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If you are interested in art, especially of the Surrealist Movement, this is a great place to start.
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Seppy is the seventh son of a seventh son in a family that makes carriages - but his only wish is to become a wonderful violinist like his grandfather. To find out how to succeed in this path, he goes one night to an abandoned house where bodiless voices are said to whisper to one another, and ask for their advice. They tell him that all he needs to do is throw a shoe at the moon each night for a week. Baffled, Seppy obeys, but finds that after marring the moon's beautiful white face with the marks of his shoes, it imposes on him a terrible revenge: in return for success as a fiddler, he must go barefoot for seven years, his sister will never speak a word, and he and his family will be in terrible danger.
Sure enough, any shoe that is placed on Seppy's feet instantly falls apart, his new-born sister Octavia never utters a word, and the portents begin brewing that something terrible is on its way... But throughout all this Seppy's talent as a violinist grows to magical proportions, and his skill with his new violin (given to him through ghostly means) may just hold the key to protecting not only his family, but the entire seaport he lives in.
If there is a fault in this tale, it is that Joan Aiken emcompasses too many strands of plot into what should be a more simple folktale. As it is, one is never quite clear what is the main story line - is it the Moon's curse? Seppy's musical development? The threat of the sea monster? As well as this, several small enigmas presented in the story are never completely unwound, and though some - like the formless voices in the abandoned house - are best left mysteries, other just make it seem as if the book has drifted to an incomplete ending. For instance, how and why does Octavia begin to speak? Why does the monster shrink? How do the shoes get back in the clock?
But despite these confusions, the stunning illustrations of Alan Lee more than make up for them; he is the only artist to my knowledge that can make a dancing sea serpent in giant shoes look completely realistic. He invokes the moorlands and the seaport perfectly, either by day or under the ghostly light of the moon, and any complaints over the story are swept away by the mysterious mood of the watercolours - ghostly kings, crashing waves, mist-shrouded beaches, craggy rocks, and of course the seaweed covered sea serpent are all completely convincing and provocative. Lee captures movement, scenery, action, stillness and otherworldliness perfectly, and any fans of his work will not be disappointed with his illustrations here.
So even though the move from the haunting, murky atmosphere of the first half of the book doesn't quite match the cartoonish feel of a dancing sea monster at its conclusion, the prose is strong enough, and the illustrations beautiful enough, to make this book a treasure for the bookshelf.
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I think this is a series that gets better as it goes on. There is a certain crudity and dependence on cliches and stereotypes in the earlier character drawing. The fat girl Delia is greedy; the preacher is a hypocrite. The later ones have more subtlety.
"She had her cat, Pussy Toes, her apartment in a quiet neigborhood, her meetings of the genealogical society, her knitting projects for nieces and nephews, and her annual vaction to a family-run hotel in Mexico where she remained drunk out of her mind for ten days straight." You might accuse Hess of making fun of alcoholism in that portrait of Miss Vetchling but it has a certain style and sharpness.
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In the novel "The Personal Recollections Of Joan Of Arc" a childhood friend, The Sieur Louis de Conte, tells of her adventures from beginning to end, as he remembers playing with her in childhood, standing by her in adulthood, and watching her in anguish because of his helplessness at the end. This book is one of Mark Twain's novels, and I think is one of his best. "Joan Of Arc" had a lot of action but hardly any gory or really gross bits to sicken a reader or destroy a good story. One example of that is when she speaks to nobles, lords, even the king himself with her passion for France and justice in her quest to free France. the spirtualness and human natures colliding in this story ,like when she was grilled by the church council and jury regarding Christ, war, people, and the miraculous happenings following her, making this a very exciting read, whether you like to skim the surface and just know the story, or if you would rather dive deep into the hidden messages of love, life, and liberty buried deep withen these words. The only thing I can count aginst this book is that 425 pages makes for a long read, but it's worth it. I recommend this book to someone who wouldn't mind being caught up in the wonderful balance of words and thought of "Joan Of Arc" for an afternoon. I really liked this book, and think that everyone should have the chance to enjoy it. Kudos to Mark Twain, I give your book 4 stars and two thumbs up.
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Overall, it was well organized and well written, but I'd love to truly test how well - written it was with an answer - key comparison to my own work.