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acceptable to the Lord.
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C.S. Lewis's story of, The Lion The Witch And The Wardrobe is one of the greatest books and definitely one I loved to read!
Lucy was the first to go to the magical land beyond of snow, a place called Narnia. As soon as she finds her way out, tales are told to the others about all the different creatures and things inside of the wardrobe. But all they seem to think of her is that she is a crazy liar. But soon to find out Lucy wasn't lying at all, it was a magical place they saw for themselves. With an evil spell the White Witch made it always winter but never Christmas. Trouble begins when Edmund betrays the others (not knowing anything about her) and takes side with the Witch. Because of Edmund'Lucy, Peter, and Susan need to get Aslan (a lion) to change everything and defeat the White Witch himself to break the spell and get Edmund back with them.
This book's theme can let you learn that you should always think and know before you except upon others. Well at least that's what I learned.
I loved how C.S. Lewis made parts of the book where you thought one thing was going to happen, but then after you read on, you find out you were totally wrong. That was the best thing about this book!
I would let people of all ages read this adventures novel, no matter how old you are. It's a book that you wont be able to stop reading once you start! But what will happen to Edmund, and will Aslan make the Narnia change? Your going to have to read it to find out!
The Lion, the Witch and the Wardrobe is the story of Lucy, Edmund, Susan, and Peter who wander through an old wardrobe into the magical world of Narnia. What follows is their adventure as they team with a nation of talking animals and other magical creatures versus the evil powers in the kingdom. The novel climaxes with one extraordinary act of love which tears through the kingdom and changes everything and everyone after.
The Lion, the Witch and the Wardrobe is such a successful novel. It does serve as a wonderfully powerful read. The book also enlightens the reader with its commentary Christian symbolism on the nature of love. The Lion, the Witch and the Wardrobe is a classic, and I really think that it is just now coming into what may be its most popular period. The world is pleading for some type of meaning, and here, Lewis is willing to offer it.
The book is about four children from England who are going to a wise grown-up's house to spend the summer at. During the time, they discover a magical wardrobe in the house that leads to a huge country called Narnia, in which they become Kings and Queens. The names of the children are Peter (the oldest), Susan (the 2nd oldest), Edmund (the third oldest), and Lucy (the youngest). One day it is raining outside and they decide to go explore through the house since they can't go outside. When they're exploring they decide to play hide-and-go-seek since the house is huge. Lucy, hides in a wardrobe and discovers there are fur coats that lead to the country Narnia. As she goes in, she discovers there is a center lightpost, where she meets a faun and goes off with him to eat. She was there for hours, then finally, (I don't want to give the secret of the fuan) she decides to go back to the house. When she gets back, she told the others about it and they did not believe her. She was in the country for hours, but then she found out that it had only been a few seconds. Narnia time is different from real time.
Next game, Edmund goes into the center lightpost and a witch on a sledge comes by. She offers him food and to tell the others to come (This witch is evil for real but lies to Edmund to get him to bring the others. I don't think I should tell why though, ruins story). When Edmund comes back, he lies to the others about the country and Lucy gets upset.
Later in the story, they all go in and find it. They find out that they have to save Narnia from the witch's evil spell (It's always Winter), so they meet a great lion named Aslan. Aslan helps him to kill the witch and the spell breaks. Then they become Kings and Queens of Narnia.
That is a brief description about this novel. I would love to write more but the maximum words are 1,000. I highly recommend this book for anyone, even adults. If you ever get the chance, go ahead and read.
To C.S. Lewis:
You are the greatest author I have ever known of. Thank you for making this book. I wish I could meet you someday.
Kellen Kornegay
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As always, Garwood writes a tale about love, passion, and intrigue. SG takes place in the Highlands of medieval Scotland. The novel is truly captivating - for its memorable story, well-depicted characters, and excellent writing. Out of all the handsome, powerful, arrogant, and gallant heroes that grace the historical romance world, Scottish Laird Gabriel McBain is by far my most favorite warrior. He is a tender and passionate lover. Unlike many heroes, he does not torment himself, or struggle with the fact that he actually loves his wife! He accepts Johanna for who she is; he welcomes her love with open arms; and he protects her with all his might. Lady Johanna is wonderfully crafted as the golden-haired English beauty. Of course, she's clever, strong-willed, loyal, and absolutely devoted to McBain. Together, they make one of Garwood's most beloved couples.
I have read all of Ms. Garwood's books, except PRINCE CHARMING, COME THE SPRING, THE ROSE TRILOGY, KILLJOY, and A GIRL NAMED SUMMER. Her ability to entertain readers with her wonderful prose style is invaluable to the literary world. She's a masterful storyteller. After reading this book, I highly recommend that you read HONOR'S SPLENDOR, THE LION'S LADY, THE BRIDE, THE SECRET, and RANSOM. All of her books are great and very entertaining, but these 4 represent her best works.
