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I recently received a copy of this book as a gift and am very impressed! Heather Grace's talent for both photography and poetry is well worth the purchase alone. The poems are simple yet heartfelt and thought provoking (I even got a little shiver at the end of some). Her versatility as a photographer also shines through. The only drawback is that there are not more poems and photographs. However this is understandable as it is intended to be a journal. Hopefully she has other publications?
The concept is quite unique as the book can be used to write one's own diary, journal, poems, recipes or anything else for that matter. If you are a budding author, you may even be inspired by the author's work!
I have already ordered 3 more to give away as Christmas gifts.
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O'Connor's strength is his clear, understandable, and engaging preaching. He does not preach as if addressing theologians or scholars (as so many bishops and cardials seem intent on doing). He preaches to the common person, addressing our concerns, interests, anxieties. He is notable for the extraordinary way in which he combines a zeal to speak the truth, and a love for people to speak it with compassion and understanding when it might be hard to hear. Most preachers excell in one and fail in the other.
He makes applications to daily living, with plenty of concrete examples. He makes church teaching, which sometimes seems so esoteric and unrealistically ideal, real and meaningful to all.
I suppose the main drawback of the homilies would be from a liturgical perspective. O'Connor's preaching on the scriptural readings of the each Sunday is often strained and sometimes non-existant because of his desire to preach on the given catechism section. Of course, a homily is supposed to be on the readings of the day. But for someone reading this book for the purpose of understanding better the catechism and its meaning to daily life, that will not matter much. Finally, I'd note that a significant portion of each homily is the cardinal reading paragraphs from the catechism itself. When most of the homilies were delivered, the catechism had not yet been published in English, so reading the sections in translation from the published French would have been of particular interest to the listeners. Today, we can just open the catechism itself, and the extensive reading would be unnecessary.
All in all, this is an interesting, engaging, and inspiring book.
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This book follows the in-depth process behind the creation of some of these sequences, including those inspired by Manet's "Le déjeuner sur l'herbe" and Velasquez's "Las Meninas". Many of the paintings in each sequence are illustrated, and the commentary, though somewhat academic in tone, is quite useful.
I am not an art historian, but I found this book inspiring, especially for amateur artists like me.
First, it shows that, for Picasso, art was a process, rather than a goal. As the sequences develop, we can see him continuously reinterpreting the original, changing directions, as a way of exploring the original and his reactions to it. Many of the steps are incomplete, or inadequate in some way. I personally found this reassuring! So often, we only see the major works, and they are treated as if they had been perfectly formed, rather than the conclusion of a series of experiments. (David Hockney has mentioned that owning Picasso's catalogue raisonné made him understand Picasso in a whole new way).
Second, the whole premise of the book is that is OK to be derivative (in the best sense). Our art culture places an extreme value on originality. The idea of copying great art, and being inspired by it to develop your own variations on a theme, is currently underappreciated, even though this technique has always been used by great artists. (In art, Van Gogh comes to mind. And in music, Bach, Mozart, and of course, all jazz musicians). This book shows that this approach can indeed be useful and productive, and if Picasso used it, maybe it can get some respect!
In other words, if you are an artist, feeling pressure to create perfect, original works, relax! Don't be afraid to experiment.
As a young Irish boy, W.R. Grace came to America with a dream of wealth and commerce tied with a honest and sound approach to business. At a time when America's industrial revolution was booming and business pratices were not as regulated as they are today, Grace came forward with a honest and upfront approach that would change the face of America Commerce and would launch Grace into the spotlight, good and bad, for years to come. A must read for anyone in business!