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Nikola Tesla has been called the man who invented the 20th century. I'm hoping that Clarke will be remembered as the man who invented the 21st. As I type this there is a TV in the room, connected to a box, in turn connected to a dish on the roof, that is pointed to a satellite over 42,000 km away in what is called a Clarke Orbit, after the astronomer who realized it would be a useful place for a communications satellite to be, Sir Arthur C. Clarke.
So what does that have to do with this novel? In this book Clarke talks about a bridge, a tether that connects the ground to Clarke orbit. A vertical railroad, allowing for a more economical method for reaching Earth-orbit than riding on a Space Shuttle with the power of sixty-five locomotives.
As in real life, the political problems far outweigh the technical ones, and those who say that Clarke is weak in characterization have not read the same book I did.
Do the math, we can build a tether, we should build it. The only thing wrong with this book is that it hasn't happened, yet.
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This is a series that simply didn't work for me. I've been told that Kennealy considers this to be a sci-fi series more than a fantasy, and yet, there isn't any actual science in them. Ships and the rare computers are controlled by crystals. Horses still seem to provide 99.9% of transportation. Bedding is made of fur. There are no paternity tests, apparently (an important plot point). This is not a scientific world. It is a fantasy, pure and simple.
Also, there are no surprises. Kennealy invokes "dan" (karma, fate, doom, whatever) at every corner, meaning that each and every major plot point is revealed well before it becomes an issue. I found myself rolling my eyes, wondering what the Kelts would think of us Terrans, who aren't given the opportunity to know EXACTLY what we'll be having for breakfast in forty years, much less EXACTLY how long we'll live, who we'll marry, what the names of our grandchildren will be, what our great and mystical destiny will be...
My friend was excited to tell me that there was no Lancelet figure in this series. Well, excepting Keils, there wasn't...but Lancelet is an important part of the Arthur legend. A very, very important part. Because, you see, it is mostly as a result of the whole Gwen/Lance thing that Arthur nanced off to get himself killed, and Camelot fell.
Last major gripe: there is no character development anywhere here. Oh, sure, characters grow up, and grow older, but they don't change must. (Okay, okay, Gweniver changes a bit, over the course of her hundred or so year lifespan.) No, Taliesin is the same person at 100 that he was at five. Donah and Loherin and Tarian and all these other character appear and move offstage without the reader ever having any insight into their being.
All of that said, there were some wonderful parts in this trilogy: the Yamazai were extremely cool, as was the whole "Hedge of Mist" idea, the idea of Taliesin's mother being from earth...probably the scene that moved me most was Arthur and company's demise, which I will not spoil for those of you intent upon reading this book.
Taliesin is a great character, and a great narrator, tempered by humor and anger and love and loyalty, and one is left with the impression that there could be no better bard to tell this story. If only the whole first HALF of this book didn't feel like such a death march to the end...
you'll love it. don't try to start one without having both of the others with you.
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In the end, a reader should approach this book as an outline, a primer perhaps, that covers a compelling expanse of our past, and take it upon her or himself to fill in the gaps. For those readers who prefer narrative to history, then this book should be enough. It is full of fascinating, fatally flawed characters (and lots and lots of native Americans who like to eat those characters). For readers looking for a more detailed, textured understanding of our founding, this is a decent place to start -- if Quinn's writing style doesn't drive you crazy within the first 12 pages -- because it is organized decently and many highlights are there, but keep in mind that it is only a start.
The two things I liked best about A New World was Quinn's awareness of the times and his details about its people. Usually when we study or read about American History, it is in a void. Quinn is the first writer I have read who talks about how Machavilli influenced John Smith. John Smith, always a boring figure of the past, now seems like a wild adventurer to me.
Quinn also talks about Indian savagery. I never really appreciated why the Colonists had such fears or anger towards them. Our politically correct schools always teach us how Colonists took our land from others. I have never in school how some Indians tortured soliders so much before a battle, that the European troops gave up out of fear. Or how these same Indians would take a stick and slowly work it up the bone of a person from his hand to his shoulder. Not counting the constant war between some Indian Tribes and the colonist, these stories helped me understand the attitudes of those times much better.
