For anyone, child or adult, who has even a passing interest in the arts, "Charlotte in Giverny" is a kind of magical time-machine disguised as a children's book that takes the reader into the world of artists and villagers who had the good fortune to find themselves in Giverny, the revered artist's colony outside of Paris, in the late 1800's. Presented as the diary of a young girl who travels to Giverny from Boston with her parents (her father is a painter) in 1892, "Charlotte in Giverny" is rife with the joy of discovery. Charlotte is heartbroken at first because she has to leave her best friend behind. But then her adventures begin: on board ship, in awe-inspiring Paris, and throughout the year in the beautiful Normandy countryside where Charlotte makes new friends, plants a potager and even attends the wedding of Monsieur Monet's daughter. Reproductions of Impressionist paintings, postcards, photographs and ephemera from the period, as well as charming watercolor and collage illustrations by Melissa Sweet lend the book a quality both authentic and eye-pleasing. A rare and unusual treat, a treasure of a book for all ages to enjoy.

For anyone, child or adult, who has even a passing interest in the arts, "Charlotte in Giverny" is a kind of magical time-machine disguised as a children's book that takes the reader into the world of artists and villagers who had the good fortune to find themselves in Giverny, the revered artist's colony outside of Paris, in the late 1800's. Presented as the diary of a young girl who travels to Giverny from Boston with her parents (her father is a painter) in the 1890's, "Charlotte in Giverny" is rife with the joy of discovery. Charlotte (a girl with a sense of mischief) is heartbroken in the beginning at having to leave her best friend behind, but grows eager to explore her new world. Through her eyes, we make new friends, see new places, learn new things. Her shipboard departure from Boston, her awed introduction to Paris, and the year she lives in the beautiful Normandy countryside, are all richly illustrated. Reproductions of Impressionist paintings, postcards, photographs and ephemera from the period, as well as charming watercolor and collage illustrations by Melissa Sweet give the book a visual quality that's authentic and beautiful. The result is a rare and unusual treat, a treasure of a book for all ages to enjoy.

Charlotte in Giverny is truly magical--its absolutely transporting! One truly gets the sense of what it must have been like to travel to and live in France as an american girl in the 1890's. The wonderful thing about Charlotte as a character is that she has such a strong and inspired voice--and what a sense of adventure! Lush paintings of the period jump off the pages--and the use of old postcards, stationary, and photgraphs lend to a sense of travelling back in time. Melissa Sweet's drawings complement Charlotte's adventures beautifully. Via Charlotte's keen and curious eye-we see not only Monet the master come to life-but the multitude of American painters who made their lives and art in Giverny. It is the mark of a truly gifted writer to breathe life into those who have long since left us-and Joan Knight has done just that. Monet is mysterious, Charlotte's dog Toby mischievous, and Giverny glaringly alive. There is romance, friendship, and adventure on the pages of this book--it is an absolute classic and should not be missed.

I can't begin to explain the way this book makes you feel. Reading this book made me want to get out in the world and do something nice for someone else. This is a book I will want to read over and over again, and HIGHLY recomend you read it!

What a wonderful book! It pushes all the right buttons, in all the right ways. What more could a reader who needs motivation ask for! These stories are phenomenal, and they deserve everyone's attention. If you have not read it, do so, and if you have think of someone you have not recommended it to, that you could. It's a message worth sending, and, as the book shows, no positive effort is ever wasted! I LOVE this book!

Although I worked on this book with Jackie (I photographed many of the people who are profiled within), it is, of course difficult for me to be unbiased. But after meeting twenty of these exceptional people, it is hard to come away from this book untouched. They are truly an inspiration to us all, with Jackie at front of the class - leading the pack. I am thrilled to be associated with a book like this, a book that can motivate us all to get up and DO SOMETHING FOR OTHERS!

Just finished reading " Deep In Our Hearts", a book I'd like to strongly recommend. It captures on a very personal level, the spirit of the Civil Rights era, from the perspective of nine different white women who were deeply involved in the struggle to bring about more racial justice. It is a moving tribute to all the heroes of that very difficult time. To all who were involved at the time or those who are the least bit curious of "what went down", you cannot fail to admire the stories of these brave women. This is history (herstory) as it should be related-from the participants.

