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But Joan Schwartz has exploded the low-brow image of America's comfort food. This book is incredible! There are so many varieties of this dish from the 'classic' dishes to international flavors to what Ms. Schwartz calls 'Mac and Cheese Today'. And don't think that the cheese is that orange stuff. Swiss, Fontina, Mascarpone, Feta and Mozzarella are just a few of the varieties that you will use in your recipes. And just when you thought that the cheeses were a stretch, recipes with lobster, prosciutto, artichoke hearts, portabello and crimini mushrooms and chiles and chipotle peppers to mention a few, will delight your tastes.
I'll admit that I bought this book with a great deal of skepticism. A few bites of the 'Chunks of Lobster Swimming in Cheesy Macaroni' dispelled my reservations. Other favorites include 'Farfalle with Fontina, Tasso Ham and Baby Spinach' and Mac and Smoked Cheddar with Ham and Chipotles'. Imagine the look on guests' faces when you announce that you are serving them Mac and Cheese and their surprise when you serve a dish approaching haute cuisine.
Let's admit it...we liked the 'blue box' growing up and most of us are ashamed to reveal our love of this American staple. Now we can proudly bring this long demeaned dish back to the table and rekindle our fondness for it. Buy the book....it's a keeper!
I plan to attempt most of the recipes in this book.
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The Desiderata part is also beautiful, I'm very impressed with this work.
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When my son was 4, I got the book out of storage and read him, "The Highwayman"- and he was hooked! We rode with Paul Revere and asked each other: "I'm nobody! Who are you?" When my daughter found an abandoned nest of baby birds and we knew they would die- we read "Four Little Foxes" and grieved together, and later laughed over "The Owl Critic." These poems and drawings are like old friends to us all.
After all these years, it's rather the Velveteen rabbit of the bookshelf: pages dog-eared and falling out from years of use. I am ordering a new copy for my daughter's 12th birthday (don't pay attention to the age range listed for the book) so she'll have a copy to pass on to her children. It's just a wonderful selection of all types of poems, sure to please the children AND the adults who read to them! Start tonight!
I grew up with Joan Walsh Anglund poignant drawings. They are not particularly 'great' art, but for children and in this book, they are vastly more suitable than the poorly drawn and maddening stuff put out in cartoons (especially of the Pokemon variety which will set off seizures in children). They say the age of this book is for four years to eight year olds. That isn't true. Every parent should try to take the time to read to all children in whatever form necessary...and it should start at age one. Reading aloud (or signing books) to your children not only makes essential bonds, but it also teaches children what you think is important, and also teaches them how to stop and pay attention. The massive complaints about restless children and the abuse of labeling (ADD/ADHD) has its beginnings in simple things such as turning the television/computers off and reading to your children.
... should be showing the pictures and pages of this book in a sampling, so that parents can make informed decisions about children's books. If you only get one child's book this year, get this one and sit down with your children and read.
Karen Sadler,
Science Education,
University of Pittsburgh
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The novel is as much philosophy as story, and there is much to provoke thought. However, the book can be enjoyed whether you take it as past life memory or just an escape to another time.
Sekeeta is a princess born to a First Dynasty pharaoh. When the young girl shows a talent for clairvoyant dreams, she is sent to train as a Priestess of Anubis, the god of prophecy. Her temple teachers are wise, and train her to use her gifts to serve her country. When she is grown, she rules as co-Pharaoh with her brother Neyah.
As noted above, this book is philosophy in novel form. It is to our conventional idea of the novel as the Egyptian wall painting is our idea of painting. The traditional elements of conflict, action and strong character development aren't much in evidence here. That doesn't make it unreadable, just different.
The language is stylized but beautiful, with a certain biblical flavor, the imagery vivid and poetic. In the childhood part of Sekeeta's life, she is told child's stories with simple, sound lessons, like The Monkey Who Wanted to be a Man.
Also interesting are the meanings behind some hieroglyphic symbols; in Grant's view, the images were metaphors for spiritual concepts or lessons. The word "beloved," for example, was written as a plow to show that, as a plow makes the earth fertile, so love does likewise to the heart.
On the whole, this a book that I return to and enjoy.
