isn't exactly central to the plot, but he becomes important in some ways at the very end.
I would tell a new Douglas Adams fan to read this as a love story, Adams' gift to the hapless Arthur Dent. The wackiness is MUCH lass omnipresent here than it is in the other books, so be warned. Basically good stuff, but very distinct in tone from the rest of the series.
For starters, if you read Douglas Adams just for the zaniness and offbeatness of it all, you may be disappointed by this novel. While those elements are not absent, they are severely toned down for this installment. The amazing thing, though, is that Adams manages to mix in his humor at all with a very touching romance and somewhat serious quest of rather epic (rather than episodic) proportion.
The best part about this novel is that it virtually almost entirely features Arthur, and that's it... at least out of the main characters. Ford shows up a bit, and Marvin is in the last chapter, but Zaphod and Trillian are missing, but don't worry, it hardly matters. Adams more than makes up for it by introducing a marvelous character named Fenchurch, who becomes a love interest for Arthur. A love interest for Arthur? Yes, you heard me correctly.
This book, in my mind, establishes Adams as a serious heavyweight. The levels of humor, romance, irony, wonder, and adventure are consistently high throughout, and one never detracts from the other. Besides, we finally get to take a really good look at Arthur (who had been shortchanged in the last two books), the most human character I believe I have ever encountered anywhere, and we get to see a bit of the earth, which Adams makes us realize is rather a funny place in itself.
Do not miss out on this book. Please. Read it for Arthur. Read it for Fenchurch. Read it for the Rain God. And definitely, definitely, read it for the most wonderful love scene ever written. Besides, if you make it to the end, you'll be rewarded with God's final message to His creation, written in letters of flame thirty feet high (quite the tourist attraction). It's worlds above all the others.
Adams is at his best here, creating wonderful imagery and great new characters. He perfectly captures the sensations of falling in love. The comedy is gentle, and the science-fiction elements nearly take a back seat to the love story - but come back in a big way when a long-estranged friend shows up.
In M.J. Simpson's Douglas Adams biography "Hitchhiker", he maintains that many DNA fans (including Simpson) regard this as his worst book - an opinion Adams seemed to share (but Simpson points out that Adams had this opinion of most of his books at one point or another.) As a fan from the very first NPR radio broadcasts, I respectfully - and strongly - disagree. This is Adams at his gentlest, and his most poetic, and his best - in fiction, anyway. The nonfiction "Last Chance To See", itself a love story of sorts, is the only long-form Adams that I would rate higher.
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Agatston also claims his diet is not low carb. But in the first two weeks you eat very limited carbs and after that you add carbs back to your diet according to what you can handle (without gaining weight) so if you consider Atkins low carb, which does the same thing you will consider The South Beach Diet low carb.
You begin the diet with a two week period where you do not eat rice, pasta, bread, fruit, potatoes, etc. After the 2 week period you will according to Agatston lose between 8 and 13 pounds.
When your 2 weeks are up, you go to Phase 2. In Phase 2 you add back carbs that are good carbs like whole grains, fruits etc.
You continue to lose and then when you have reached your goal you switch to Phase 3. This is where you eat your foods in normal portions, but live by simple rules.
There are two main differences between Atkins and Agatston. Agatston does not suggest you go into ketosis as Atkins does. And Agatston suggest you limit saturated fats unlike Atkins.
Other than that, the diet is essentially the same. Agatston suggests eating fresh fruits, veggies, whole grains, unproceessed foods and fat etc. just like Atkins.
Agatston's book is not well written either. He skips around in the book and doesn't clearly spell out the plan. The reader is left to infer what the diet is as he reads the book. A much better book choice would be to get "Atkins for Life" where everything is spelled out and eat less saturated fat.
Agatston also states you don't have to worry about counting calories. Sadly no matter what diet you are on, as I found out the hard way, calories count. The reason low carb diets don't require you to count calories or watch portions is because protein is very satiating and naturally suppresses the appetite. So most folks will not overeat. But there are some who will. And if you cheat just with some carbohydrates and are eating the fats and proteins that low carbing allows you may very well gain weight.
Bottom line calories count.
Agatston gives menu plans in the back of his book. These are cut and dried with no substitutions listed. And when you add up the calories, menu plans are approx. 1200 or so. No wonder you will lose weight!
One good point Agatston does make is if you add fiber right before you eat a meal in the form of say a spoonful of Metamucil you will slow down the processing of your food and feel fuller.
If you want to lose weight, eat protein to help you feel full. Eat healthy fats. Eat unprocessed carbs (fruits and veggies) and eat few starchy carbs (rice, potatos).
And eat moderate portions. Agatston tells you this but its already been said before.
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The imagery is incredible, Wells tells the story of invasion and chaos as if he had been there himself . . .I could certainly imagine myself there.
I do think you have to be a little bit older, more well read to better appreciate this book. I noticed several school kids from VA put reviews on line calling it boring. Of course, these are probably the kids who were expecting the main character to be like Will Smith and the earthlings to travel to the Martians space station (a la Independence Day).
And that was part of the book's charm. No influence from Hollywood. Written in the late 1800's, before movies existed, the book is way ahead of its time. Independce Day obviously got its influence from this book, and is a more updated (and Americanized) version.
Hey, go read it now!
You've seen the 1953 movie, War of the Worlds, and want to read it in book form? Well, then don't look here. Herbert George Wells wrote this book in 1898, a mere one year after The Invisible Man, and two years after The Island of Doctor Moreau. The moviemakers of the 1950s made a wonderful movie, but one that, alas, bears very little resemblance to the original!
This book is one of the crowning examples of nineteenth century fantastic fiction. It is a gripping story that masterfully combines horror and suspense, keeping you at the edge of your seat until the final page.
