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A more balanced biography is Fred Lawrence Guiles's The Last Word (1995). Guiles, at least, is not afraid to discuss unpleasant incidents in Crawford's life from several different viewpoints, and he refrains from opinionizing whenever the truth is unclear.
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On a related theme: I visited a therapist in 1996 to be treated for depression--a therapist that my mother found for me--who insisted that I must have repressed memories and that this could be the only source of my longterm, episodal depression (she ignored my culture shock from a transcontinental move, my below-poverty-line income, the end of a serious long term relationship, my unfinished dissertation, and a troubled relationship with an alcoholic parent). When I pointed out to her that I have almost continuous memories of my life after the age of 5 (my friends are continually astounded that I can tell them what we ate at a restaurant meal in college) and that I felt it unlikely that I had repressed memories of childhood sexual abuse, she told me that I was in denial and that until I recognized the importance of recovering these memories, I would continue to suffer from episodic depression. When I repeated that I wanted therapy for my current problems, she accused me of being resistant to therapy and promptly volunteered to schedule me for three sessions a week to get me over this problem. I thanked her for her time and told her that I would no longer be requiring her services; when she immediately presented me with a bill (which she assumed my parents would pay) for $200 for her services, I pointed out to her that my father was unemployed at the time and I would have to pay the bill myself. Since she already knew about my income problems, this actively reduced her interest in treating me!
My point is this: if you go to a therapist with an open mind to asking for help in resolving problems and he or she tells you something that seems ridiculous, it probably is: therapists, despite their training and potential gift for insight, have no special intellectual powers--merely more degrees.
The rest of my personalities took a dimmer view of this book. "Caroline," a thirteen year-old Asian-American girl, doesn't read much other than poetry, and didn't make it much past the introduction before she got bored and gave it up. "Hogarth," an alcoholic house painter aged 37 found the entire topic ridiculous and insisted that the controversy over MPD was something Acocella had made up just to sell books. "Amy," a 25 year old college student pursuing a double major in Women's Studies and Communications, had the most negative reaction to the book and characterized it as part of the larger "backlash" against feminism. "Udo," a dwarf of indeterminate age and sex, declined to comment but made a sour face when asked for his opinion.
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The only thing positive or closely resembling any helpful information is the photos. At least now we know what a Rottweiler looks like!
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I can not find any evidence on how any of which was mentioned could harm a child. Yes, there were children who killed themselves and other children from watching what was on TV. A mentally sane child would know better than to murder. The author claimed the TV was unchristianizing the children and making them move towards Paganism or Satan. I happened to be one who was a child who watched lots of the shows mentioned and I pretty much stayed a churchgoing-Christian throughout my childhood until 17 when I converted to Deism. Does it make any difference whether I watched these shows during my childhood?
The book also bashes society because society rewards those who contribute their gifts and talents into it, but yet doesn't glorify God. Isn't that one of the reasons why this country was founded to promote thinking and new ideas? The authors friend also mentioned about how people don't question whether these people with talents are Christian or not. What difference does it make if they see Jesus as the son of God or just a good teacher?! The author thinks that the only significant people on this Earth are church-going Christians and whatever is not Christian are followers of Satan. She was mentioning that the people who make these cartoons were from the "drug era" of the 60s and practiced Hinduism and Buddhism. What is wrong with all of these eastern religions? The author does not mention why these religions are evil. Anyone who agrees with this book and thinks Satan is behind these toys, books, tv, etc. read Matthew 15:4 of the Bible to your children instead.
WELL - I am now a mother of 2 children ages 7 & 9 1/2- & have MY eyes been OPENED !! WIDELY !!
THIS IS HOW Satan gets in - through -"benign" children's toys, cartoons, etc- Nowadays, it's Pokemon -"cutesy" little characters who have actual names of real demons,needing to defeat the other "demons" to take their "powers"- just as in the real satanic world. THEN -of course, there's NOW Harry Potter - a "so called " inquisitive little boy who's parents "died"in a manner involving an evil warlock -which he finds out later in the 1st book is WHY this particular warlock/teacher hates Harry Potter & has been trying to Destroy him! Parents are DONATING the HARRY POTTER series to our schools- w/ "instructions" to encourage them to be read in the classroom to the students(this actually happened in the public middle school class that my sister teaches in)
These are just 2 of "today's" -"you better not speak out about it because the'world' doesn't know any better & likes it" or your labeled a 'Crazy Christian'.I mean come on- you have to be in TOTAL DENIAL NOT to ( or WANT TO)UNDERSTAND THIS STUFF !!