I cherish SG, because it's the first historical romance novel that I ever read. It is a definite must-have for all romance readers alike.
As always, Garwood writes a tale about love, passion, and intrigue. SG takes place in the Highlands of medieval Scotland. The novel is truly captivating - for its memorable story, well-depicted characters, and excellent writing. Out of all the handsome, powerful, arrogant, and gallant heroes that grace the historical romance world, Scottish Laird Gabriel MacBain is by far my most favorite warrior. He is a tender and passionate lover. Unlike many heroes, he does not torment himself, or struggle with the fact that he actually loves his wife! He accepts Johanna for who she is; he welcomes her love with open arms; and he protects her with all his might. Lady Johanna is wonderfully crafted as the golden-haired English beauty. Of course, she's clever, strong-willed, loyal, and absolutely devoted to MacBain. Together, they make one of Garwood's most beloved couples. I cherish SG, because it's the first historical romance novel that I ever read. I believe it's a definite must-have for all romance readers alike.
I have read all of Ms. Garwood's books, except PRINCE CHARMING, COME THE SPRING, THE ROSE TRILOGY, KILLJOY, and A GIRL NAMED SUMMER. Her ability to entertain readers with her wonderful prose style is invaluable to the literary world. She's a masterful storyteller. After reading this book, I highly recommend that you read HONOR'S SPLENDOR, THE LION'S LADY, THE BRIDE, THE SECRET, and RANSOM. All of her books are great and very entertaining, but these 4 represent her best works.
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...Yet somehow throughout history the church has managed to gain a reputation for its ungrace. As a little English girl prayer, "O God, make the bad people good and the good people nice."
Great book and a must read.
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The entire nation has spent the past decade gripped by one blockbuster case after another (OJ, the Nanny, Monicagate) and having read hundreds of cases in Law School & dozens of legal thrillers & watched numerous trials on Court TV, I can confidently state that the legal system is a unique generator of human drama. There are always good guys and bad guys, victims & perpetrators, oddball lawyers, brilliant jurists, arcane legal machinations, big bucks prizes or maybe a death sentence, and so on. So what A Civil Action cried out for was something to separate it from the pack. Why should this one case interest us? What lessons can it teach?
Sadly, Jonathan Harr does not step up to the plate & accept this challenge. He has provided an excellent narrative of the events in a complex case, filled with human drama, but he conspicuously fails to put it all in context. Here are some of the issues he should have analyzed:
1) The Big Enchilada: should the case ever have been allowed to go forward in the first place?
Let me just start by saying that the behavior of the corporations in Woburn was reprehensible & they should be subject to criminal & civil prosecution for dumping & for attempting to cover up their dumping. However, the case that Schlichtmann & Co. brought alleged that the dumping had specifically caused leukemia.
As Dan Kennedy, a journalist who has written extensively about the case & been quite sympathetic to the plaintiffs, said in a 1998 story for the Boston Phoenix: "The scientific state of the art was (and still is) probably too primitive to allow him to prove, by a preponderance of the evidence, that Beatrice and Grace were at least partly responsible for contaminating Wells G and H, and that the contaminants, in turn, caused leukemia and other illnesses."
Or, as renowned quack-science debunker Michael Fumento stated in Forbes: "In 1982, when Schlichtmann sued Grace, information on the solvent TCE was relatively sketchy. Now we have the results of numerous rodent studies in which the animals were dosed with thousands of times the amount of chemical that humans might receive in their drinking water. Of the 35 rodent studies in the Carcinogenic Potency Database developed by U.C. Berkeley biologist Lois Swirsky Gold, none has found a TCE-leukemia connection."
In light of the impossibility of establishing a link between TCE and the leukemia cases, it seems obvious that Judge Skinner should have granted the Rule 11 motion that Beatrice Foods brought & should have sanctioned Schlichtmann for bringing a frivolous suit.
This case was simply not the appropriate vehicle for punishing Grace & Beatrice & vindicating justice.
2) Is a jury capable of dealing with the technical issues raised in such a case & is it appropriate to have a jury deal with the emotional issues raised?
The section of the book on the jury deliberations was especially troubling. The level of confusion displayed throughout the trial by even expert witnesses raises the question whether anyone actually understood what was going on, but the jury clearly had no idea what they were supposed to be doing & ended up rendering a thoroughly confusing verdict in the first stage of the trial. If civil cases this complex are to be brought to trial, which they surely will be, it seems that it would make more sense to have them be bench trials or to appoint Special Masters with the technical background to decide the fact issues.