So what is the book about? It is the 'autobiography' of a First Dynasty Egyptian Princess who later goes on to become joint Pharaoh with her brother. Before she can take her place beside him on the throne of Egypt she undergoes training to become a priestess of Anubis.
The book is set out in three distinct parts. The first deal with her childhood, the second with her training to be a priestess and the 'graduation' ceremony (which is truly traumatizing), and the third covers her life as Pharaoh. In reality the book is divided into eight parts, but in truth the life is clearly demarcated by those three main sections.
That is a dry description of a narrative that grips the reader. You live Sekhet-a-ra's life with her from the time she is a small child being cared for by her nurse Maata until she dies at the age of fifty-three. Her childhood makes you feel the dry sands of Egypt, the gardens of the palace and the training necessary for her future role as joint Pharaoh with her brother.
I had the good fortune to meet Joan Grant in her later years. Did we discuss deep and meaningful things? Once or twice we did. In fact she shared some insights that I did not understand at that time, but now do. Mainly I fulfilled small services to make life a little more comfortable for her, such as sending her talking books back to the library they came from. I hope that those small services repaid in some measure the pleasure, knowledge and understanding that her 'novels' and especially "Winged Pharaoh" gave to me. I want to pass on to you the fact that this precious book exists and that for anyone interested in reincarnation and astral traveling it deserves to be on their reading list.
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Then trade begins with a much more violent-prone planet which they orbit, with both genders of humans, ruled by a distant patriarch. It's basically like our planet. And with the trade comes traditional ideas of control and power. A few representatives of the moon rise up to advocate for those on the planet, arguing that they are people as well, and that there can be healthy interaction between the moon and the planet.
Slonczewski has rich character development and keeps the reader on the edge of the seat with novel plot twists. It is also real. The best kind of Sci-Fi changes a few parameters and lets real life develop from there. Here, if we posit the beginnings of a female pacifist ocean moon, it all makes sense. The nonviolent action doesn't always work out as we would like, and our friends are not always friendly. Just because the women are pacifists doesn't mean they are good or always agree. But, as in real life, nonviolent action here is effective also.
The one downer in the novel is some lesbian interaction, which thankfully is minimal. The incredibly great aspect of the novel is how it puts you into a Pacifist mindset, thinking along the lines of active resistance without violence. For it is not just tactics, but a way of being. The Sharers greet each other with "Share the day" and speak of "learn-sharing" or "food-sharing"- for all actions in their language are reflexive. To give birth to a baby is to be given birth by the baby into motherhood. Their names are their worst faults, such as "Usha the Inconsiderate"- a name chosen when they become an adult as a reminder of what they need to try to overcome for the rest of their lives. I think we would be far better off looking at our own faults like this continually. And even their understanding of death as the last door, which you enter and then are reborn, has the metaphorical image of life only through death. They constantly affirm that we are doers who act- we choose- even choosing death at times, but it is our decision. This awareness that they are in control means that there is not the need for violence to get their way, or even to get their way. It is the way of the Gospel- the way the Kingdom *should* look this side of Eternity. Would that we all lived more as Sharers.
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The introduction to this book is a fascinating history of the development of agriculture in Israel and how that influenced Israeli cuisine. The book has several full page color photographs, but more captivating are the many small black-and-white photos of Israel in its early years. There are other handy items such as recommendations for favorite Hummus haunts in Jerusalem, pita bakeries and where to get Baklava in the Galil. The recommended places are not all kosher, but the 300 recipes appear to all be kosher. This book is a must-have.
I love reading all of Joan Nathan's books almost as much as I enjoy cooking from them. The dishes I choose to emulate are enhanced by the stories of the people who have already fed these goodies to their own families. Where else can you find recipes for life alongside recipes for casseroles?
The cooking instructions themselves are easy to follow. I don't read a cookbook like a science text; I don't much care if what comes out of my kitchen is exactly like the original. The fun is at least partly in the process. And with The Foods of Israel Today, as with all of Nathan's books, there's an added reward: while your friends and family are enjoying their dinner (and complimenting you for it) you can regale them with the stories of the interesting folks who made these recipes possible.
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