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I used her as a resource in my own book, "People of the Wind River: The Eastern Shoshones, 1825-1900," but only with great care and corroborating evidence. Hebard's sources were sons of Chief Washakie (including Dick, Charles, and George Washakie, all of whom were paid informants), the Reverend John Roberts (Episcopal priest on the Wind River Reservation from 1883-1948), Fincellius G. Burnett (Wind River agency farmer & ancestor of former Wyoming Senator Alan Simpson), and retired Indian agents and Army officers who had personal contact with Washakie. She also relied on some of the published annual reports of the Office of Indian Affairs (forerunner of the current Bureau of Indian Affairs).
That said, Hebard reveals family stories and legends about Washakie and often quotes verbatim from published government documents. Hers is a good introduction to the the famous chief and his people, but should be read with a cautionary eye. It is not a biography in the modern or scholarly sense, but functions more as remembrances of a cherished relative. Many of the events or actions attributed to Washakie by Hebard cannot be substantiated with other archival evidence and thus her work borders on hagiography. On the other hand, the very fact that such stories exist are testimony to the impact Chief Washakie had on those who knew him. He was a fascinating individual, leader, and statesperson during a difficult time of transition for the Eastern Shoshones.
What the book lacks in structure, it more than makes up for with its compelling subject: Chief Washakie. I'm sure that few Americans outside of Wyoming have ever heard Chief Washakie's name, yet his accomplishments as a statesman, unifier and leader of his people is unequalled.
He led the Shoshone people through most of the 19th century, into the 20th century. He was a remarkable individual speaking English, French and Shoshone. His charismatic hold on his people only ended when he died in 1900 at the age of 102.
One thing that repeatedly struck me is, in the scheme of things, this was so recent. Another aspect that I enjoyed was that Chief Washakie encountered so many of the characters that we identify with the settling of the West: Kit Carson, Scajawea, Jim Bridger and many others.
The sensibilites of the times described in this book are not what we expect now, and the author brings contemporary (1930) biases to her interpretation. The updated introduction in this edition tries to alert the reader to some of the biases that influence Hebard's comments.
As difficult a read as this book is, I couldn't put it down. As a footnote, Chief Washakie will be memorialized in Statuary Hall the U.S. Capitol in the fall of 2000. He is one of two individuals chosen to represent the spirit of the State of Wyoming.
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To believe Leaming, Bette Davis was a raging, deluded, egotistical drunk. Its hardly news that Davis was not universally loved by all who knew her - but her known acts of generosity and repose are significantly missing from this account. The rampaging monster who emerges is more akin to the BD Hyman diatribes than anything vaguely human or creative. And since Hyman's account, upon which Leaming bases much of her thesis, has been widely discredited, the book suffers a major credibility crisis.
On a professional level things are no better. Leaming rails against Davis for squandering her talents on 'junk' scripts and flashy, showy acting. She fails to recognise that the same charge can be raised against every great actor. How many really great movies did Garbo make? Even at her most mannered Davis was a force to be reckoned with. In her efforts to avoid falling under the Davis spell, Leaming has gone too far afield, dismissing fine performances such as The Catered Affair with only passing mention. Leaming implies that only the three films that Davis made with Wyler merit serious attention - a ludicrous assumption given the quality of Davis work in scores of films. (Not to mention that there is flashy, mannered acting galore in Jezebel!)
For a far more balanced account, try James Spada's "More Than a Woman." Barbara Leaming's book is a fine Devil's Advocate, but it gives the impression of being wholly defeated by its subject.
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All in all, it felt like someone just trying to cash in on the figure skating craze.
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The story is a relic from the days of rainbows, peace signs and psychic readings - not that there is anything wrong with that. It's just that today's kids are more intuitively able to see through stories which try to impart morality and address it in a manner which is boring - though well intentioned.
It doesn't mean that all stories have to have a super hero to make them work, it just has to have a character that seems real to the kids.
So if your child is just pleased with hearing your own voice or seems like they were born 20 years too late, then this is the one to get, otherwise I would hold off for something with a little more meat.
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lacks any of its own. The quality of the art is
acceptable if not impressive and the translation
isn't bad, but that's the best I can say. The
Japanese have endless hentai titles to choose
from while only a choice few are "de-censored"
and translated into English so you'd expect those
titles that are available to be the cream of the
crop. Not so in this case. Immoral Angel
follows a bizzare and fairly uninteresting plot
interspersed with scenes of violent rape and
sexual assault against initially innocent girls.
If that's your thing you'll probably enjoy this
title, if not, there's not much else to redeem
Immoral Angel. I could barely stomach the first
volume so it may improve as the series progresses.
I'm sure some of those girls will eventually get
their revenge, but I won't be picking up any
new issues to find out.
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