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"Lieutenant Gustl" is presented in the form of the eponymous soldier's stream of consciousness, so there is much skipping among subjects which at the same time reveals a great deal about Gustl's personality, the Austrian society of the time, as well as makes one smile. The narrative begins at a concert where an oratorio is being performed, and Gustl seems to be terribly bored with it, cursing his friend, Kopetzky, for giving him the free ticket. Parallel to that though, he is enjoying the fleeting glances of young women in the audience, and on top of that, he appreciates the fact that he is attending an event that has an ascribed cultural value to it--something respectable, decent and going with his image.
At the same time, he is preparing for a duel with a doctor the next day, the cause for which have been some utterings by the latter insulting to Gustl's sense of patriotism. This is another theme throughout the work: the Austrian militarism as well as its opponents, a dose of anti-Semitism, the belligerence of a "good Austrian."
However, the plot following the concert focuses on an incident in the cloakroom. Gustl becomes restless with a large man blocking his way to retrieving his coat, and that irritates him to the extent of cursing at the large man. He turns out to be the baker who is also a regular at Gustl's coffee-shop, but to our hero's chagrin, he turns out to be stronger than Gustl. The baker grabs Gustl's sabre and whispers into his ear to straighten out or the sword would suffer, with all the disciplinary consequences.
This upsets Gustl so much that he gets launched into lengthy ponderings over whether what he has just experienced was a dream or real. After weighing a number of options to stop any further damage to his reputation (what if the baker tells somebody about the incident?), he resolves to commit suicide at the break of dawn. Until the very end of the story, matters from philosophical of universal scale down to prosaic and technical such as how best to say good-bye to his prostitute-friend preoccupy his mind. I am sure many readers would recognise the pattern in which Gustl's mind keeps jumping from topic to topic--Schnitzler has captured the process of thinking so well.
The ending is very abrupt, just like that which the mainstream consumer of popular culture might have experienced when viewing Kubrick's "Eyes Wide Shut." I will not give it away, but it is an easy little read that won't take too long for anybody to reach the denouement.
In 1825 he purchased 30.000 acres in Indiana near the present town of New Harmony, Indiana. He established a self-contained community on that location which lasted just three years. He then returned to England and tried other experiments their and did extensive writing on his ideas.
This book contains a short survey of Robert Owen's life and a sample of his ideas taken for his writings. It is a worthy addition to any history library.
Arthur W. Pink is a familiar name to many Bible students today both among pastors and laymen. But many may not know about the interesting life this man lived. Murray gives a good portrait here.
He was converted from Theosophy while in his twenties, and immediately felt called to preach. Though he never even completed Bible College, he became a popular conference speaker in his early ministry. After several pastorates in the United States, he moved to Australia where he did conference work and pastored a "Strict" Baptist church. But Pink's allegiance to the "whole counsel of God" cost him the acceptance of men. He taught too much for both the more common Arminians of his day and the "high" Calvinists, who had drifted into hypercalvinism.
After years of struggle to find his place, he reconciled himself to a ministry of writing instead of preaching. From Stornoway, Scotland he faithfully penned his "Studies in the Scriptures" magazine, which was sent to about 1000 (and sometimes less) people across the world.
The books that have now become so popular (The Life of Elijah, Exposition of Hebrews, Spiritual Growth, Eternal Security, etc.) originated in this magazine.
Murray gives the details of these different experiences of Pink and his wife, and also provides some interesting insights into the cause of Pink's eventual isolation. He writes charitably, yet with objectivity.
The ten chapter book concludes with a lengthy section of extracts from Pink's writings on numerous subjects of importance and a helpful bibliography of Pink's writings.
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And what the heck is geomancy anyway? I would be extremely interested in hearing from other readers how they felt about this book, if they wish...
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