After Barbara Tuchman's, The Guns of August, this is probably the best history work I have read. I look forward to reading more from Mr. Quinn. If you haven't read him yet, this book is a very good place to start.
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The attractions presented illustrate the changing face of the highway, as the amusement parks of urbanized eastern U.S. 66 slowly give way to the snake farms of rural Oklahoma and Texas. Along the way, Repp takes us to places as famous as Oklahoma's Buffalo Ranch, as well as to more obscure, but no less fascinating, enterprises such as Amarillo's Prarie Dog Town. Each attraction is brought to life with priceless anecdotes and colorful quotes.
The stories of these attractions and their operators are brightened with wonderful old photos and memorabilia that take one back to the days when a trip down old 66 was as exotic as a jungle safari, and the old road seemed lined with incarcerated rattlesnakes, supernatural raccoons, talking crows and "Live Buffalo."
"Route 66 The Empires of Amusement" thoroughly covers the roadside entertainment scene from Illinois through Texas. I understand that Repp is hard at work researching the myriad delights of western '66. I can't wait!
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It is true that Strahler (p. 135) falsely blames creationist John Woodmorappe of misrepresenting the contents of an article on the radiometric dating of some Hawaiian basalts. In reality, the distortions originated from creationist H. Morris. Nevertheless, Strahler's rebuttal of the distortions is valid.
Clearly, Strahler needs to update this book and respond to the blatant misquotes, misconceptions, and errors that permeate the tabloid literature that continuously streams from various creation "institutes" that claim to be doing "research" or have "answers." For example, geologists have known since at least the early 1960's that SOME magmas travel rapidly through crusts, as fast as several ten's of kilometers per month. Since the first printing of Strahler's book, creationists have distorted the literature on magma movement and cooling, including some of the references in Strahler. Creationists illogically imply that because SOME magmas travel quickly and smaller plutons may cool rapidly, ALL magmas must travel and cool quickly. As a specific example, Strahler needs to supplement his discussions on p. 212-213 and further describe how the cooling of huge plutons, such as the Sierra Nevada Batholith of California (p. 213), took more than 10 million years and how this and many other plutons thoroughly refute creationist claims that the Earth is only 6,000 to 10,000 years old. Strahler should also discuss the 1989 Science article by Odom and Rink that destroys creationist claims for "ex nihilo" polonium halos.
While Strahler leaves no doubt over his view of Christian creationists, he provides such a wealth of their material that the book might well be considered "balanced". It is certainly thorough in presenting a history of modern creationism and its spokesmen [if there are any women active in promoting "creation science" they don't appear here]. Strahler lays a foundation by comparing science and pseudo-science. The contrast between empirical research and declaration from assertion should be apparent to all, but Strahler spells it out carefully and clearly. From this beginning he takes us through a succession of topics, exhibiting the creationist declarations, then depicting the errors in them. In some cases, the errors are simply false, while others are twisted use of words or ideas. Strahler set himself a monumental task in composing this book, but as someone with long experience in the geologic column, perhaps there is no-one better qualified to assess the material.
This is a rich trove for almost anyone interested in the planet's history. Most of the line drawings and other illustrations are worthy of close attention. Although set as a counter to false thinking, there is a massive amount of material on such topics as radiometric dating, cosmology, geological processes, fossil analysis and the evolution of humanity. Each area acknowledges the leaders in the research. While crediting good studies, Strahler is careful to note where his fellow scientists have been slipshod or dismissive over word usage in dealing with creationists or simply reporting their science. A worthwhile book for a wide spectrum of readers. [stephen a. haines - Ottawa, Canada]
Timeless myth takes a new reality in this beautifully illustrated version of THE TOOTH FAIRY: THE TOUCH OF KINDNESS. Concealed within an entertaining story about young Piper Noble are a number of lessons that parents will appreciate. For example, children learn about the power of love, of accepting other differences, and respect for all people.