Kids minds are open & receiving of so much,& it's our job as parents to be "overanalytical" at 1st w/things -taking the TIME -which MOST people don't want to be bothered with unless THEY will receive a benefit from it in some way for themselves(ie:financially, fame,time).Well here you go ! If you follow these principles in "Turmoil in the Toybox II",YOU will have a well balanced, intelligent child who can think "outside the box" that this world puts them in & GOD will Bless YOU for your obedience as HE says(Train up a child in the way he should go ,& when he is old he will NOT depart from it!Prov.22:6 also Psalm 127:3-5)
Please read this book if you value your children !
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- While the author at least admits that Joan was put on trial by the English and Burgundians, she nevertheless glosses over the implications of this and does little more than repeat the 'spin' which Joan's enemies placed on the theological matters under debate. A main theme is the notion that since Joan saw visions "apprehensible to the human senses" she would automatically be guilty of a grave offense in the pre-Renaissance era, which is truly ironic: in the Bible itself, there are many cases of angels not only manifesting themselves in corporeal form (e.g., the appearance of Gabriel to Mary), but in fact some such appearances were sufficiently physical as to be seen by many people (such as the angel(s) who appeared at Christ's empty tomb). To accept this book's argument you'd have to claim that the medieval Church viewed the Bible itself as heretical. Similarly, it is claimed that Joan was guilty for never telling the clergy about her visions - despite the patent fact that she had gained approval from the clergy at Poitiers, from the Archbishop of Embrun, from Jean Gerson, and so on, some of which Warner herself admits.
Warner uses much the same distortion with regards to La Pierronne, who was killed by a similar pro-English group from the University of Paris after she had dared to say that Joan was a good Catholic. No "witchcraft" charges were filed against her: the only thing they could come up with was the absurd notion that she was guilty of blasphemy for saying that she saw God clothed in a white robe and red tunic (as opposed to what, one wonders?) Warner never seems to consider that the charges in such partisan trials might be nothing but bunk promoted by the opposing faction, devoid of any valid theological basis.
On a final note on this subject: Warner at least admits that Joan had threatened to lead a crusading army against a heretical group called the Hussites, but merely sees this as another chance to heap more empty criticism on Joan. This time the charge is "intolerance", strangely ignoring a few obvious points: 1) far from being docile theologians who merely held dissident views, the Hussites were a military faction which had recently gone on a savage rampage across large swaths of the Holy Roman Empire, destroying many hundreds of villages. To label her "intolerant" for being willing to lead an army against such a group is either deliberately unfair sniping, or a clear sign of ignorance about the nature of the Hussites. 2) You would think that the author would at least possess the fairness to admit that if Joan wanted to lead a crusading army against heretics, she could hardly be a heretic herself.
- In the chapter "Ideal Androgyne", Warner again makes copious use of the propaganda spooled out by Joan's enemies while ignoring the eyewitness accounts of those who had actually known her - not only at the Rehabilitation but also in private letters and memoirs written by her soldiers - who described her as "beautiful and shapely", commented on her feminine qualities, etc. Similarly, the author completely ignores the quotes from Joan herself concerning the practical necessity of wearing soldiers' clothing (of a type which had "laces and points" which allowed her to tie the pants and tunic together), partly as a defense against rape while in prison as well as to discourage sexual advances while bedding down with her army in the field. This was the accepted way of doing it in that era, and if it was thus being done out of necessity the Church itself granted permission (see medieval theological works such as St. Thomas Aquinas' "Summa Theologica", St. Hildegard's "Scito Vias Domini", and so on). The accounts say that in the end her guards maneuvered her into a "relapse" by leaving her nothing to wear but her old male clothing, and she had no choice but to put it back on after arguing with them "until noon", according to one eyewitness. Warner replaces this evidence with speculation.
