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When Arthur Gordon Pym stows away on a whaling ship, he little dreams that he'll encounter tyranny, mutiny, biblical storms, cannibalism, shipwreck...and Poe's just getting warmed up.
I've read that he cobbled together this semi-novel from several shorter pieces he'd written. It has a somewhat uneven feel to it; episodic, even disjointed. And as the episodes are piled one on top of the other it becomes a tad much. But it is always fun, often thrilling, and the mayhem that lurks on the surface guards layer upon layer of allegory and allusion. As you read you find yourself saying, "Hey, Melville borrowed that scene and Jack London got that idea here and Lovecraft cadged this plot..." If you have any doubts about how influential a literary figure Edgar Allan Poe was, this melodramatic masterpiece will put them to rest. More importantly, you'll thoroughly enjoy yourself.
GRADE: A-
"The Narrative of A. Gordon Pym of Nantucket" is a devilish tale about a young sea-loving man by the name of Arthur Gordon Pym. He becomes a stowaway onboard a ship by the name of Grampus. This gravely error causes the mutiny of the Grampus, the stranding of the Grampus at sea, and the death of his friend, Augustus. I believe this story is a wonderful spine-tingling tale by the popular author Edgar Allan Poe. This story would be a wonderful addition to anyone's horror story collection, especially anyone who loves Edgar A. Poe's gruesomely good stories of horror and mystery.
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Anyways, this is the second Holmes story, and it is a page-turner, full of suspense. Also, it delivers the kind of intrigue and "how did he know that! " disbelief that only a Sherlock Holmes story can generate. It is because of this, and the stunning detail in which he is described throughout the 60 Holmes stories, that the hardcore readers of the Holmes stories cannont alltogether accept him as fictional. No character in the history of fiction has ever been more real to his readers, and none ever will be. Many Holmes fans have been known to feel remorse, even sadness upon visiting the Rickenback Fall (where Doyle originally tried to kill Holmes). That may sound fanciful, but indulge yourself in the 60 Holmes stories (including this one-one of the best) and see if you fall into that category.
While A Study in Scarlet deals rather unmercifully with the Mormon colony in Utah, A Sign of Four presents what would now be considered a strikingly politically incorrect perspective on India. It's an historically interesting British viewpoint from late in the last century.
Whether you read a public copy or get it from the University of Virginia on-line archive, I strongly recommend A Sign of Four. It's a quick read, and certainly a better option for spare time than Holmes' seven percent solution.
As Sherlock is injecting cocaine into his blood system, he sits down with placid relief, until there is a knock at the door. In enters the beautiful Mary Morstan, whom Watson immediately takes a fancy to. While Watson observes her beauty, Holmes observes her problem. It seems that she is a rather middle-class woman, with style and father in the military, who is currently stationed in India. He had recently wrote to her saying that he would come to visit. However, he never showed up when she went to pick him up. That was ten years ago. But starting six years ago, four years after his disappearance, Miss Morstan had been receiving mysterious packages containing pearls of great value, one a year. Having been contacted by her mysterious complimentor, should she go and meet him? Or should she stay home? The truth lies with in the book.
This book is a triumph for the celebrated novelist Sir Arthur Conan Doyle, and I believe that many people would enjoy this book. Just to be specific, it would mainly be for people who are in the age group of around: 13 or older, and also those who are fond of the mystery novels and thrillers and anyone who could use a good book.
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I doubt that Russell would write this same book today, but I also doubt that he would fundamentally alter the positions he takes, if he were writing today. There is something neat, eloquent, and elegant about his epistemological premises that make this work (well beyond its 17th printing and more than eighty years old) such a venerable treasure trove. Could his positions be better articulated? Yes, but not by much. Would he delve more deeply into logic? Almost certainly. And he does, in other books written during his lifetime.
This book is really for the novice. My only complaint is that the novice will probably remain lost if his readings did not encompass more logic and criticism of rational and empirical epistemology. What makes Russell a true "modern" in contemporary philosophy is his bridge to resolving both the rationalist and empiricist schools of thought. One not knowing these dichotomies might find Russell's resolution difficult to follow. Elsewhere in the book, Russell identifies "three" rules of thought, when these rules are no longer considered all that are extent. Generally, there are seven, sometimes nine, taught in most symbolic logic courses, and this discrepancy may needlessly cause confusion. So while the book is written for the novice, it bears re-reading after covering other contemporary writers.