Imagine leaving your comfortable world as you knew it in the erly 1960's. Young white women; some from the north, some from the south. Rural and urban, college kids, middle class, working class and just plain poor. Heading to a dangerous world and joining the early days of the Civil Rights Movement. Leaving behind the scorn, disdain, and ridicule of family and friends. Walking into a climate of hate and bigotry, and joining in civil disobedience against segregation. Walking in the picket lines, sometimes fearing for your life; organizing, and joining in singing hymns of freedom. Going from tears of frustration to smiles of great joy, while hitching a ride on that freedom train and holding on for dear life.
One recent eveing at Northern Lights Book Store and Cafe in St. Johnsbury, Vt., 70 people heard two local women who participated passionately in that movement. The authors read from their book, Deep In Our Hearts: Nine White Women in the Freedom Movement.
The book is an eloquent and powerful one that takes us back to one of the most tumultuous periods in American history; the erly days of the Student Nonviolent Coordinating Committee (SNCC), Freedom Summer, voter registrations, lunch counter sit-ins and the rise of Black Power and the women's movement. Deep In Our Hearts is a collection of essays, that take us into the lives of a group of young women who were transformed by the Civil Rights Movement.
The audience listened as Penny Patch looked back and read softly. "I understand well that what was between us will never be again, but still, that experience remains at the core of who I am. The fact that some of us had deep friendships that crossed all racial lines is simply a miracle. For short periods of time, in those early yers, we leaped over all the history and all of the minefields between us."
Perched on a stool and sipping warm tea to sooth a sore throat, Theresa Del Pozzo read from the book. "My involement with the movement began as a moral reaction to the blatant injustice of segregation and the denial of basic human rights of African-Americans. Along the way I got an education in the intricate patterns of racism and began to experience what I think as the small-c culture of the African_American community: the wisdom, dignity, strength, humor, gentleness and creativeness of its everyday life and people. The experience of living within the black world changed forever the person I was to become and the way I live my adult life."
Listening to the authors as they told their stories one could not help but admire their courage and admire this courageous book. They stand as powerful testaments to a time when the goal of universal justice was truly in sight and to the hope that a new generation of blacks and whites will take up the challenge to make the world a better place.

Marvin Minkler of the North Star Monthly

This collection of stories, detailing the lives of nine white women active in the fight to end racial segregation and discrimination in this country, is sure to touch your heart. It is a must read for anyone interested in learning more about the Civil Rights movement of the sixties. I couldn't put it down.

Discourse on Colonialism was a serious eye opener. Cesaire made me think about all of the horrible out comes colonialization produced. It was one of the best non-novel books I've read in years.

This book was written before Fanon's "Black Skins, White Masks". Much of what Fanon did in his great debut is elaborate on Cesaire's work, add psychiatric aspects to it, and further explore the ideas of Cesaire.
Cesaire's denounciation of the West (both Europe and the US) is based on two pillars - one is the Western deeply racist and violent attitude towards the then colonized world, and the second is Cesaire's Marxist leanings.He mentions the Soviet Union in one short sentence as an example of a positive society - how were people misled by Stalinist Russia was a mystery. But in the forward by Robin Kelly we learn that Cesaire quit the communist party and denounced Stalinism as early as 1956.
Cesaire's strongest point is that French attitudes towards Africa (half a century ago !) bear a close resemblence to German Nazi attitudes towards Jews and other "inferior" people.
The forward by Robin Kelly and the interview with Cesaire at the end add a lot of subtance to this powerful but short essay.
This book is highly recommended to people who appreciate Fanon, and all those who wish to learn the roots of anti colonial philosophy.

As the previous reviewer (American) has stated this book is a powerful indictment of European colonialism. However, the author wrote this book in 1950s, the heyday of the independence movement against the 19th century European empires, i.e. Britain, France, Portugal, etc. and therefore that is its focus.

What is condemned here has also the epitome of U.S. policy and economic activity in the Third World for the last half century, so Americans should not think that this condemnation is about something other than many of the taken-for-granted policies of the American empire. The rhetorical tone of the book may ring as a bit dated to ears used to ignoring what goes on in minds and hearts not located in the First World, but the events of 9/11 may give them new relevance. One would hope so.

Historically this book was of great importance, and it deserves rereading today - especially in the U.S.

Despite being a very small book, with good introduction and preface, this is not an easy book to read and in my opinion the more the reader is well acquainted with the evolution of Freud's terminology the better. In this regard The Interpretation of Dreams is a prior reading which will give substance for the later reading of The Ego and the Id.

Some concepts already presented in earlier books are developed more soundly in this opus, despite some confusion between the terminology, a situation acknowledge by the editor and even by the author.