- In the chapter "Amazon", the author ignores Joan's own recorded quotations stating that she did _not_ fight in battle but instead carried her banner, a view which is backed up by the more reliable eyewitness accounts. This evidence is replaced with a sidetrack through ancient mythology, as if such would somehow be relevant. We are then told about Joan's alleged "joy in battle", which is entirely fictional: the eyewitness accounts repeatedly say that she wept over the deaths of enemy soldiers.
- The book's claims about the Rehabilitation are largely false. For instance, the claim is made that the tribunal never declared Joan's holiness and never vindicated her decision to wear soldiers' clothing, which is wrong on both counts: the Inquisitor specifically labeled her a martyr for the faith - practically the highest possible declaration of holiness; and he devoted an entire section to the clothing issue (see Part VI of his 'Recollectio Frater Johannis Brehali'). It would help if authors would at least bother to actually read such documents before giving an 'analysis' of their contents.
It is truly sad to see this book in reprint, as it does a great disservice to the heroine whose life is here being filtered through the dishonest claims of the men who cruelly put her to death. As the Acknowledgments allude to, the books of Regine Pernoud (founder of the Centre Jeanne d'Arc) are recognized as the best of the readily-obtainable books on the subject; two of these are available here at Amazon.
On the point about RĂ©gine Pernoud: the charge that Pernoud was a hopeless fan of Charles VII who omitted to mention the letter about the siege of Paris is patently false: the entire text of that letter is included (both in the original language and in translation) in Pernoud's book "Joan of Arc: Her Story" [called simply "Jeanne d'Arc" in the French version], and many of her books contain scathing criticisms of Charles VII. Scholars consider Pernoud to have been one of the best authors on this subject because she was accurate, thorough, and honest in her presentation of the evidence, which is not something that can be said about the book currently under review. And there lies the crux of the issue: historical writing is supposed to be based upon documented evidence, properly analyzed in light of the circumstances of the time period, rather than a mishmash of modern-day politics superimposed upon historical figures and events. This book falls into the latter category, unfortunately.
If, however, you turn to Regine Pernoud for an "unbiased" version of Joan's life -- whatever that might be -- you are on much more dangerous ground. Pernoud conveys opinion by omission; if a document is at odds with her reading of Joan's life or actions, she simply ignores it, leaving it unmentioned. An example of this is a crucial letter Joan dictated on the necessity of taking Paris. Yes, Pernoud IS French (or rather, she was), and she writes as though she has on-line access to 15th-century feelings and personal opinions -- a big problem, in my view. But Pernoud's relentlessly pro-Charles interpretation of events is much more distorting and misleading than anything generated by Warner's British feminism, which is fairly presented as the lense through which the material will be viewed.
If you want another good book on Joan, try Charles Wood's study of Joan and Richard II.
No one scholar is going to write a book which satisfies everyone on such a complex figure. But Warner is a good place to start reading and/or thinking about Joan of Arc.
The first point ignores the many documents, including English and Burgundian sources, which bluntly show that her trial was, in fact, paid for by the English (as even English financial records show in great detail), and the tribunal was stocked entirely with clergy who were members of the Anglo-Burgundian faction and who, in many cases, were actually paid officials of the English occupation government. There are English documents throughout late 1430 and early 1431, dated Sept. 3rd and 14th, Oct. 24th, Dec. 6th; Jan. 31st, March 1st, April 2nd, 9th, 14th, 21st (etc) detailing payments given by English officials to the judges and assessors, and documenting the taxes levied to pay the cost of obtaining Joan from John of Luxembourg. The chief judge, Pierre Cauchon, had long been a salaried official of the English occupation government (paid 1,000 pounds annually) who also served for a time as Chancellor for the Queen of England. Before that he had been in the service of two successive Burgundian dukes, who often tapped him to commit other crimes aside from his conviction of Joan: for instance, there's a letter from Duke Jean-sans-Peur de Burgundy dated July 26, 1415 authorizing Cauchon to bribe Church officials in order to corrupt justice in favor of the Burgundian faction.The other members of the tribunal are also known to have been partisans of the same faction: the reason why the University of Paris changed so dramatically (as the author herself notes) after Paris came under Anglo-Burgundian occupation is the simple fact that all the pro-Armagnac members had to leave, with the result that the University was thoroughly Anglo-Burgundian by the time of Joan's trial, and therefore rabidly opposed to