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I didn't know Arthur Herzog when I first picked up "The B.S. Factor." I still don't know much about him or his other work. Yet, if I had the means, I'd put a copy of this invaluable book in every library, every waiting room, every reading rack, and every hotel room in America. His is the crusade I've been waging for a quarter of a century.
Herzog cuts to the bone in dissecting a myriad varieties of obfuscation, verbal misdirection, and just plain muddy talk. He concludes his incisive, hilarious taxonomy of verbal fakery with a brilliant essay on living in a healthy state of skepticism. One gets the sense that nothing fluffed or hyped could ever get past him.
Mr. Herzog and I differ on certain political matters, and here is where I find the book's only fault: On occasion, instead of concentrating on his primary mission, which is the exposure of imprecision, flim-flam and deliberate attempts to confuse that litter our verbal environment, he allows his politics to take center stage. Still, he doesn't let it happen often, thank God.
If you are concerned about the deterioration of language, truth, and meaning, but aren't sure yet how deep the rot goes, this is a must-read book. If you're already near to verbal paralysis from the seeming impossibility of getting the people around you to talk straight, Herzog is your spiritual kin, as he is mine. Either way, you'll come away from "The B.S. Factor" enlightened and refreshed.
Freedom, Wealth, and Peace, Francis W. Porretto
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Most disturbing is the lack of scale line drawings to illustrate the vessels' appearance. Yes, Roberts has drawn a wonderful 1:200 scale plan of Lion-class Queen Mary provided as a separate double-sided sheet, a couple of nice detail drawings, and sketches of armor layout. But there are no other drawings to show the appearance of the other six classes of British battlecruisers. This is an unforgivable omission in a book of this price and this pretentious title. What this book does offer is 80 large, nicely reproduced b/w photographs, 47 of which are credited to the author's collection. These 47 are not the usual collection of Imperial War Museum photos and were new to my eye.
Aside from the backroom discussions leading to their design, there is little here for the historian. Aside for the photos and the large-scale drawing of Queen Mary there is nothing here for the modeler.
As somone who likes getting into the gritty details of ship designs, I found _Battlecruisers_ to be an interesting book. Unfortunately, though, it's also a short book, a mere 128 pages (plus fold-out blueprints). This is a shame, as while the book of necessity mentrions some of the controversy surrounding these ships, it does not delve nearly deeply enough into the basic rationale for the ships as expressed by their creator, Lord Fisher. On the other hand, one could make the argument that such details are out of place in a design history, and furthermore that Fisher himself was never able to clearly articulate their rationale in anything other than pithy phrases such as "speed is armor."
If you are a familiar with the battlecruiser controversy, then I recommend this book. If you are not familair with it, I would suggest reading the section on the Battle of Jutland in John Keegan's _The Price of Admiralty_, and then reading _Battlecruisers_ concurrently with the relevant chapters in Robert Massie's _Dreadnought_.
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This book would work great with middle/upper-middle class kids who are taught verbal skills from the get go.
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Not that I wish to dismiss this work entirely; Koestler's novel is far more successful as a bleak commentary on the direction of the human race, mostly due to the two brilliant short pieces which frame the centeral academic tale. These pieces remaing brilliant and haunting despite the dry centerpiece.
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The book is anyway a worthy attempt, given that unclear fields such as Chaos Theory or Quantum Mech. belong as much to physics as to Theology or to Philosophy. All interpretations seem possible.
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I bought the book to prepare for my Chemistry Class next year. Since it was a "PICTURE" book for "Everybody", I thought I would have no trouble reading, but no, I couldn't understand most of the parts, and was totally confused with all the weird vocabulary and hundreds of names. I was disappointed.
The good side: Though I didn't appreciate the book that much, it did have some nice tales that amazed me. And though half knowing, half guessing, I think I did gain a sort of historic understanding of the world from Alchemy to Chemistry, for that I have to say thank You. So overall, it's a badly illustrated book hard for beginners to understand, nevertheless, it's better than nothing.
"I anticipate justified criticism of this idiosyncratic tour due to the numerous sites not visited. I freely admit that there are countless other paths through chemical history, and I apologize in advance for discoveries omitted or given short shrift. However, I want this book to be useful and to fulfill this mission it approach will not help to achieve this goal. Although I have attempted to apologize for the weak coverage given to early science in Chinese, Indian, African, Moslem, and other cultures. This is really more an artifact of the availability of printed books rather than intent.
"Although our tour is meant to be both light-hearted and light reading it tackles some of the important issues that are often too lightly or confusingly broached in introductory courses and are difficult to teach. We do, however, try out hand at humor and some of the earthiness so evident in the Renaissance works of Chauvcer and Rabeliais. Why not include Van helmont's recipe for punishment of anonymous "slovens" who leave excrement at one's doorstep? By providing such vignettes, I hope to reengage chemists and other scientists in the history of our field, its manner of expressing and illustrating itself and its engagement with the wider culture. I hope to provide teachers in introductory chemistry courses with some guidance through difficult teaching areas and a few anecdotes to lighten the occasional slow lecture. And if a few students are caught snickering over a page of Rabelaisian chemical lore or some bad puns, would that be such a bad thing?"
The author also suggested further readings in his acknowledgments:
"The most authoritative is the inspirational four volume reference work, A History of Chemistry (McMillan, 1961-1964), by john R. Partington."
"The development of Modern Chemistry (Harper & Row, 1964), and the more recent book by William H.brock, the Norton Hisotry of Chemistry (Norton, 1993)."
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