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The play love of a nightingale is in a greek style but the plot is so intriging that anyone who previously thought greek tragedies boring will be proved wrong this one keeps you reading. i should know as a college production being forced to pick a greek play we werent pleased we must have got the best one possible brilliant to stage brilliant to read this book is a must if u are considering staging a greek production dont send ur audience to sleep liven them up with philomele's urging desire to know about sex and when she wishes she didnt. If the rest of this book is as good as love of a nightingale its worth it.
But if "Our Country's Good" is any indication, this book is probably worth 10 times its price.
You see, my college will be staging "Our Country's Good" in a month, and I'm fortunate enough to be cast as Judge Collins (although I really wanted the role of Harry Brewer). And I have to say it's gonna be one awesome play. My fellow cast members and I simply can't stop being amazed by how well written the play is. Every dialogue is so richly written that there isn't a character not worth playing. Every character, no matter the amount of their stage appearance, is brimming with personality and history, making them joy to play.
And the fact that this play is based on historical facts makes it even more cool. The British penal colony in Sydney, Australia of 1788 never looked more appealing.
If you like plays about redemption and hidden virtues of men (and women, of course) with eloquently written dialogues, then you simply must check out "Our Country's Good." Top-notch stuff.
As for the other plays, well, I honestly don't know if they're good or not, but I bet they're top-notch stuff as well. And considering how "Our Country's Good" is extremely hard to locate by itself (even at Samuel French), your best bet is to get this book.
It may not seem fair to give this book a 5-star rating based on that one play alone, but honestly, that's how much I love that one play.
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The collection is divided into four sections, each of which anatomizes a particular region of the state. The first quarter of the book, Their Heaven of Bleakness, is set in West Texas. It is the most tightly-knit of the four sections. Opening with a poem entitled "'Of Dust Thou Art'" and closing with "'And to Dust Thou Shalt Return,'" these twenty pieces are linked by interwoven themes of living and dying-the springing from the soil of life, death's return to the land, the miracle of rebirth from earth's dark womb-and by the ever-present tie between the dry West Texas country and its drought-resistant denizens. The imagery of these powerful lyric poems is as rugged as the Guadalupe Mountains and their language cuts like a blue norther, bone-deep. Here be turkey vultures, rattlesnakes, claret cup cactus, cattle, and above all an unconquerable people who "take to their gritty beds, / ease the quilts of grandmas / over their leathery bodies / like slabs of red earth, and they pray."
The setting for the second quarter of the collection, Near the Big Thicket, moves east across the Balcones Escarpment into the shadow of the Piney Woods. The dark shadows of the pines are echoed in these twenty pieces by a deeper darkness that underlies so much of the human experience. In "The Slough," Thomas interweaves concrete natural imagery of death's rank decay with the figurative putrefaction of original sin so that the poem becomes an extended metaphor whose vehicle is the dark bayou and whose tenor is the human condition. The viewpoint character of the piece "can hear / the muffled steady engine of its rot" as the slough "works its timeless wonders / under still, dark waters. Its film / has already claimed his pale, blue eyes."
In the third quarter of the collection, At the Jetty's End, Thomas revisits the Gulf coast that he portrayed with such poignancy in his debut collection, The Lighthouse Keeper (Timberline Press 2001). The ten pieces in this section are filled with a tone of longing that contrasts nicely with the dark tone of the poems in section two. The land-dwelling speakers and viewpoint characters of these bittersweet lyrics seek with varying degrees of success to merge themselves with the sea. "Mooring Line," a piece reprinted from Thomas's debut collection, addresses the difficulty of making this connection-and its tenuousness once the connection is achieved. The controlling image of the poem, the mooring line of the title, lies half-buried in sand, "sponging the screams and fleeting / shadows of the gulls, / tethering uselessness / to the slow, consuming pull / of ruin."
