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Angela Barrett's illustrations are striking and memorable. In particular, I like the painting of the English bombarding Orleans, as it shows what a siege was like in those days. The cover picture (displayed above) shows Joan on her horse surrounded by the hopeful residents of Orleans who wanted to touch the maiden that God sent to liberate them. Without being heavy-handed, the fire engulfing the banner hints at Joan's ultimate fate, and her face reminds us that she was in many ways a child. This was a true incident, and Joan was said to have been masterful in guiding her horse to water to douse the flame. There is also an outstanding two-page illustration of Charles' coronation, in which Joan is shown standing in a position of honor as befits the liberator of the kingdom. The depiction of angels visiting the imprisoned Joan while she was on trial at Rouen captures the spirit of her faith in God and certainty in her quest. Remember that this uneducated peasant girl held her own for two months in a contest of wits with masters from the University of Paris. The illustrations alone make this book worth having.
Any biographer of Joan of Arc must find a way to explain the inexplicable. Josephine Poole's text is good, beginning with the simple statement that this is a true story. Ms. Poole offers Joan's story more-or-less at surface value. As is appropriate for her audience of children, she simply relates that Joan was a country girl working in a field when she heard voices that filled her with overwhelming happiness. The author includes some details of Joan's story that one could quibble with, but overall the text is solid as biography. I was frankly glad that she did not go into details of Joan's terrible death, concluding instead that a saint, like a star, lives forever. Indeed, Joan of Arc will always live in the hearts of all of us who love her.
Perhaps my son's actions speak loudest about the value of this book. We never go on a trip without "Joan of Arc," and I have heard him tell his friends, in his own way, that Joan of Arc tried to warn Classidas to go home, but that she ended up having to shoot and was sorry when he died. This book has helped my son begin to love St. Joan, and that is the strongest recommendation for it that I know how to make.
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This book incorporates not only the premise that problems arise within a family system but also within the context of cultural assumptions. Our society values earning and power, thus the Golden Rule (She/he who has the gold, rules). Though each marriage partner has individual problems, these problems arise from the patterns of relating we learn from our parents and our families of origin. Until we understand them, we recreate them in our own marriages. This book, along with David Schnarch's book, Passionate Marriage, will really get your brain churning!
Carter shows how the traditional model of marriage has not changed fast enough to successfully support the other ways that society has changed. The traditional model is one breadwinner and one homemaker in a heterosexual first marriage. This is how most of us were raised, and perhaps more importantly, it is the model that society, for the most part, is currently set up to support and value. While many young people today intend to share expenses and responsibilities equally with their partners, when we get married, especially if we have children, we tend to unconsciously fall back into thinking according to the traditional model. There's nothing wrong with both partners choosing a traditional marriage; the problem is that many of us do not make fully conscious choices about marriage. Instead, we unwittingly buy into a model that does not in fact (usually) serve either party well.
What's particularly brilliant about the way that Carter explores these issues is that she shows the reader why it matters and how it can change. The book includes useful stories about real people's marriages, and the emphasis is on what was making these people unhappy, what was keeping them from seeing all of their options, how they learned to consider and embrace new options, and whether and how their marriages changed. Because the stories are selected so well and integrated so nicely with the broader exploration of social issues, the book is easy to read and the relatively complex social issues are made very accessible.
The book does not say that money always equals power, but points out that the two are generally equated in American society. It also points out that without autonomy, people do not generally feel equal -- because they really aren't equal in the sense of having the same options. Autonomy--being able to stand on one's own--is so linked with money, not just emotionally, but in reality, that it is important for us to understand the implications of who makes how much money and how the money is shared.
The book also makes it clear that there are two kinds of power, "power over and power to." The book does not advocate that anyone use power over another person, whether that power is in the form of money, affection, or anything else. It does show us why people sometimes do that, and how to think about and deal with people who come from that perspective. It also shows us how people can learn to use the "power to" make themselves happier. Many women are uncomfortable with any type of power, including the power to be happy and even to protect ourselves. This book helps us understand why it is a bad idea to pretend that there are no power issues or power struggles in a relationship, and why it is a good idea to learn more about these dynamics. But its focus is by no means how to win a power struggle. Rather, it shows us how a better understanding of these dynamics can help us negotiate a win-win marriage.
It also, by the way, describes how to negotiate a win-win divorce, with emphasis on how to best support and nurture children during and after divorce.
The book also emphasizes the importance of looking at the family as a system, and shows how our experiences in our families of origin play a shockingly large role in our relationships with our spouses. It includes very helpful examples of how people have reconnected with their "impossible" parents in order to learn more about themselves and the family themes that have shaped their expectations and assumptions (which are often hidden).
In short, this is a book about how to be happier. I would recommend it to anyone who wants to learn how to be happier in a committed relationship.
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warrior women. I recommend this collection and "Damsel in the Rough" by Ann M. Tempesta.
The wry sense of humor characteristic of Twain definitely is most in evidence in CT Yankee. All 3 of these works deliver Twain's wide understanding of human nature in different times and sociological conditions, and his admiration of human nobility and greatness of heart in adversity. Joan of Arc unquestionably is the most inspiring of these tales, being the story of the greatest hero (or heroine). The Prince and the Pauper, however, remains a jewel of an adventure story, which any child can identify with, and learn from.
It is a collection to keep forever, and re-read frequently.
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Notes, bibliography, archival and interview sources, and index are included.
Joan Campion's fluid narrative deftly guides the reader through the series of audacious negotiations and plans undertaken by Fleischmann and her colleagues to stave off the impending "Final Solution." The story's drama is heightened by Fleischmann's devotion to the work of saving as many people as possible- especially children -while being torn with anxiety for the safety of her own family.
There are people still living to whom Gisi Fleischmann did, indeed, make a difference. How wonderful that, thanks to Campion's efforts, her story is once again available in a world language!
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I don't think someone that famous- and this refers to Joan in the 1950s and 60s- had to worry about being a "has-been". She already had an Oscar and everyone knew her name. She will ALWAYS be famous. A good comparison would probably be John Travolta. He has made some great classics ("Grease"), but his last couple of movies have been bombs. So what. He'll always be around.
I think Joan was a great friend to her peers, there's no doubt. Her treatment towards her children was horrific. This was no secret in Hollywood, either. Christina was no crybaby who wrote her book because she was disinherited. If someone brought it up to Joan to lighten up, they were asked to leave the house or told to mind their own business. No wonder Christopher kept running away!! And where's the logic in punishment with physcial harm because he tried to run away? That would just make him want to leave MORE.
I definitely recommend this, it's the best Joan biography to date.
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