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I am not surprised that this book evoked such strong emotions from the reviewers I've read on here so far. This is an astonishingly powerful book, and I've never seen anything like it. The incredibly evocative photographs are often coupled with a monologue by girls/young women. Both the photos and the monologues are exceptional looks deep into the psyches of girls and young women. There are average girls, popular girls, Latina girls, African American girls, girls at weight loss camp, girls at an eating disorder clinic, nude girls lap dancing....every kind of young woman imaginable. The photos hit me right in the gut....and I am shocked that I've never before heard of this author. Sometimes, the photos were disturbing, but only because they probably hit "too close to home." Sometimes, the photos were lovely and peaceful. Sometimes, the photos were shocking and beautiful at the same time.
I don't like to "tell the whole story" in my reviews; I think that completely spoils the surprise element for someone reading a book such as this for the first time. So...let me just say that this book of photos is well worth the money; I'd recommend it to any woman who is well beyond her "young woman" years.
I want to be beautiful, who doesn't? But why? Why do women (and increasingly men aswell) have to be beautiful?
The pictures presented are both disturbing - in their context - and insightful. For some reason they leave a grim image of women not liking themselves and wanting to be someone else. On the other hand the book also contains pictures and stories of women and girls who are happy to be who they are.
Read this book along with "The beauty Myth" and you'll never look at another 'beauty'-commercial for clothes or cosmetics the same way you did before. Both books are true 'eye-openers'.
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This is a really hilarious book and I reccommend it to anyone who knows how to laugh.
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This book is pretty much a hastily put together collection of stuff you can find in the Yellow Pages or boring informational websites. Waste of money.
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Joan Benny, Jack's daughter, is to be commended for rescuing that draft from obscurity. Alas, the balance of this book suffers from Joan's poorly edited writing. Expecting to read about Jack, the reader discovers that "The Jack Benny Story" is mostly about Joan, though there are frequent references to "Daddy," as Jack is called throughout the book.
His daughter's contribution is not as great, which is what keeps me from adding the fifth star to this rating. She's ok, but not essential to this book. She's obviously filled with great admiration, respect, and love for her father and his place in the world of comedy; but she is kind of intrusive. She gets in the way of Jack Benny's own words, that prove to be far more interesting and enjoyable than her's. You should read it just the same, because it's well worth it.
Mr. Benny's daughter found this unfinished biographical material and we are grateful for the insights to his character, his humor (beginning with his days in vaudeville), and his wide-ranging, generally liberal thoughts on celebrity, comedy, and race. These sections of the book justify its purchase and are the primary source of its enjoyment.
As others have noted, Joan's sections of the book can drag and one eagerly waits for the bolded font which is her father's own words. I do think she provides some valuable insights into Mr. Benny's domestic life and routine, as well as some humorous and interesting glimpse into growing up as the daughter of one of our most popular and well-respected entertainers. Unfortunately, some of this seems fairly generic to that culture, especially her early years. Her criticisms of her mother, however well founded, seem discordant with the prevailing tone of the book. The book would have been better with more pruning of Joan's autobiographical comments.
Still, the other material is a treasure for his millions of fans, and I recommend the book to fans. Joan's part does not detract from her father's; after all, the book was never finished and gives an incomplete picture anyway. Mr. Benny seems a modest man and I believe his biographies would complement the wonderful material here. If you're new to the subject, perhaps you should begin with the biographies and then proceed here, if you're a confirmed fan, the order won't matter, and you will want this in your collection.
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In fairness, at least the author genuinely read a wide selection of the documents, and was honest enough to refrain from the more outrageous claims. But the numerous distortions in this book include:
- A persistent effort to remake Joan into a large, masculine, "sexually-unappealing" androgyne (in direct contradiction to eyewitness accounts describing her as "beautiful and shapely", "short", with "beautiful eyes", a "sweet girl's voice", etc). The author often manipulates such testimony until it becomes the opposite of what the eyewitnesses actually said. This is especially true with regards to the comments made by some of the men who had served in her army: what these fellows actually said (in summary) is that although they did find her attractive, they were amazed to find that their normal sexual desire (for all women) was suppressed when she was around. At no point did they say that they found her ugly or unappealing (as the author sometimes claims about this testimony), but precisely the reverse. The author admits that this was the case with the testimony from the Duke of Alencon, but characteristically sensationalizes it into something which the Duke never said, and which would be at odds with the other sources who are all agreed that Joan always slept in full clothing when with the army and never "undressed" in front of the troops, for heaven's sake. Alencon never claimed otherwise.
- Worse, the author cites - sometimes out of context - some of the testimony given by a group of women (namely Charlotte Boucher (who had been only 9 years old when she "slept with" Joan at Orleans), Hauviette de Sionne (apparently under 13 at the time), and Marguerite La Touroulde) who described a common medieval practice whereby whenever Joan and the men in her group were billeted for the night in a house in which there weren't enough beds for everyone, they placed Joan with the little girls of the house or the hostess rather than the men (her male bodyguard, Jean d'Aulon, frequently slept in the same room with her, and so the hostess or a little girl was also placed in the room for propriety's sake, and sometimes in the same bed if there weren't enough to go around). The author admits that this was "the custom", and at least never goes so far as to claim that Joan was having sex with these women (which would contradict their own testimony that she was "chaste"), but nevertheless makes enough innuendoes to prompt a few modern playwrights and others to cite this book as alleged "proof" that such was the case. An author should not make careless comments on such a subject when she knows full well what the facts of the matter were.