The fourth quarter of the book, A Short Distance from the Border, circles back to far West Texas like one of the hawks Thomas uses so effectively in these high desert poems. The fourteen pieces in this final section celebrate the diversity of the West Texas and Northern Mexico country and its people with subjects ranging from bikers and tattoo artists to young boxers to the "chocolate eyes of young mothers / so comfortable with death / they candy its skulls / for the tongues of bronze children." In "El Camino del Rio," Thomas employs the Rio Grande as a metaphor for the geography the river has carved and the cultures and peoples it has nourished. Some, like the Apaches, have gone to "the places of no return" so that "Only / the screams of hawks, bouncing / ad infinitum off the canyon walls, / sound as if they belong."
As promised in the title, the poems of Amazing Grace are rendered with a poise that almost belies the strength of the language and images from which they are made. Thomas has captured the spirit that underlies the physical geography of the land and the hearts of the people who have helped to shape it. In the dust from which his characters spring, and the "rich / red fields / of deep lineage" that so patiently await their return, lie the beginning and end of us all.
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The 10 real life stories contained in the book do not make for easy reading. I guarantee that they will have you in tears.
They include:
- The story of Janet Moylan who lost her husband and 10-year-old daughter to a freak drowning accident.
- Debbie Harding, a former cheerleader for the New England Patriots that survived breast cancer and her marriage to a drug addict.
- Peggy Stoks, who was molested by her grandfather.
- Mike and Kathie Clarey, parents whose 11-year-old daughter was murdered while on her newspaper route.
- Grace MacKinnon, who faced and overcame her congenital disability.
- Thomas Howard, a teacher and author that suffered from disabling migraines.
- Dr. Kim Hardey, who suffered the death of his 9-year-old son.
- Debbie, a mother that has suffered eight miscarriages.
- Joan Ulicny, whose life was dramatically altered by an accident with a semi-truck.
- Carl Cleveland, a New Orleans lawyer that faced 10 years in prison for unfounded legal charges.
Even more compelling than the stories, however, are how each individual responds to the cross that they were given. Their responses of healing and hope show how good can come of evil.
"Christ had to suffer and die," says co-editor Jeff Cavins. "Salvation isn't just about Jesus' dying: otherwise he could have been sacrificed as a baby. Suffering - even Christ's own suffering - was part of the Father's plan, and we are called to cooperate with that plan."
Most readers of the book will realize how good their lives currently are. Not only does the book offer insight into suffering, but it prepares readers for potential future suffering, and helps them to know how to respond to others that are suffering.
I wholeheartedly recommend this first book in the Amazing Grace series - a kind of Catholic "Chicken Soup for the Soul". It's unlike anything I've ever seen or read before.
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Dr. Scudder delivers a delightfully refreshing look at success and failure--in real terms. Closely examining the life of the Apostle Peter, Beyond Failure discovers the true secret of the Christian life. It's not about what we do or what we achieve. It's what Christ can do through us.
At first glance Peter was a failure--and so are we. Yet, at the end of his life, we was martyred for the Lord--the ultimate Christian success story. He also wrote two New Testament books, which inspire and motivate Christians to this day. This embattled, impatient, impulsive apostle realized that true failure is not in the falling down, but in the staying down. We all make mistakes, put our feet in our mouths, and make poor decisions. The questions is will we use them as stepping stones to success?
Dr. James Scudder's Beyond Failure will inspire you to keep going--to finish the race. Filled with personal anedotes and real-world illustrations, this book is a much-needed oasis in a dessert of disappointment. Pick it up today and be refreshed.
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Having set the stage with her philosophical approach to fundraising, Ms. Grace proceeds to walk the reader through the different stages of fundraising, including annual and capital campaigns.
I used the information in this book to assist the development team at my children's school with a capital campaign. We trained a number of people in the art of fundraising and went on to raise the money needed for a new building. While I won't give Ms. Grace all the credit, I can say with confidence that the advice she dispenses is clearly written and very effective.