Luckily we were spared the spectacle of the second portion of the trial, where Schlichtmann would have paraded "victims" before the jury in an attempt to win a big money judgment. Of course, it is a horrible thing when any child develops leukemia. And if there's a local polluter, it's tempting to want to make them pay, but it may not, & in this case would not, be in the best interests of justice to do so.
3) How can we tolerate a legal system which allows the contemptible behavior of virtually every character involved in this trial?
To give just a few examples, & assuming Harr's portrayals are accurate:
Beyond the issue of their continual time-wasting objections and unwarranted motions, it seems clear that the defense parties & attorneys hid evidence from Schlichtmann during discovery.
Schlichtmann appears to have been completely irresponsible in ending pre-trial settlement negotiations with Beatrice Foods.
The judge appears to have allowed his personal feelings about the genuinely annoying Schlichtmann to influence how he handled motions and objections.
Anne Anderson, and a couple other plaintiffs, appear to have been petty, greedy & ungrateful in challenging Schlichtmann's billing after the settlement.
Then there's the attorney who sought a referral fee & Trial Lawyers for Public Justice which sought 800k after bailing from the case.
& people ask me why I don't choose to practice law?
Finally, I have one major problem with the manner in which Harr produced his story. At the end of the book he reveals to the reader that he had virtually continual access to Schlichtmann & company during the trial & only afterward assembled the defense's side. As an initial matter, it seems to me that he should have told us this at the outset. And the reason for this brings up the larger issue; in a case that was as emotionally compelling as this one was, dead kids, bankrupt plaintiff's lawyers, etc.., is it even reasonable to believe that Harr's account is impartial. Shouldn't we assume that someone who was that close to the plaintiff's side throughout would develop some emotional investment in their case?
Ultimately, while I enjoyed the book, I found it's lack of analysis a major flaw and I think that it's greatest value lies in it's exposure of the pathologies that plague the American legal system.
GRADE: C+
The characters are at least as vivid as any in fiction, and the story is detailed in its coverage of the legal maneuvering and the law itself. (Some people may find this boring, but it is integral to the plot, and to me it was interesting.) At the outset of the book, I had trouble believing that I would be sympathetic to an extravagant personal injury lawyer operating in the go-go eighties, but the author does such a good job of portraying Jan Schlichtmann, the counsel for the plaintiffs, that you share his exhaustion by the end of the book.
"A Civil Action" is a vivid example of the differences between justice and law, and it may well leave you outraged. It is, in any case, a very solid read.
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Patricia Gaffney, from what I've heard (because this is the first book of hers that I've read) usually writes different kind of novels, historical romances etc. But I don't know why- she seems to be a natural in telling a contemporary, real, easy-to-read story.
This book is about the friendship of 4 women, around 40 years old: Rudy, Isabel, Emma & Lee. They meet twice a month for dinner & share secrets, talk about their lives, laugh a lot and sometimes cry. What women-friends do in real life, actually: and this is this novel's strength: although it's not the most substantial or inspired book in the world, it's one of the best books in the "light reading" category, since it's as if the story is taken out of real life. It's one of those novels that the reader gets totally engrossed in, so it's a very good selection for a weekend away or for a long airplane ride. You'll have a great time reading it...
The Saving Graces is a novel of friendship. Calling themselves the Saving Graces, Emma, Rudy, Lee and Isabel meet twice a month for dinner to talk about life, love, marriage, careers, achievements and disappointments.
Emma, wanting to publish her first book and in love with a married man. Beautiful Rudy, unsure of herself and afraid to upset her manipulative husband. Lee, the "normal" one who is desperatly trying to have a baby. And Isabel, divorced and battling the battle of her life. Cancer.
This story pulled me in from the beginning and made me wish I were part of The Saving Graces. I laughed, I cried (hid from my husband because I didn't want him to see me!) and most of all I fell in love with the four of them. I truly didn't want the story to end. Don't wait for the paperback. This book is one that you will truly enjoy and read over and over again. Loan it to your best friend. Maybe you'll start up a "Saving Graces" of your own.
The Saving Graces is a novel of friendship. Calling themselves the Saving Graces, Emma, Rudy, Lee and Isabel meet twice a month for dinner to talk about life, love, marriage, careers, achievements and disappointments.
Emma, wanting to publish her first book and in love with a married man. Beautiful Rudy, unsure of herself and afraid to upset her manipulative husband. Lee, the 'normal' one who is desperatly trying to have a baby. And Isabel, divorced and battling the battle of her life. Cancer.