Russell and the others mentioned above are often associated with logical atomism, either directly or indirectly. Reading Russell or Ayer gives the student the best opportunity to do philosophy whilst learning it first hand. Both are explicit writers with Ayer perhaps having the upper hand. But, as with any philosophical school, such as logical atomism, there is always a counter reaction, and A. L. Austin's "Sense and Sensibility" is just such a reproach. Russell, like Ayer, uses the construct of "sense data" to explain the theory of knowledge; Austin and Gilbert Ryle redress both author's use of such "metaphysical" interpolations, which makes for an interesting contrast. Any reader of Russell or Ayer should counterbalance his reading with Austin's work.
"The Problems of Philosophy" is not without gaps that may leave the reader puzzled by the omissions. Perhaps they weren't as obvious when Russell wrote this book, but they are clearer now in hindsight. An egregious omission is the absence of anything to do with ethics or moral theory. Since ethics is one of the few domains particular to philosophy alone, this omission is particularly troublesome in a book of this name. If I were to title the book, it would be "The Problems of Epistemology."
I gave the book 4 stars instead of 5 because the focus is pretty much entirely on epistemology and I feel Russell does not discuss metaphysics or ethics as much as he could have. But don't let that discourage you...this book is valuable to the philosophical newcomer.
Some of the accounts of "sense data" and "knowledge by description" are a bit tortured, partly because Russell tried to avoid metaphysics as much as possible, and I personally do not believe that they are ultimately correct. However, the discussions are still good introductions. People who read more rationalist philosophy from the likes of Brand Blanshard and Laurence Bonjour as well as analytic philosophers like David Armstrong will get a better insignt into where the real debates about some of these issues lie.
On the whole, a good introduction to philosophy, even though it doesn't touch upon ethics and politics. However, philosophy is a difficult subject and one book, even the best introduction, cannot make clear all the problems that some of the best minds in history have wrestled over...
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Due to the rather comparative nature of the work, it was necessary for Waite to be rather sketchy in his examination of the grimoires. That is quite forgivable. He made no claim that he was including the ancient texts word for word, or even complete instruction from them.
As a sort of sampler, it is quite excellent. A person interested in the darker sides of magic can use this book to find what they might be looking for and then seek the actual text Waite quoted from in his excerpts. The older the better, since the modern reprints sometimes have left out bits the publishers feared might be "objectionable".
My one real displeasure in the reading was noting Waite's comment on the formula referred to as "The Composition of Death", where he mentions that it appears to him that the formula would result in a liquid rather than a powder. This indicated that he settled for available english translation of the time and did not bother to check the older versions. If he had, he would have known that the formula in the english version was incomplete.
That small displeasure was more than balanced by his reminder to readers that while in modern times the sacrifice of a lamb or goat to get parchment may seem bloodthirsty, it was an everyday occurrence since paper was not actually available when many of the old grimoires were written. The only way you could get a guaranteed clean sheet of parchment was to make it yourself, since some parchment dealers would wash writing off used parchment and sell it as new.
A classic in it's own way and always a refreshing read free of the "politically correct" viewpoint that seems to have become popular to impose over such works.
While I would not recommend it alone without additional reading from the original texts he quotes, it's quite reasonably well done.
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I still haven't made up my mind about who did it. Sure, there is a very obvious suspect in Jasper, but that doesn't mean Dickens thought he did it. Some people have speculated that Dickens wrote this novel as a tribute to his friend Wilkie Collins' "The Moonstone," so perhaps the opium addiction would have played a huge part in the mystery. It's even possible that Dickens saw a bit of himself in Jasper's tortured love life because of the way it paralleled his own life. After all, Cloisterham is supposed to be based on Dickens' Rochester. Then again, just because Dickens sympathized with someone, that doesn't mean that character was innocent, either, does it? Now you see why this story continues to torment mystery lovers.
Like any other Dickens novel, this one has lots of memorable characters, from the suspicious and tormented Jasper to the Reverend Crisparkle to Princess Puffer. And of course, the enigmatic Datchery. The gravedigger and his obnoxious but perceptive boy assistant provide both Dickensian eccentric characters and possible clues.
The power of this book even today is clear in the way it inspired an award-winning Broadway musical where the audience got to solve the mystery on their own. (By the way, 1935 movie with Claude Rains was good, but some of the main characters were cut out, and others seemed little like the characters in the book, even if they were fine actors.)