I am lucky enough to possess the 2001, Books of Wonder edition that contains fourteen wonderful, full-color, full-page illustrations plus the two-page illustrations on the front and back, all done by the masterful Tom Kidd. It is very well made, and would make an excellent addition to any library.
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At this point I am wondering if these goals will lead individuals to become satisfied with themselves. Can people be actually pleased with money and success? Or are these aims only an illusion? Biff and Happy Loman experience whether money and success are worthy values you should set your life on or not. They both come up to a different conclusion. Happy still holds on to success and money. He believes that these values are the key to life. Money rules the world. Whereas Biff has found other criterias he wanted his life to be based on. Biff believes in his individual talent, he trusts his feelings what they tell him to do. Biff goes his own way, therefore he prefers to work on a ranch. Biff came off from what society thinks, what society expects him to do.
Therefore I think Death of the Salesman has lost a little bit of topicality. Arthur Miller focuses his play especially at Willy Loman's failure in society because of his wrong values. But today I think people have enough courage to stand and speak up for themselves as Biff does by the end of the play. Our daily American and even European society is a crowd of individuals.
"Death of a Salesman" was assigned to us by our English teacher, as part of our undergraduate English class. Our teacher, Mrs. Syring, knew this play by heart. She pointed out the subtleties in this play for us (you can't expect too much from a bunch of accounting students..) and she made us understand what kind of outstanding literary attack on the American society and the American dream this play really is.
The protagonist, Willy Loman, is a committed, hard working, aging, middle class man, with a dream to be rich and successful. Making it "big"- just like the American dream. Unfortunately, Loman is neither rich nor very successful. And in the end, Loman commits suicide, (wrongfully) thinking that his family will be just as happy without him, living well off the insurance money.
This play is a classic portrayal of what kind of tragedy the pursuit of the American dream can bring to a man and his family.
The play is written some sixty years ago (written in 1949), but I don't think this play will ever be outdated. Wonderfully written, with an important moral lesson for all of us to remember.
Up until this book, I have seen little written on the longer term business models on how to make money by aggregating users. This book will explain the rationale of why there is enormous value in web sites with a large base of users.
The book has a very interesting chart which describes the return on various strategic investments for a startup trying to build a virtual community. The conclusion was that far and away the most important investments were vendor acquisition (i.e. companies wanting to sell products to the members of the community), member-generated content, and member acquisition. Interestingly, usage fees for the site had an enormous long-term negative impact for the site (despite their short term ability to generate revenue).
There are a couple of points that I think were not well addressed in this book:
1) I don't believe that the authors make a compelling argument about how to sell the first vendors on the advantages of being a part of the virtual community. From my experience, vendors don't sign up for a new product or service because "that's where the market is going". They need to be convinced that there's an advantage for them to be first, and that reason was not adequately described in the book.
2) The book states the importance of member-generated content as a way to build up the community and keep traffic coming to the site. It was never clear to me from the book how to do this through a commercially sponsored newsgroup versus the already existing Usenet newsgroups today (which already have a pre-existing and active community). For instance, there are already many Usenet newsgroups related to Travel. Why should potential travelers use a commercially sponsored site instead of a Usenet group? Clearly there are sites that have been successful at creating their own newsgroup areas so I believe that there are justifiable reasons. I'm just not sure what those reasons are and the book didn't explain them.
Overall, an interesting book and well worth your time.
In my opinion, two of the most useful components of the book are a listing of personnel required for the implementation and maintenance of an online community, and steps needed to help managers get started in organizing a virtual community. The book is certainly worth reading, whether you are developing websites for business, education, recreation, etc. Hagel and Armstrong present valid reasons and practical suggestions for developing online communities that will help members connect, as well as seek and find.
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In the second half of the book, the characters become implausible and the situations wholly unrealistic (or, more acurately, how the characters react TO the situations becomes unrealistic). Gentry Lee asks us to believe too much; I just couldn't swallow it.
The main characters accept being ripped from their former lives and essentially put in a prison with barely a wimper. It seems as though Lee just wanted the story to end. He rushes the plot and it comes down around his ears.
Agreeing with another reviewer here, "Bright Messengers" is very much like the "Rama" books Lee co-authored with Arthur C. Clarke: they're essentially "people" stories (i.e. not "action" or "suspense" stories). And, like those previous books, at times, it becomes tedious in the extreme ("Rendevous With Rama" was the only true masterpiece).
Overall, this is a decent book, considering how much sci-fi trash really is out there. Still, take a LONG break between the "Rama" books and this one; if you don't, you'll bore yourself to tears. We can only hope that the sequel will be better. . . .
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I enjoyed this book at first, because I enjoyed the charatcer and his situation. However, as the novel wore on (at times, it appeared to be a bottomless novel.. the more I read, the more there was left to be read...)I grew tired of the endless situations our "hero" fell into... many of them of his own devising. You just sit there reading knowing that he can't possibly get out of this situation (in part owing to the "give it away" title). Also, while the book starts out promisingly, we fall into situations like "needs to pose as a gay guy to rent a great apartment of a film director, but sexy girlfriend of said director lives there also, which is why he needs to pose as a gay guy..." I could see the inevitable coming a mile away. I also found it difficult to accept such cartoonish and contrived situations as "intellectual best friend dates leathery flatulent 2 dimensional hag". It just ends up being cartoonish, unfunny and untrue. In fact, I am not sure what to make of any of the depictions of women in this novel. Not exactly a very positive outlook.
I would not hesitate to read any more books by this author, but I find this effort a little forced, and delivering a little less than promised.
P.S: This book takes longer to read than a Robert Jordan novel because Taliesin is written at a higher reading level. A combination of complex sentences, facts, and long digressions contribute to the three weeks that some readers have devoted to this book. If you like it and your reading chops are up, you will finish it in a day or two.