The Ego and the Id was written in 1924 and, contrary to some earlier books by Freud which could be read by the lay person (" The Interpretation of Dreams" , "The Psychopathology of Every Day Life" , "Jokes and Their Relations with the Unconscious" , " Totem and Taboo" and many others), this one was not written for the non-scientific person, due to a lot of psychanalitical lingo he uses in the text and the difficulty faced in the conceptualization.

Despite all this, I think it is an useful reading to everyone interested in the history and theory of psychanalisys. The figth between the Id (which equals the Unconscious plus some conscious departments), the Ego (mainly inputed by senses perception) and the Ideal Ego (or Super-ego), who represents a kind of moral agency who reviews and criticizes all the actions by the Ego, is of special beauty and are quintessential Freudian. A pretty much intereting reading for anyone interested in the history of psychanalisys and in concepts already of working value.

Id- Unconscious part of the mind which consists of natural instincts, urges, and drives that are repressed. It includes "internal events" which stem from the influence of heredity. Although the id is the cause of all activity, the thoughts are often unconscious and repressed. The id represents biological forces. It is also a constant in the personality as it is always present. The id is governed by the "pleasure principle", or the notion of hedonism (the seeking of pleasure).
Ego- A defense mechanism that is partly conscious and contains the capacities to calculate, reason, and plan. As the Id relates to internal events, the Ego is occupied with the external world. Its task is to regulate and control the instincts provided by the id. However, in times of sleep, the ego detaches itself from the outside world and changes, its organization. The prime function of the ego is determined by the individuals experiences. The ego is the surface of the personality, the part you show the world. The ego is governed by the "reality principle ," or a pragmatic approach to the world. For example, a child may want to snitch a cookie from the kitchen, but will not if a parent is present. Id desires are still present, but the ego realizes the consequences of brazen cookie theft.
Super-ego- the connection between the id and ego. The super ego is the minds link to reality and society. It contains the influence of what is learned from other people. The super-ego, unlike the id, is not intuitive from birth, but acquired from childhood. Once established, one begins to feel guilt. The superego consists of two parts, the conscience and the ego-ideal. The conscience is the familiar metaphor of angel and devil on each shoulder. The conscience decides what course of action one should take. The ego-ideal is an idealized view of one's self. Comparisons are made between the ego-ideal and one's actual behavior. Both parts of the super-ego develop with experience with others, or via social interactions. According to Freud, a strong super-ego serves to inhibit the biological instincts of the id, while a weak super-ego gives in to the id's urgings. Further, the levels of guilt in the two cases above will be high and low, respectively.

The ID strives for the needs, wants desires; as the ID strives for pleasure it encounters experiences of frustration. The desires and needs of the ID do not get responded to as soon as the individual would like; in essence the reality of life; this results in the development of personality that governs orientation to reality. During early development of a person there are other influences as moral and ethical expectations of family and society. As the ID strives for gratification it encounters these moral and ethical expectations that tend to frustrate the ID; as a result of this the SUPER-EGO develops which represents the individuals moral orientation. Also known as the conscience. Family and society play an important role in defining for a person what these moral and ethical expectations include. Unresolved conflicts between ID-EGO-SUPER EGO can lead to fixation or blockage in development and can result in excessive dependence in manipulation. The resolution of each crisis depends on the interaction of the individual's characteristics and the support provided by the social environment.

Quote from Dr Freud:
"...the ego seeks to bring the influence of the external world to bear upon the id and its tendencies, and endeavours to substitute the reality principle for the pleasure principle which reigns unrestrictedly in the id. For the ego, perception plays the part which in the id falls to instinct. The ego represents what may be called reason and common sense, in contrast to the id, which contains the passions. "

Sigmund Freud is not known for his easy-to-read writing style. Those that translated Freud's works have recently been under fire for being misleading or inaccurate. When I set out to read this book, I felt it neccessary to make as many notes neccesary and to dig beneath and between to bring out what Freud really meant by "ego" and "id." To my conclusion, the reason Freud is argued against so much is because of the confusion that surrounds his theories.

The words "ego" and "id" are Greek, and we have carried them into the English language and then nominalized. By doing this our consciousness solidifies them as things within our brains. The word "ego" means "I" or "self". The word "id" means "non-I" or "non-self", or "it." We dont say "the I" when we refer to ourselves. But so often we say "the ego" as if to refer to a specific part or thing of our minds.

