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Like other Frommer's guide books that I have used, I find this type of advice the best because it lists good choices from expensive to budget. For an average family tourist, this book is an excellent general guide.
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No matter how long and fully one has worked on a research project in the arts, as soon as one publishes, more material, often keenly interesting material, appears in response to the publication. A study of the second edition's acknowledgements suggests that the beauty and inclusiveness of the first edition brought the suthor new contacts with other dealers, collectors, museum curators, auctioneers, and other specialists, each of whom had something wonderful to add to the story.
In the case of the new photographs in the second edition, many previously unlocated Jensen pieces turned up. Some pieces illustrated in the first edition only in rather murky old catalogue or magazine photos became available for new color photography. Additional historical photos surfaced as well. The net gain of images in the new book is(by my count) just over two hundred color and black-and-white images overall. That the new addition is physically about the same size as the old one owes to a meticulous reworking of the layout on perhaps half the pages in the book. There was enough "air" (unused white space) in the basic design of the text pages for the first edition to accommodate many more photos in the second edition without choking the graceful layout of the book.
One of the most important innovations of the second edition is also easily overlooked in a casual inspection, and it will prove very useful to collectors and dealers in understanding Jensen product. The photo captions now include all Jensen design numbers that were stamped on their items of jewelry and hollowware, along with the trademarks and other marks on the back and bottoms of the pieces(only some of these were available to the author for the first edition) All Jensen jewelry and hollowware items were so marked, except for special-order pieces, and much of the earliest flatware was also marked in this way. As in the first edition, there is a full explanation of the marking system near the end of the book. Other important additions to the book are more readily apparent. These include complete reprints of the Jensen illustrated flatware catalogues for the Cactus(flatware pattern 30) and Acorn (flatware pattern 62) patterns, and for the so-called"Unique Serving Pieces". These include seventy-two ornamental serving utensils in a variety of numbered patterns not matching the full-line flatware patterns. The new edition also includes both chronological and production data for all of the sterling silver designs of Henning Koppel that were produced for the Jensen company. The Value Reference Guide has also been updated. This guide is not based on opinion but consists of actual auction records from sales in the major American and British houses over the past decade.
Given that the first edition had been sold out before public demand for the book had subsided, a reprinting would have been welcome enough. Both the author and the publisher are to be congratulated for instead producing this most significant and valuable revised and expanded second edition. I am glad to recommend it to owners of the first edition along with the ever-expanding group of collectors of Jensen"estate" silver who were not able to obtain the orginal book.
Not a dry tome, crackling with boredom, this book offers an at once scholarly treatise on Jensen amd a readable reference as well. Drucker sets up the volume by putting Jensen's ascendency into prospective. She grounds him in his time period and explains the forces which created his work and appeal. Not settling for another long line of picture strewn collection catalogs, she introduces the reader to Jensen's life story in a well written and very readable text. Next the collector's delight: the litany of his accomplishment.
Chapters are devoted to his jewelry, his holloware and his flatware. Then Drucker offers the benediction with a look at Jensen's worldwide legacy. But don't stop there, because the appendix offers the musuem collections of the master and a listing of the artists whose work built the Jensen line.
Now, lest you think this book is a must for scholars only, rest assured the exquisite photography and the easy to read captioning will make this gem a perfect adornment for your home library. If you know Jensen or not, Georg Jensen A Tradition of Splendid Silver will be splendid for you.
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Even though I wasn't the owner at the time this book was published, I can confirm that one of the families living there is still experiencing occasional phenomena. Granted, it's nothing as extreme as the incidents detailed in the book by a few of the former tenants, but it's still enough to remind them that not every noise in the dark or slamming door has a neat and tidy explanation.
Overall, this is a fun book. If you're looking for a good book for late night reading, I'd recommend this one.
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Respectfully, this book is for the serious student. Not a quick read, but rather a book that requires reflection as the author "compares spiritual things with spiritual."
I have read several of Rev. Pink's works; this is by far one of his finest.
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