- Aside from the above, there are frequent misinterpretations: just to pick one random example, the author claims that Martin Ladvenu testified that Joan was raped, which is false: he said that there had been an _attempted_ rape after she agreed to give up her soldiers' clothing (which had "laces and points" by which the pants and tunic could be securely fastened together, thereby providing some protection against such assaults), and Ladvenu cites this attempted assault as one of the reasons she resumed her soldiers' clothing after the above-mentioned incident, to try to prevent another attempt from going even farther.
- There are some anachronisms, such as when the author interprets Joan as a "feminist" while ignoring certain of her recorded statements which sound like precisely the opposite (such as the comment: "I would rather stay home with my poor mother and spin wool [rather than lead an army]", or her statement to Catherine de la Rochelle to "go home to your husband and tend your household", etc). Feminism is a modern movement which really had no counterpart in the 15th century.
On the plus side, however, the author has faithfully mentioned many of the eyewitness accounts which are so often ignored, such as the testimony regarding the other reason for her return to "male clothing" (i.e., Massieu's statement that her guards had finally left her nothing else to wear, as a way to entrap her into a "relapse"); and most of the basic material on other subjects is generally accurate enough and detailed. The writing style is often engaging, and Vita Sackville-West, an aristocrat in early-20th century England, brings an almost Victorian-style flavor to the subject (which is a bit odd, but a welcome departure from most other modern books on this topic). Nevertheless, it's still a little sad to see this book in yet another reprint. Its previous popularity seems to have been due entirely to the fact that it was well-written (if not always factual), and the author did enough research to give it the illusion of being authoritative despite the fact that historians have rejected so many of the author's interpretations. The only accepted authority on Joan during the last half-century was the great French medievalist Regine Pernoud (founder of the Centre Jeanne d'Arc at Orleans, France); two of her books can be purchased here at Amazon.com.
March 7, 2003
Book Review of Saint Joan of Arc
I enjoyed the book as far as overall content goes. The author had a lot of information that many people may or may not have known about Joan of Arc. He had also brought up many interesting questions. Many of them were on what her physical appearance was really like and also some of whether God or the Devil sent her.
Unfortunately there were several things I disliked. For one, throughout the whole book he would occasionally slip in his own personal opinion, I didn't like that. Two, in some of the chapters he wouldn't even mention Joan of Arc, or her relevance to the chapter, till the very end. Third, he would have a lot of French words and sentences in the book. He never would write in English what they meant or said. For some people who didn't take French, in school, would become very confused as I did. Fourth, throughout the book, he would jump around in years a lot and I would get confused on which year he was talking about. Lastly, the author would also add in or mention quit a few people. When mentioning them, he wouldn't say, on some cases, their relevancy to Joan of Arc or why they were so important to mention in the first place.
I did enjoy reading about Joan of Arc and her, seemingly, fascinating life. I wish I were able to fully understand it all. As I had said earlier, I feel that if the author had skipped around so much on the dates it would be a little more understandable. There were a couple of parts, in the book, where he mentioned another book for getting his information instead of saying, "through my research." Reading this book makes me want to go out and read other books about Joan of Arc to see if they have the same information or if I would learn something new.
Sackville-West's book is very literary, and if there's one flaw it's that it doesn't show, sufficiently, how successful and revolutionary a soldier Joan was. She was much more aggressive than other French soldiers of the day, who had been conditioned to defend cautiously by the advent of the English longbow. How Joan overcame this isn't discussed (I suspect in part because this remains a mystery of sorts) though the remarkable fact of her becoming a soldier in this era where women didn't fight is commented on at great length. Joan's abilities as a prophet are also examined at great length, and analyzed carefully.
This book is a good starting point for anyone wishing to know more about Joan of Arc. There's nothing on the market since (at least not that I'm aware of) as well-written, and the scholarship is good, as far as it goes.
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Some of her recipes have worked for me. Others I have had to adjust: they are too thick (too much pectin?) and / or the sugar doesn't completely dissolve (too much sugar?). It's an idea book and a trial and error book for me. I am so relieved to read the other reviews regarding the amount of sugar and pectin.
This isn't a book for a brand new jam maker -- in my opinion,the recipes are too 'hit or miss.'
beautifully, maybe it's because I'm an experienced jammer. This was
my first summer at the Farmer's Market as a vendor of jams and
jellies, baked goods, flowers and berries, and I found her
observations and musings on her experiences there very similar to my
own. Well worth the read and inspirational for the beginning jam
cook....
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As with her earlier books, DON'T COUNT THE CANDLES is written in her typical breezy style, with plenty of laughs thrown in for no extra charge. That's what this book is, too: a charge. Rare will be the reader who fails to be both enlightened and refreshed by Joan's entertaining outlook on life. For her fans, this one's a must.
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Elizabeth and Jessica promise to keep it a secret with their father as a fun game, but their loyalty is tried when the girls' best friends (Amy Sutton and Lila Fowler) demand to know their secret or else. The reaction to the twins' secrecy is a little over dramatic and immature, but then again this is middle school.
Lila even refuses to invite the twins to a big star-studded party unless they tell her everything. Jessica, of course, is the first to break her promise. Soon everybody at Sweet Valley Middle School starts talking "Ithig", mainly as a way to confuse their new teacher Ms. McDonald.
"Keeping Secrets" certainly isn't the best Sweet Valley Twins book I've read so far, but if you're into secret languages, you might like this one.