The other confusion that adds to nominalization is then believing the rest of the book is about things in space. Yet, Freud specifically says, "The state of things which we have been describing can be respresented diagramatically, though it must be remarked that the form chosen has no pretensions to any special applicability, but is mere intended to serve for purposes of exposition (p. 18)." What Freud is saying is that in order to communicate clearly what is happening in ones psyche, or mind, there needs to be a working model of the psyche.That is to say, a model meaning a diagram with its parts that do not act as the psyche itself (or of reality), but shows what the psyche consists of. He does this by discerning that which is "descriptive," and that which is "dynamic." The descriptive only describes through language or imaginative use, while dynamic is more at the process that actually occurs.

Now the model Freud eventually used as a diagram is not a very good model. In fact it is a bit unwieldy and clumsy and in the end served little purpose (later in he updated the model in 'New Introductory Lectures on Psycho-Analysis', 1933). Because Freud is the first to devise the model, it is primitive and modifications would be neccessary. Actually Freud seemed to have modeled what looks to be an ill-defined organ giving way to the idea that it functions like a heart would. While reading the book, I chose not to use the model he drew, but rather found it useful to create my own based on his descriptions of where things are in relation to each other. This does not mean I believe the model is a literal drawing of my mind or anyone elses, but rather a means in which we understand how one part of the psyche works with another. Similarly is Neil Bohr's model of the atom. He did not draw what he actually saw, he created a model only for communication purposes. When a group understands the parts, and the relationship of those parts, then you create a vernacular, or as Freud called it, a "shibboleth of psycho-analysis." Then we can clearly understand what we are talking about when referring to these parts.

The book is only psychological in language, where Freud describes his theories of ego and id. He raises other aspects of the psyche that one may need to already understand, such as cathexis, the Oedipal complex, displacement, reaction formation and so forth. He sets out essentially how ego is created in relation to id, and by creating our ego we also create repression. It is sometimes misconstrued that ego is associated with egotistical, or egotism, or even conceit, however, Freud is aware that our ego is as much benevalent as malevalent.

"The Ego and the Id" was written in 1923, so the language is sometimes archaic, even in the translated form. Its more popular to be adverse with Freud, usually due to the claims Freud made regarding childhood sexuality, and that all of his theories are based upon sexual experiences in our youth. I believe if one set that opinion aside and read as if you never heard of Freud, you might think differently. I found it useful while reading not only to understand the times Freud wrote in, but to also update the language in more modern terms. If ego does not suit you, choose another word, as long as the relationships and understanding of their functions remain constant. But what you call them may reveal that Freud really hit the mark in describing the functions and processes of our minds. When you observe as he did, you will discover how memories are repressed, what your consciousness holds, what you observe in your consciousness and what you are holding out on in your unconscious. How our ego's and super-ego's (ego-ideal) serve and protect, yet hinder potential. For me, updating the language allowed me to understand Freuds work much better than if I kept his work in the past and attempted to apply it to today. I dont feel that works for any author. It would be like knowing how to fix an Apple IIe and expecting to be able to fix a Macintosh G3 computer.

Freud's "Ego and the Id" is a great book to begin to understand his theories. Its a small book (62 pages) and will create the foundation of understanding for any of his other works. Having a good working knowledge of this book will also aid you in reading other authors who discuss ego functions as well as your ability to discern how the word is used in relation to Freud's understanding.

A GREAT CROSS CULTURAL,MULI-ETHNIC,NON SEXUAL STEREOTYPING TALE.
THE BOOK KEPT BOTH MY KIS AND I CAPTIVATED FROM START TO FINISH. THANK YOU MS. GERSON;ALSO,GREAT ILLUSTRATIONS!

It is a beautiful re-telling of Mexican folktales. I loved the colorful illustrations and the emphasis on women. I was impressed by the careful way the stories were authenticated. I think that children will really benefit from reading this book, both in terms of pleasure and in feeling more familiar with Mexican culture.
My favorite stories were Rosha and the Sun, and the Virgin of Guadelupe but all eight stories were wonderful.
The most impressive aspect of this book is the writing. It is perfectly attuned to the age 8 and older group it is aimed at, with flowing prose that beautifully captures its Mexican themes. The writer clearly knows Mexico very well.
I highly recommend this book.

I highly recommend this wonderful book. Mary-Joan Gerson has the rare ability to re-tell indigenous folktales in a manner that is both respectful and authentic. Moreover, she captures the passion, intensity and mysticism unique to Mexican tales, having travelled there extensively. Kids, adults interested in Latin American and/or folktales, and/or anyone with a sense of wonder will enjoy this immensely. The illustrations are beautiful too.

