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Guiles does quite a good job of walking the line in between, but what results inevitably remains little more than a short biography with infrequent interjections about Christina's inaccuracies and misinterpretations. Admirably, he resists the temptation to demonise Christina herself, although her distortions of the truth are manifestly obvious as Guiles explains. Perhaps the most potent example is the fact that, while 'Mommie Dearest' gives the impression of having been written as a reaction to having been left out of her mother's will, Christina actually began the book while Joan Crawford was still alive. Guiles conjectures that it may well have been Joan's horror at the venomous portrait her daughter was painting that prompted her to leave her out of the will in the first place, not the other way around.
What really comes across here - and in 'Mommie Dearest' itself - is that Joan and her daugher did not get along simply because they were too similar to one another, their personalities so strong that a clash was inevitable. Christina even grew up to take on many of the characteristics she hated most about her mother, including professional competition. Neither woman was perfect but, as Guiles attempts to emphasise, Crawford does not deserve to live on only in the guise of shrewish mother-from-hell. She was an emotionally crippled person, but not the cartoonish monster most people see her as today.
If you have read 'Mommie Dearest' and taken it as gospel, I definitely recommend giving this book a read, to learn that the truth was more complex. If you're after a straight biography of Crawford, leave this one for later.
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The best parts of this book are the abundant quotations from Wulff's prolific writings and occasional useful contextualization provided by Samson. The narrative itself offers neither insight into Wulff's character, nor compelling reading. There are enough anecdotes to incite interest, but too little follow-through on many interesting topics.
There are also nice photographs, some of which are Samson's.
With the journalistic style Samson employs, Samson demonstrates that Wulff speaks clearly for himself on issues of interest and importance to anglers. Further, Samson demonstrates that he knows a good bit about Wulff's life and writing. He could have created a useful anthology to introduce readers to one of the most original sports fishing authors of the twentieth century. Such an anthology might still be welcome.
This book provokes interest that it cannot satisfy. Fortunately, Wulff's own books are still available.
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