her because she was defeating their faction's armies. All of the above corroborates the testimony of the Rehabilitation witnesses. It is this corroborative evidence (and much more of a similar type in numerous chronicles, letters, etc) which has moved historians to accept the Rehabilitation as the more credible of the two transcripts - not for 'partisan' reasons, but simply because the preponderance of the evidence confirms the latter. This book, on the other hand, tries to dismiss the prevailing view by accepting at face value the very Condemnation transcript which is proved unreliable by so many other documents. This brings me to the second main point that the author tries to make, concerning Joan's view of her Voices. The book's version of this issue is based on a handful of phrases in the alleged confession mentioned at the end of the transcript, a section which is dated June 7 - a full eight days after Joan's execution. If you look at the original manuscripts you'll see that this section was never signed by any of the purported witnesses nor by the notaries, a fact which the notaries themselves later explained when they testified that the "confession" had never been witnessed by them and in fact did not appear until after she was already dead. This is why historians have viewed it as fictional. But the author of this book accepts it at face value, then engages in a bit of word play in relation to a few phrases in which Joan is made to say that her Voices appeared to her in "great number and small size" (or variations on that theme). The author interprets this as an attempt to "miniaturize" her Voices and thereby "objectify" and in essence reject them, an interpretation which would be dubious even if these quotes were authentic: even those who still believe in this sort of psychoanalysis would say that you cannot psychoanalyze someone who you've never met. But the quotes are not authentic, nor would there be any reason to believe that the phrase "small size" reflects 'feelings' at all. Information that was never signed by either witnesses nor notaries (as required under medieval law) cannot be accepted as valid, especially when the notaries themselves cast doubts on its authenticity.
In much the same vein, the book claims that Joan did not initially identify her voices as specific saints, and only "chose" specific saints during the course of the trial. Not only is this purely subjective, but it ignores the fact that the Condemnation transcript itself includes an explanation of why Joan was initially unwilling to reveal the identity of her Voices to her judges. Unless you can show that this portion is not authentic, you cannot replace her own recorded words with arbitrary speculation about her "real" motives.
This is the problem with Sullivan's methods throughout the book, and the problem with such analysis in general: once an author has decided to reject the plain meaning of recorded statements and to ignore all correlative evidence from other documents, while accepting precisely those portions which are known to be fraudulent (the exact reverse of the proper procedure), a process of invention is followed in which even the smallest word can be manipulated to mean whatever the author wants it to mean and then be used as the basis for an elaborate theory. It's as if someone were to rewrite the life of, say, Abraham Lincoln simply by interpreting his use of a few commonplace words in a dubious text, and then publish a book making the splashy claim that the author has come up with a startling new theory on the subject. This is a good marketing technique, but dishonest scholarship.
In short, this book seems to be little more than the latest attempt at sensationalism, billed as a "radical reassessment" as a selling point; and it seems to be based on the currently trendy practice of pretending that historical documents are works of fiction, thereby giving authors an excuse to make up their own alternate version of events. "Literary analysis" is purely subjective, and therefore a convenient vehicle for anyone who wants to invent their own fantasized view of an historical person or event; and as such, it has no academic value.
As Joan often said at her trial in response to irrelevant questions: "passons-oultre" (which we may colloquially render as "let's skip over this one").
Perhaps the best and most insightful modern book on the topic.
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It's not a bad book. I learned a lot, and was surprised by a few things (for example, Joan's successful military career spanned only 5 months). But the writing is uninspired, a recitation of facts with only a little meat on the bones to make it interesting. It read like an over-long term paper.
Overall this book was interesting enough to make me want to read a *real* biography of Joan of Arc. But it also made me swear off any more non-fiction by Mary Gordon, or perhaps any of the other books in the Penguin Lives series.
The Penguin Lives series offers well-written short biographies on some of history's most facinating people. What is amazing is how much information are contained in these small books--and how well matched the authors are to their subjects.
Who better to write about Joan of Arc than Mary Gordon?
