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In 1999, Joan Anderson's book, A Year by the Sea was published to unanimous acclaim. Written primarily as a memoir, the author focused on the year she separated from her husband and lived alone in their Cape Cod cottage. This slim volume spoke volumes to legions of women and quickly became a bestseller. Now in her newest book, An Unfinished Marriage, Anderson continues her story as she reconciles with her husband and he moves to the Cape.
Certainly, Joan Anderson took a bold step by separating from her husband to find herself and perhaps in part to add a new dimension to her married life. And while many women who are married for sometime would find this the thought of a solitary year intriguing, Anderson admits it was not always an easy experience. Neither is everything so wonderful during the time Robin and Joan joined together again.
For Joan, the reunion is initially fraught with tension and compromise. While Robin has retired and is now seeking a new meaning and purpose to his life, Joan has already found this during her year of solitude. Joan feels crowded by his presence both physically and emotionally. As Anderson also described unearthed emotions in her first book, she continues to reveal her innermost thoughts concerning the changes and growth for them as individuals and as a married couple. Month by month for the year of their reunion, Anderson charts the ups and downs of her marriage and their lives. With total candor
and great insight, she presents a vivid look into the inner working of this union. Drawing upon glimpses of their early, married life and their years as parents of two young boys, for many readers these scenes will serve as reminders of their own lives. While at first I was put off by Anderson's thought and words likening them to literary whining, this was short lived as the book intensified with emotions and resolutions. And all at once I came to fully understand the author's desires and wants not only for herself but for the two of them as a couple.
I do recommend reading both A Year by the Sea and An Unfinished Marriage. Both books evoke memories of Nan Martin's journey in the fictional title Pull of the Moon by Elizabeth Berg. This is a wonderful renewal of spirit both as a woman and wife. I think that many would agree after reading this book that for Joan and Robin Anderson their journey continues and readers everywhere I imagine will wish them well.
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Because Miss Marple is not young enough to physically search for the body in unknown territory, she engages Lucy Eyelesbarrow, one of Christie's most interesting female creations. Lucy quickly gains employment at Rutherford Hall as a domestic and busily does all the legwork for Miss Marple. Meanwhile, Jane Marple has taken up residence at a nearby home and advises and assists Lucy.
In 1961, this became the basis for "Murder, She Said," the first of four films starring Margaret Rutherford as Miss Marple. Although it deviates from the book, most notably in the omission of Lucy, it is enjoyable and worth viewing.
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Go and Come Back is a book I highly recommend because of the way the author shows how different cultures can be and how ignorant they can be of each other. For instance, when Joanna and Margarita came to the village, they were doing things horribly wrong according to Alicia's customs, such as not sharing all their food to every single person in the village immediately. It is very interesting to see the different cultures mix, and it's even funny! Another reason why this is a good book is because of the character development. Go and Come Back is a 1st person narrative novel "told" by Alicia herself. With any 1st person book (especially this one), it is very easy to see the personalities of the characters when the main character tells the story. You get to know Alicia very well throughout the story, and you can almost feel her own feelings. Those are a few of the reasons why I recommend this book.
One reason why someone might not want to read it was because it can be unclear sometimes. During the story, the author makes some points that are unclear. The reader would know there is a point, but he/she wouldn't know what it is. The metaphors are hard to catch too. Sometimes the reader can't understand what the author is even talking about, but only sometimes. Don't let that stop you, though, from reading this wonderful book, because everyone and everything has some flaws (and that's even one of the points made in the book).
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Now known as Shadow, a powerful medicine woman to the Comanche warrior, Many Horses, Bayleigh "Bay" Stewart has adjusted to the Comanche way of life after being kidnapped three years ago. She still, however, dreams of the day she can go home and marry her love, Jonas Harper. When Many Horses returns to the village after a brief absence, he has a half-breed stranger, Long Quiet, in his company. Apparently the man saved Many Horses' life more than one time and is now his blood brother. As such, he offers Shadow to Long Quiet, not realizing the repercussions that will follow this impulsive act.
His father a white man, his mother Comanche, Long Quiet walks between the two worlds, but the Comanche are nearest and dearest to his heart. He has been searching for Bayleigh Stewart the past three years and now that he has found her, Long Quiet is reluctant to return her to her family, despite the promise he made to Bay's sister. As the weeks go by and the two fall in love, it is evident that the people of the Comanche village no longer hold Shadow in awe and fear -- instead, they want her dead. With Many Horses' blessing, the two escape from the village and start the long, enlightening journey to Bay's home.
