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Artos is a young orphan in Sir Ector's castle, whose only playmates are the sons of Sir Ector, who often look down on him. One day, as he chases the dog Boadie into the woods, he comes across a cave that appears to have a massive dragon inside it. Though Artos is initially afraid, he befriends the ancient dragon. The dragon, in exchange for foodstuffs from the kitchen, will teach Artos wisdom.
The teachings that the dragon give Artos unconsciously change his outlook and his treatment of other people - even those below him. But after a strange incident in which the dragon temporarily vanishes, Artos discovers the truth about his friend.
Aside from the works of Gerald Morris, I don't think I've found a more likeable version of King Arthur than Artos. The lessons that he is taught are mild but creep into the mind and take root, transforming him effectively from a "bulky, unruly, illiterate boy" to a thoughtful and compassionate soul (he isn't perfect, but who is?)
The supporting cast is sparkling, from "Garlic" Meg the kitchen maid, ancient Druid wiseman Linn, and the cheerful smith who provides Artos with his first sword. The writing style is admittedly a bit bare at times, but not so much that it is difficult to read. The dialogue and visualization of the final chapter are perhaps the best part, almost mystical.
A small note to those reading this book for the first time: Read carefully what the supporting characters say, and you might just guess ahead of time what is up with the dragon.
A magical tale without real magic, this is an enjoyable tale for lovers of a darn good story and a must-see for Arthuriana nuts!
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Each of the seven substantive chapters looks at a business using a slightly different lens: strategic, operational, financial and accounting, legal, tax, organizational and, oddly but perhaps most interestingly, the Internet. Scattered through the chapter are cautionary tales of what can go wrong in the real world if the practitioner or the client cuts corners. At the end of each chapter is a series of charts and lists which sets forth the subjects of investigation, often with indications of where to find the information or how it is important to the evaluation of the target.
For anyone who has to conduct, supervise or coordinate due diligence, this overview is remarkably helpful. For the young attorney, accountant or business strategist, Due Diligence provides a veritable Bible for his or her own due diligence. But more importantly, the book informs the reader how the information gleaned fits into the overall process.
Rosenbloom's brief but enlightening look at the due diligence world post 9/11 is among the most compelling parts of the book. This section alone can be worth the price of the book. The possible effects of terrorism or war on a business, in concrete terms, or on the material adverse change or force majeure clauses of a contract are sobering and helpful.
Describing due diligence from seven points of view and then domestic and foreign aspects on top of that is a tall order. This informative book is a remarkable, and even entertaining accomplishment...
This handbook, Due Dilignece for Global Deal Making, dramatically increases the odds of doing a deal better. Many experts believe that deals are made or broken in the due diligence phase. That is is where you figure out how much to pay, and the valuation is totally dependent on what you find out and what questions you ask.
This book covers it all from strategic imperative to tax rules. It also has an excellent chapter on my own area of expertise, people and organizational fit. I found the section on beginning to evaluate the fit of the corporate cultures particularly helpful. We think the success of true mergers are highly influenced by the cultural fit.
I would highly recommend this book to anyone practicing in this area, regardless of their area of expertise, as it gives them context for all of the other important, areas.
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Unless teachers and parents plan for the social as well as the physical and academic integration of students with disabilities, the concept of inclusion in regular education classes will not work. Students with disabilities will be rejected, teased, and ignored.
"Everybody Belongs" is a sensitively written, practical book for making inclusion work. Shapiro's ideas are based on years of experience and a detailed, insightful understanding of the relevant research and the history of disabilities. It is also based on a keen understanding of schools, teachers, and children.
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Varnay's story, told calmly but with frequent flashes of wit, begins with the tale of how her parents, both opera singers, met, married, and made their careers in Europe before coming to the U.S. and settling in New York. Young Violet Varnay, as she was dubbed by a teacher who could not cope with her Hungarian name Ibolyka (little violet), worked as a secretary, waited in the Met standing room line and quietly prepared herself for an operatic career. She prepared so well with her coach and eventual husband, Hermann Weigert, in fact, that her resume was met with astonished laughter at her eventual Met audition. The powers that be were quickly won over upon actually hearing her, and her stage career began at the Met in 1941 as a last-minute replacement for Lotte Lehmann in Die Walkure. Before retiring in the late 90s, after a career spanning more than five decades, her voice and dramatic presence would take her to Bayreuth and all of the great opera houses of the world.
It is of course difficult to say how much of the structure of the book stems from the singer herself, and how much from her co-author, Donald Arthur; but one of the attractions of this memoir is the skillful mix of narrative, anecdote and self-analysis of Varnay's numerous roles. She draws portraits of her husband, family and colleagues that leap vividly from the page, without ever descending to mere bitchiness, though she does allow herself some jabs at Herbert von Karajan and Rudolf Bing. The ultimate impression is of a strong, self-aware but not overweeningly arrogant personality--someone one would like to meet and talk to in person. One is touched by her inexhaustible eagerness to perform, and her capacity for discovering insights into roles usually dismissed as worthy only of comprimaria singers. She is also not above laughing at herself, and includes some amusingly informal photographs. Highly recommended.
She also pays the reader the compliment of assuming that if we are interested in her and her career, we will be interested in her roles, some of her reseach on the roles and why she feels the way she does about the characters she played on stage. That is not to suggest for one minute that she gets bogged down in endless tedious details. Far from it! For all of the wonderful digging into her roles, there is also always a delightful quip to go along with it. The humor is there, the talk about colleagues, but it is a refreshing departure from the usual "And then I sang in Vienna and they loved me, and then I went to Berlin and they loved me even more" story. This is obviously the very real story of a singer whose life was the theater.
What stays with me, long after finishing the book, is the enormous amount of work and unrelenting dedication Varnay put into her honeing of both her voice and her dramatic instincts. It took constant hard work, but it was a labor of love--and that love shines through on every page here. The book is the perfect companion to the live performance CDs of Varnay in her prime that are now available. And the world is a better place for having both.
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considerable amount of so called "numbers crunching" is involved in reviewing this text. As such, the book serves the analytic student optimally. The text is devoid of the most complicated analytics inherent in "quantitatively oriented texts". There is a good appendix on the use of financial calculators ,as well as, present value calculations and other useful knowledge supplemental to the study of finance. This book would be most useful to students planning their careers as financial analysts, corporate planners or private entrepreneurs.
Topics included are on basic valuation of various securities and projects using discounted cash flows, capital budget management, liquidity management, etc. I'm still learning from it after school. There simply wasn't enough time to fully cover everything in the book that I would have wanted. Now I'm ready to tackle more advanced corporate finance books/materials.
This is an introductory book for someone who may be interested in becoming a financial analyst but is obviously geared to the educational market for use in schools. The academic slant limits its applicability somewhat. Although it may give a stock market player who wants to start understanding the systematic process involved in the valuation of securities on a cash flow basis some insight for example, discussion on valuation by multiples like P/Es is virtually absent.
Nonetheless a great book.
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The tips on what to see and what to avoid were dead on.