This story pulled me in from the beginning and made me wish I were part of The Saving Graces. I laughed, I cried (hid from my husband because I didn't want him to see me!) and most of all I fell in love with the four of them. I truly didn't want the story to end. Don't wait for the paperback. This book is one that you will truly enjoy and read over and over again. Loan it to your best friend. Maybe you'll start up a 'Saving Graces' of your own.
The story itself, on face value, is rather ordinary. Teenage girl and apparent boyfriend both kill their employers. However the girl ('Grace') is enigmatic and, as such, her actual guilt is brought into question. All this is explained very early in the novel. But then Atwood does a wonderful job of going into the mind and soul of our poor Grace; we are intrigued, disgusted, and feel compassion for this strange creature. The author then deftly reveals, in minute stages, what the real Grace is all about. The results are unexpected.
Oh, and Ms Atwood is a brilliant writer. Her prose is superb, to the point where you wonder if she can write a bad sentence.
Bottom line: among Atwood's best. A must read.
Against this backdrop Margaret Atwood, who gave us The Robber Bride and The Handmaid's Tale, presents her ninth novel. Atwood's virtuosity is at its peak as she traces her feminist thesis in Alias Grace, which is based on the true story of a 16-year-old servant girl accused of double murder. With few facts known, the author has drawn a haunting portrait of what might have been, a profoundly mesmerizing combination of actuality and invention.
Grace Marks and her fellow worker, James McDermott, were tried and convicted for the brutal killing of their employer Thomas Kinnear and his housekeeper Nancy Montgomery. McDermott was hanged at the new gaol in Toronto, November 21, 1843. While Grace, due to her youth and "feminine weakness of mind," was sentenced to life in prison. She was also committed to a lunatic asylum following an emotional breakdown. Throughout both incarcerations Grace maintained that she had no memory of the murders or the victims.
Referring to the scandalous trial in her afterword Atwood writes: "The details were sensational: Grace Marks was uncommonly pretty and also extremely young; Kinnear's housekeeper, Nancy Montgomery, had previously given birth to an illegitimate child and was Thomas Kinnear's mistress; at her autopsy she was found to be pregnant. Grace and her fellow-servant James McDermott had run away to the United States together and were assumed by the press to be lovers. The combination of sex, violence, and the deplorable insubordination of the lower classes was most attractive to the journalists of the day."
Grace's story is revealed through letters, verse, news accounts, but primarily through her voice and that of Dr. Simon Jordan.
An ambitious young doctor with an interest in the field of repressed memory, Jordan is retained by those who believe Grace innocent to help her remember. As Grace's memory is prodded, she weaves her tale. Is Jordan trying to exploit her for professional gain. Or, is it possible that she is manipulating him?
Was Grace a naive pawn or a venomous Circe who bewitched then goaded McDermott into committing this appalling crime? The climax is a stunner!
In the adroit hands of Margaret Atwood, shades of guilt, innocence and complicity as well as the complexities of the human mind continue to fascinate. Alias Grace, a laudatory fictionalization of actual events, is a shivery Victorian tale of obsession and murder.
What makes Margaret Atwood's novel so compelling is that much of what happens in _Alias Grace_ is based on true accounts of Grace Marks' life, which is seamlessly and expertly adapted by Ms. Atwood. She readily admits in her afterword "where hints and outright gaps exist in the record, I felt free to invent." Ms. Atwood is a master storyteller. Her Grace Marks is very much a three-dimensional, flesh and blood 19th century woman. The public's beliefs about her parallel many of the widely held views of females of her time. While many imagined Marks to be weak and easily led astray by a stronger and more wiley older man (Marks was only 16 at the time of the murders), others saw Marks as an evil and jealous temptress who entrapped a gullible man into the killings. Atwood also sensitively reveals the plight of many young girls of the period who suddenly become motherless and due to their changed cicumstances take positions as servants to the wealthy, or worse yet, are forced into prostitution. The alternative was pennilessness and ultimate starvation. Then there are those young women who fell prey to a "gentleman's" amorous demands, some of whom promised marriage, only to later abandon them. A truly heartbreaking episode in the book concerns Mary Whitney, a co-worker and close friend of Grace Marks, who dies as a result of a shoddily performed abortion.
By the end of the book the reader is given no definitive answer as to whether Marks was directly involved in either of the two murders. Her complexity is further revealed in the section of the book where a doctor (of the jack-of-all-trades type) puts her under hypnosis and another aspect of her personality is revealed. Grace Marks is confirmed as a woman of many sides, capable of acts of goodness, compassion--but murder? Read the very highly recommended book and then decide for yourself.