I have long been a fan of Joan Johnston's novels, but COMANCHE WOMAN is not a keeper for me. I was enthralled until chapter ten, when the story took on a very abrupt change in tone and direction from what I had previously read. It was as if someone else had taken over the writing. From that point on, there is an abundance of point of view changes, strange character inconsistencies, "purple" prose, and predictable happenstances.
I have not read the other books in this series, so COMANCHE WOMAN may very well mesh perfectly with those. Even though I was personally disappointed in the last half of the book, I'm sure there are Joan Johnston fans who will enjoy the story.
Long Quiet is patient with his frightened gift, but begins to reach the woman he has cherished ever since he saw her back east years ago. When someone tries to kill her, Long Quiet takes Bay to safety. Though they love one another, he knows his Indian people needs him so he wants to live in Comancheria while she needs to go to her family ranch. Bay returns home to learn that the family faces a financial crisis with their only hope left for her to marry her wealthy former suitor Jonas Harper. However, she now carries Long Quiet's baby causing a different dilemma.
Though the story line is typical of most of Joan Johnston's Texas historical romances, the reprint of COMANCHE WOMAN will please sub-genre fans because this is one of the best entries in the extended mythos. The story line enables the audience to observe the lifestyles of Native American and Texans in the middle nineteenth century yet provides wonderful lead protagonists and a strong secondary cast including stars from the first novel (see FRONTIER WOMAN). This is an entertaining tale that readers will gain plenty of pleasure while awaiting the next reprint, Texas woman.
Harriet Klausner
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This book did not make me want to put it down and do my own writing, which is one of the things I look for in books on writing. It made me want to lie down on the couch and sleep. The author includes NO actual diary entries, either her own or other people's, and she goes on repetitively about the benefits of keeping a journal, as if trying to resell the idea, chapter after chapter. She also overstates both the need to schedule one's writing and the pleasures of writing for new journalers. I don't write every day unless I feel like it; never have. And I don't set aside one special pen for writing -- how limited! Although she gives lists of types of journals one can keep, they are obvious and lifeless, with almost no discussion of visual (non-word) ways of journaling. Sad to say, I got only about 1/3 of the way through this book before giving up, skimming each chapter, and just reading the box at the end of each chapter, "The Least You Need to Know."
There is so much more potential energy and enjoyment in journaling than this book conveys. Fortunately, many other books do cover this ground vibrantly; find one of them instead.
But most importantly, just get yourself a nice blank book, a comfortable pen, and START. Write when you feel like it, when you have time, and when you feel a burning issue or a lack of clarity. Read other people's published journals and get inspired. And don't destroy your journals (especially if you're young); find a good hiding place, treat them lovingly, and they will reward you with insight into your own patterns and a treasury of memories to which you can return again and again.
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The Concerned Parent has cautiously given the "benefit of the doubt" to Marshall and Manuel's previous two American history volumes. I cannot do so here.
The decades leading up to The War Between The States were filled with crisis and controversy on a wide number of levels. Slavery was not a direct cause of the war. The Abolitionists were not all the "good guys". Many exhibited religious and ethnic bigotry on an incredible scale -- a bigotry just as morally wrong as the slavery they were condemning. Nativism and anti-Catholicism ran rampant -- to the extent that an entire political party was incorporated (The American aka "No-Nothing" Party).
Many, MANY issues and principles were involved in the decades leading up to the war -- and that rather basic fact just doesn't come through in this book. The issues of State's Rights are not adequately discussed. The issues of the power of the Federal Government is not adequately discussed. The legal principles behind the concept of secession are not adequately discussed.
All these issues are important when considering the time period in question -- regardless of one's political, social, or religious position. In this respect, Marshall and Manuel have failed miserably.
No stars for a major disappointment.
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Overall, I think its a great place to start for people who want to experiment and/or don't know how to approach their partner with something new.
I don't fit into that category, and found that most of the things that characters in the book wanted from their partners were elementary and basic. There isn't anything in the book that a little communication, imagination and research won't tell you. But if you are inhibited, there is reassurance that you are not alone and ideas on how to act on and communicate your feelings in non-threatening ways.
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Joan Hess always entertains but I think her plot twists in this book were especially clever. Also her character's anger toward her on again off again boyfriend rang true. Although as an incurable romantic I wanted to see them get together. In fact it is my hope that one book will contain a wedding and another perhaps a honeymoon with murder of course.
I recommend this book to all the Claire Malloy fans.
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