Having tried this book on an audience ages five and eight, THE TOOTH FAIRY LEGEND is a hit! My young audiance loved the mustic aand narration on the accompanying CDs, and enjoyed following along with the text in the book. They were entranced by the story, and talked about it for days. As a professional caregiver, I appreciated the opportunity for them to enjoy a long story without the TV that we usually have going. For a terrific story accompanied by the beautiful music and marvelous illustrations, THE TOOTH FAIRY LEGEND; THE TOUCH OF KINDNESS comes very highly recommended.
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The strength of the book lies in Stewart's depiction of Mordred as an intelligent and loyal person unable to escape his fate. After he discovers his identity, Mordred learns of Merlin's prophecy that he will one day become Arthur's bane. Queen Morgause, Mordred's mother and Arthur's enemy, endeavors to recruit her son to oppose Arthur. Nevertheless, Mordred vows to fight fate and the gods and earns the trust of his father. Only Mordred's ambition for a queen and a kingdom brings him to the brink of catastrophe where his choices mean the end or fulfilment of all his hopes and dreams.
While readers will enjoy The Wicked Day by itself, I suggest reading Stewart's prior Arthurian novels first to appreciate established characters such as the wise yet wearyArthur and the devious Queen Morgause. Moreover, the other books will also show readers the deep-rooted seed of the Arthurian tragedy beginning with Mordred's parentage and bearing fruit in Morgause's family and Mordred's life. Finally, readers could also compare Stewart's Mordred with her books' other heroes such as the young Merlin in The Crystal Cave and Arthur himself in The Hollow Hills.
Commentary: This is a well-told story I found by accident, even though I had read and reread the Merlin trilogy. It differs vastly from the trilogy, not only in Merlin's near-absence, but in the minimal role played by magic. Instead, the emphasis is on whether Mordred can overcome his beginnings, other tragedies, and Fate, to become a son of whom Arthur can be proud. I'm glad I found this treasure.
How wrong I was!!!! This book threw all my expectations of doom and gloom out the window, and impossible as it may seem ... I actually ended up feeling good even if the end was rather tragic.
It is extremely refreshing to see Mordred put in an entirely different light - a courageous, strong-willed and honest man, instead of the evil, greedy and conniving son in other more common versions. Unfortunately, in this book, it was circumstances and misunderstandings that went against him. The best part was - it was totally believable!!!
If you only want to know 1 version of Mordred's story, then this should be it.
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As a graduate student, what I find useful about this book is that after you study a particular disorder---from the DSM-IV-TR itself, a good psychopathology text (see Davison & Neal's Abnormal Psychology), and the DSM's Diagnostic Criteria handbook, The Adult Psychotherapy Treatment Planner completes the loop.
I bought this book after taking a case studies class where the instructor did an absolutely miserable job in showing us the rhyme and reason behind a good treatment plan. Not satisfied that I knew enough about this critically important piece in the counseling process, I did some research and found this book to be the most highly regarded in this genre.
As subsequent classes deal with child and adolescent psychopathology, family psychopathology, etc. etc. I will be getting the treatment plans that correspond with these issues.
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I imagine the author's intent was for dark realism, but fair warning to gentle readers: This is a violent account of rape and blood and gore and atrocities that would be better left to the imagination. There are also cartoonish displays of sexuality that exist nowhere in humanity, even in the one dimensional characters that persist it.
I also imagine that the author wanted to present Arthur as other than his knightly image, but perhaps it went too far. Arthur here is so hateful and misogynistic, that you would wish better for Guenevere if her character weren't so hateful.
This story, to me, assumes the reader is unaware of the dark side of life, and so smacks you in the face with it, again and again until you are exasperated. If I wanted a book to make me angry, I would read non-fiction. I don't like to criticize anyone's work, but I feel strongly. If you are a feeling reader who loves strong female characters and animals, I recommend that you look elsewhere.
I only took one star out of my rate because the story developed around it is not as good as in Rendezvous with Rama and Space Odyssey, but this Clarke's vision of future compensates it by far and makes the book worthwile anyway.