She gives Joan a thorough treatment--exploring religous, historical & feminist ideas about Joan.
This would be a good book to begin learning about Joan of Arc, but it also would be of interest to someone who is an expert on the subject...Gordon's ideas about Joan are worth taking a literary look at.
I have also read the books on Mozart & Andy Warhol in this series...again, this is one of the best. If you love biographies, look no further.
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I actually found this book rather annoying because of Kate, the unbelievably clueless heroine, and the long conversations that have nothing to do with the story. This book seems to ramble on about nothing. Not one of Joan Wolf's best efforts.
I have read everything that Joan Wolf has written and most of them are extremely passionate, though not graphic. But the couples in her previous books had passionate feelings and you could feel the tension between the couples. With this book, High Meadow, I feel the story line got in the way of the relationships. There was no passion in either couple. Just like I said earlier, just ho-hum, yeah we are in love, ok that's nice. I really can not recommend this book to anyone who is looking for a great love story. It was a good book, because I don't think Joan Wolf knows how to write a bad book, but not anywhere near her best effort.
Story.... Beautiful woman raising her sister's orphaned son. Son's previously unknown Father discovers that he has a son and turn's up out of the blue demanding to be part of childs life. Father is famous baseball player. Beautiful woman hardworking, proud and resentful of sharing child. Will these two people find a way to come together that will give this child the family he desperately wants? Throw in a Grandmother who discovers she has major health problems to complicate things.
Ms. Wolf has taken a rather basic romance genre story premise and come up with an intelligent, well written, story about love, faith and personal triumph. While the romance is a subtle, sweet and passionate, the sex scenes are not written as a "how to" manual or a lesson in Anatomy 101 and I appreciate that.
But it is not the "average" romance in that every thing is always bright and cheery. Hard-hitting issues such as grief, loss and life-threatening illness are addressed realistically.
I give this book only a B. Joan Wolf has written a couple of books in the past that have knocked my socks off. My standards for her books are higher than for average romance authors. Otherwise I would have given it an A.
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Our child was originally mis-diagnosed with ADHD. Through this book and our own experience, we have learned that many children like ours display symptoms that cannot be clearly classified into neat little boxes. As a result, they require the kind of multi-dimensional therapy that Dr. Fallon advocates.
This is an excellent resource for any parent who wants to know how to help their child and be better informed when dealing with doctors.
I do not see this volume as a vehicle for the authors chiroparctic background but rather a vehicle for the novice who knows little about sensory integration and other issues confronting the child.
I have given this book to countless parents in my practice when I have been unable to get them to understand that there may be a problem with their child. For those of you who see a problem, and can not convince your son, dughter patient etc to seek help, this is the book for you!
The other reveiwers were looking at this as some cure all book...hogwash I say........never did the author state anywhere that her chiropratic could help with anything other than sensory integration for these PDD children.
Go get the book now!!!
Predictable...yes, but this book has enough twists and turns and even an occasional surprise to actually make you want to continue to the next chapter to see "What happens next?"
As I titled it, "A Beach Book," a book to enjoy along with the sand and surf.
Secondly, let's just keep in mind that "Star Quality" is not meant to be anything more than it is: popular fiction. We all need "no-brainer" books sometimes.
Yes, the story is fairly predictable (although I would never have predicted the lesbian angle - credit where it's due people!), and, yes, the whole thing does read a little like a treatment for a glossy miniseries, and, yes, there are a few gaping holes (I would have thought specific details given early in the book about a birth certificate could have prevented a later development involving incest, for example), but all the same the book is diverting, enjoyable fun and I think that is all it is was meant to be.
I have been a Crawford fan all my life and am fascinated watching her in films, looking at her photographs and reading about her. If only someone in modern times would...could write an accurate objective biography that delves more into the woman, what she was about, what made her tick and NOT try to make her a saint or crucify her. Joan Crawford truly was one of the most fascinating personalities of the Twentieth Century. She deserves that much.
So, I guess we'll have to stick with JOAN CRAWFORD, A BIOGRAPHY by Bob Thomas or JOAN CRAWFORD: THE LAST WORD by Fred Guiles in the meantime. These two biographies are really good, and I highly recommend them.