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The purpose of this book is for a quick reference when working on a business document in the daily work environment. It is a fast read that will leave you with plenty of helpful information when confronted with a quick assignment.
Throughout the whole story, Hank gives King Arthur tips about how to be more successful. Hank goes on a venturous journey with King Arthur and he helps the King train Knights and create a large army. Hank gets a seat at the round table even though he is not a knight. Hank uses his knowledge to reinvent things that were a new invention from his time. After King Arthur dies, Hank must help the empire live on.
I recommend this to people who are 13 or older and enjoy long, very detailed books. There are also some great pictures included in the book, from portraits of Mark Twain to pictures of King Arthur pulling the sword from the stone.
Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...
The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.
As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.
And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having the conscience.
Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.
You'll never look at castles the same again...
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The "Guide Mark 2" is really pretty creepy. It makes you think about some of the big questions, unsurprisingly, if you have read any of Douglas Adams' other stuff... Also, although the plot just goes hogwild for 95% of the book, it really does all pull together at the end. The book is relatively self-contained, compared to some of the others in the series. In general this book is less wacky, and generally a bit darker, than the other books in the "trilogy". Reading this is a little like going to "The Cable Guy", when you are expecting a usual Jim Carey movie. It does make you laugh, but also makes you think, and not always in very comforting ways.
While this book returns somewhat more to the zaniness of the first three books (at least in comparison to the fourth book), it is not entirely wacky. It seems that this book is, in many ways, quite "fannish," there to please fans of the series with cheap thrills and tips of the hat (one example would be the return of the Vogons, which I don't exactly think anybody was clammoring for). However, in the midst of all this, Adams tells a wonderfully adventurous story that ties together in an ending that will leave you stunned and breathless (I'll try not to spoil it, but it's reminiscent of something that happenned in the first book, HG2G).
The worst part of the book is that Fenchurch just disappears... literally! And we never see Arthur deal with it! Still, Adams provides us with yet another wonderful character to help reveal the human side of Arthur....
I think it is a wonderful, if unexpected and somewhat unnecessary, end to the series. Trillian returns (although thankfully Zaphod doesn't), but Marvin is depressingly absent. Oh and remember Agrajag, from LTUAE? Well, there's a wonderful tie to that whole thing that you just can't miss. For those of you who don't know what I'm talking about, go read LTUAE and then read this and laugh along with me. Read it. You'll be blown away.
The story focuses on three characters: Arthur Dent, the perenially confused Briton; Ford Prefect, the manic Betelgeusian; and Tricia McMillan, a BBC television reporter who, had she decided not to go back to get her purse when she met "Phil" at a party, would have become Trillian.
Adams presents Dent as a wonderfully tragic picture, and mirrors the beginning of "The Hitchhiker's Guide to the Galaxy" quite well. Dent is presented as a lost soul, desperately in search of a home and a place to belong. Of course, when he actually finds a place where he belongs and becomes comfortable, outside events tear his world apart. This is a theme that was present in three of the four previous HHGTTG books, but the presentation is probably the best in "Mostly Harmless" (and particularly intriguing is that Arthur's world is torn asunder by a person searching for the exact same thing as Arthur had: a place to belong).
The story of Tricia McMillan offers an interesting counterpoint to Arthur's troubles. Although she is a successful television personality, she is obsessed with the consequences of one of her past choices. Unlike Arthur, who is preoccupied with the process of finding a place to belong, Tricia is preoccupied with thoughts of what might have been.
Unlike his previous books, Adams allows the tragedy to come to a fitting end. The tone is certainly darker than the previous HHGTTG books, and the humor is perhaps less prevalent. Even so, it is a fitting end to a fine series.
When I read Rama II, I was disappointed in many ways, but pleased in others. ACC is fantastic at what he does, but character development isn't it. So I was happy to have characters with some sort of depth to them. Sadly, these characters seem to lose depth with time. (Aside: Why is it that middle-aged scifi authors always write about exotic women with French accents who just happen to be amazing in bed?)
As another reviewer noted, the "revelation" of Rama was a bit of a cop-out. That's okay, because I'd known for years that ACC and Gentry Lee had painted themselves into a corner with the Ramans. Nobody could have pulled off a genuine revelation of the Ramans. Really, disappointing though it was, a cop-out was the best way they could have handled the revelation.
So, if the characters were terrible and the plot disappointing, why 3 stars? Simply because it was a valiant attempt, as was the entire series. ACC never intended to write a sequel to "Rendezvous," and the book on its own did not deserve one. He presented us with a mystery of stupendous magnitude, but nothing else. The sequels are worth reading simply because they attempt to put the mystery into HUMAN terms. We might not like or believe the characters, but it's good to see that they at least have names.
I now realize how much Gentry Lee helped with the character development. Anyone less than a complete moron ought to realize realize how much skill it takes to conjure up so many characters, make them real, and have such a heart-wrenching tale to tell with them. Clarke made a good move taking in Lee.
What fascinated and pleased me the most was the aging relationship between Richard Wakefield and Nicole des Jardins. Not only them, but their children's vastly different paths in life were shocking, heart-warming, and sobering. The fact that the characters were so real, so personal, so THERE, made the science fiction plot that they resided in far better than it would have been without them.
When you reach the end of the book, it is as if you're losing a friend. Through thousands of pages you have followed these characters; seen what they've done with their extraordinary, fictitious lives.
The sheer scale of the story is something I will treasure for the rest of my life. The constant discovery, awe, and mystery of: Where did this ship come from? then What are these creatures inside? and finally What in Heaven's name is going on and What's going to happen to us now??
Granted, the series has its moments of unwarranted quote-unquote "smut," but I guess the ultra-liberalism with the writing of character activity only helps develop them further, at a more "personal" level.
In conclusion, I think that the old preacher's explanation of the whole "Rama Mission" was not only satisfying, but awe-inspiring and it held mystery to ponder even after the story in writing was concluded.
also the collection follow a line of classic science fiction stories from the golden era of science fiction (i.e 60's-70's), especcialy intended for those who can't stand today's "self aware" science fiction, or fantasy literarture elements.
also we have here great stories from grand masters of science fiction like the late poul anderson, fredrik pohl, and more.
recomended for classic science fiction devoters.