Anne M. Marble
All About Romance and Holly Lisle's Forward Motion Writing Community
As in all of Dickens' novels, the characterizations are the thing. You have the innocent young woman with the somewhat eccentric guardian and his Bob Cratchitlike assistant. There is the dark, possibly unfairly accused, but hot headed antagonist of Drood. Then there is Drood's brooding choirmaster uncle, John Jasper, who frequents opium dens, and who may or may not have ulterior motives in his seeking revenge. Durdles, the stone mason, and a somewhat weird character, provides some chilling comic relief in cemetery scenes with his stone throwing assistant. There are also the typical Dickensian characters, which includes a snooty older woman, a class conscious, spinsterish school mistress, and in a hilarious restaurant scene, an unappreciated, hard working "flying waiter" and a lazy, wise acre "stationary waiter."
It is a shame that Dickens died before he could complete "Edwin Drood." What is here are the beginnings of an exploration of man's dual nature, a journey into "the heart of darkness" so to speak.
There is first of all John Jasper, an opium addict who suspiciously loves Drood's ex-fiancee; there is a nameless old woman who dealt him the opium who is trying to nail Jasper; there is a suspicious pile of quicklime Jasper notices during a late night stroll through the cathedral precincts; there is Durdles who knows all the secrets of the Cathedral of Cloisterham's underground burial chambers; there is the "deputy," a boy in the pay of several characters who has seen all the comings and goings; there are the Anglo-Indian Landless twins, one of whom developed a suspicious loathing for Drood; there is the lovely Rosebud, unwilling target of every man's affections; and we haven't even begun talking about Canon Crisparkle, Datchery, Tartar, and a host of other characters. All we know is that the game is afoot, but we'll never know the outcome.
It would have been nice to know how Dickens tied together all these threads, but we can still enjoy THE MYSTERY OF EDWIN DROOD because -- wherever Dickens was heading with it -- it is very evidently the equal of his best works. Life is fleeting, and not all masterpieces are finished.
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I found the video interesting and decided to read the book. The three stars are not because of the subject content. It is for the delivery. I did get what I wanted from the book and that was the background that did not have time to be shown on the movie. Aside from the actual leaflets, Inge Scholl does a good job of building up the drama as newer and weirder restrictions are being applied to the German public.
The movie is a must see. If you enter 1585870420 in the search window, it will take you to the film.
So if you like identifying with oppressed people, you should read "We the Living" by Ayn Rand ISBN: 0451187849 However if you are the rebellious type try "Turner Diaries" ISBN: 0937944122
Sophie and Hans Scholl lived in Germany during the reign of the cruel dictator Adolph Hitler. They and several other young people and their teacher stood up to Hitler's brutal rulership and tried to bring about peace and justice in a country devoid of almost everything but propaganda, hate, and bloodshed.
Exactly what steps these young people took is not as important as the great Idea they stood for, the vision of peace, love, and justice. Writing such things as "Freedom"and "Down with Hitler" on walls and streets took courage that only the most devout and focused person could have. These people, who were killed for their beliefs, should have more than just a book about them with the name of their group, The White Rose. They should be known and honored world-wide for their nonviolent stand against the most wicked and horrible dictatorship in modern history!
Please get this great little book, read it, and pass it on!
Kenneth Zimmerman
Included here are the texts of many of the leaflets distributed by the White Rose. One wonders how modern readers would relate to such eloquence that draws from the poetry of Goette and other sources utilizing vocabulary beyond what is common in our dumbed down institutions.
Ms. Solle's introduction to this book provides a context in which we might examine our own complicity with modern structures of annihilation.
I would highly recommend this book as text for classes in social or political history.
If the purpose of education is to encourage us to examine our contexts and choices, this book is an imperitive read.
I'd have to say that this story is "classic Poe". If you are a fan of Poe's short stories, you'll definitely like this book. I only had a few problems with the story. There were times that the story dragged, but this is far outweighed by the times that the story was very exciting, and I couldn't put the book down. I won't go into the ending, but it left me unsettled.
I found that the explanatory notes were very helpful. I'm not a great scholar on any level, nor will I ever claim to be. The explanatory notes were very simple to understand, and it helped me understand portions of the story that caused confusion, particularly the end.