It sounds like a great resource for collectors. And I miss my Flexible Flyer (40+ yrs). If they're so great (and they were), why wouldn't they (the new owners) continue making them? They are is still demand. They were and are tremendously superior to the cheap (and expensive) plastic garbage (i.e. sleds) that are now available. The plastic "sleds" slide all over the place and offer little or no control (steering) on hard pack surfaces. Are these in the book? I hope not.

I don't suppose this is the correct site to be in, but I don't know where else to go. I have a 41-42 (year) sled (60") and I refinished it recently. I do not have the logo any longer, and was wondering how I could go about finding one so I could put it on the sled.

Joan certainly knows her stuff when it comes to sleds and 'sledorabilia'. As a collector, I find it an invaluable resource for dating items and the values she has established are a good 'ballpark' for bargaining over prices. Best source I've encountered for Flexible Flyer information.

Up-date - January 18, 2000 - The Environmental Studies Center Bookstore just received a shipment of the Third Edition of Florida Flavors. It's still great! If you've been waiting, go on in.

When I was approached to co-chair this book with Barb Hendry as a benefit to The Environmental Studies Center of Martin County in Jensen Beach, Florida, I readily accepted. Work began immediately. Since we were both native Floridians we wanted the book to reflect the unique bounty found in the ocean, our rivers and our backyards. First we selected recipes of many oldtimers. Then we chose chapter chairman among the best cooks in Martin County. Over forty people volunteered their time and talents in this production. A year later we went to print. With the generous financial support of our community we published 10,000 copies for our first edition. Over a hundred local merchants sold the books, giving our charity all the money received from sales. The books sold out with enough interest to produce a second edition. The Environmental Studies Center continues to excel in educating Martin County's children about the uniqueness of the area's wildlife,ocean reefs,barrier islands, estuaries, savannas, rivers, wetlands and hammocklands and the importance of their preservation. The sale of over a million books for a small town charity cookbook is an overwhelming endorsement. Therefore, I give it five stars. As the third edition is being printed, a waiting list includes my name....again.

It's a GREAT cookbook...used it since 1984 and wouldn't be without it. 3rd printing is due out in March 2000. Recipes are from the BEST cooks in Martin county...they're simple to use and delicious to the taste. Once you've opened the book you'll feel really good about cooking and Florida...and the book cover print of old Florida by James Hutchinson is something extraordinary! Try it....you'll love it!

The most insightful business book since Tom Peter's, "In Search of Excellence!" Combines business acumen with Dilbert style humor. A must have for owners, managers, employees, and business students.

The Davids lay out practical alternatives to downsizing, clearly demonstrating that business success and ethics are compatible. They provide helpful guidelines to managers concerning: strategic planning, decision making, problems and opportunities, management expertise, managing the "peons", "controlling" the customer, and management theories and realities. Their Dilbert style guidelines for employees include: "beating the system", "it ain't my job", "good enough for government work", "beating the competition", "customers, the ultimate annoyance", and "job survival skills."

Very few books on business make me smile - this one had me chuckling, while it imparted excellent advice on how to run a business without losing all your friends or your self-respect.

The Davids have hit this subject right on the spot! This is the only resource one needs to succeed in business. The authors combine business savy with a humanitarian touch.

...doesn't mean you're going to get any honey." That's kind of how I felt. This book, overall, wasn't quite as witty as I had anticipated. But then, don't the teachings of Eeyore the wise prepare us for such a moment?:) There were a few very cute quotes, but most of it was fluff. The art was most enjoyable, though, and I loved the book despite the fact that it fell short of my expectations. I wouldn't recommend Eeyore's (Gloomy) Little Instruction Book to just anyone. But the artwork and the few really good quotes, not to mention the beautiful binding and quality paper, make this book the perfect gift for every Eeyore fan; indeed, their library will not be complete without it!

Just 5"X6" this charming little book, inspired by A.A. Milne, makes an excellent gift. It has delightful illustrations and lots of sage advice from the beloved dreary donkey. Have a copy on hand for yourself to read on those days when you're feeling a bit sorry for yourself and are on the verge of becoming a whiner. It always makes me laugh at myself and there's nothing like a laugh to lift the gloom...but don't tell Eeyore. If you don't like this book just remember what Eeyore said, "Don't blame me."

If you love Eeyore you'll love the Eeyorisms in this Book. The pictures go along with every page of Eeyore Wisdom. I am sure anyone who buys this Book will treasure it--I Really recommend getting Eeyore's(Gloomy)Little Instruction Book.