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When William, the husband of Anna's late cousin Abigail dies, Paisley, and Cassie return home to Kentucky to attend the funeral.
Anticipating no more than her grandmother's table, Paisley's mother is surprised to learn that the bulk of William's estate, including the table, is going to the Dibbers - neighbors to whom William granted power of attorney just two weeks before his death. Equally surprising to everyone is the disclosure that he left a legacy of over 3 million dollars.
When her agent is unable to sell Paisley's latest "cute little blue-eyed crickets with charming mousy friends" book, she suggests Paisley try her hand at "a nice juicy crime novel". Paisley, her mother and Cassie begin devising a plot for a mystery based on William's death and the newfound wealth of the Dibbers. They find themselves in great danger when they realize they might have come too close to the truth.
The greatest charm in Cemetery Silk stems from the relationship among the three generations of women. Anna is the "true Southern women" who is unfailingly polite, perfectly coifed and dressed at all times and able to "look years younger after a good night's sleep." Paisley is sassy, down-to-earth, and resilient in the face of misfortune and Cassie, with an in-your-face attitude and natural intelligence is a delightful and refreshing change from the super genius youth portrayed in so many novels today. They are all different yet they love each other and they like each other. This really makes this story work.
Some very interesting side characters are introduced early on in the book but Sims then drops them and they never reappear. Hopefully some of them will return later in the series. The most significant stumble is the Remington Steele-like invention of Paisley's co-author Leonard Paisley who starts to take on a life of his own as the novel progresses. His existence could distract from the winning appeal of the three main characters.
Sims writing is brisk and the whole time you think she is taking the plot in a predictable direction, Sims adds enough twists to keep the pages turning and make the resolution gratifying. Cemetery Silk heralds the beginning of a satisfying and long running series and a fine new addition to the mystery genre.
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Joan L. Piper, a fifth grade teacher from San Antonio and the mother of one of the victims, is also the spouse of a career Air Force officer. The experiences of 26 years of military service reflect a depth of knowledge and expertise with which few can compare. In A Chain of Events, she demonstrates a relentless thoroughness in finding the answers that always seemed just out of reach.
Far more than a tale of a mother's grief for her slain child, "A Chain of Events" is a touching, poignant portrait of a family's loss and their grim quest for the truth. It is a compelling story of a woman's search for closure after a tragic loss and a chronicle of a family's frustrating battle through the seemingly impenetrable walls of a stalwart bureaucracy. But, more than anything else, it is an account of the strength of a family in the face of tragedy. Her conclusions are emotionally charged, yet nonetheless valid.
This is a wonderful book that will prove invaluable to anyone who has experience the loss of a loved one.
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The allways positive messages that she delivers (doesn't matter how they are expressed)read: "I am correcting you because you are terrific!"
The book brings lots of the experience, insight, common sense, kindness and warmth that makes her more than a great teacher: a true magician.
If you have been to one of her master classes, you will love the book, and if you read the book you will buy or borrow or steal a ticket for her master classes
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in the old West. Reality is shown in black ink
sketches; the imagined scene is in red.I gave
this as a baby gift(for boy babies)many times
until it went out of print and would love to
see it brought back.
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There are some beautiful poignant moments when each of the main characters realize how influential family have been and how little they meant at the time. The first person narrative becomes a bit boring at times but otherwise the story is well told and maintains interest.
Barfoot says she writes because, "I get to live inside other lives, not only my own. This is a kind of dehydrated reincarnation: add words and stir."
Luckily for us her latest reincarnation, her eightth, is one of her best!
This time out, she inhabits forty-nine-year old successful Isla and seventeen-year-old dreamer Roddy. Isla is reveling in second chances. Roddy is about to escape his past. A chance encounter changes everything. Critical Injuries reconstructs their lives with hope and grace.
Barfoot clearly sets the stage of her main characters' inevitable meeting, describing, "One of those moments when life turns completely ass-over-teakettle, in no good way, no good way at all." --Page 12.
One character quickly runs into a store to spend her money; the other is there to improve his financial situation.
While each journey to that moment is truly unique, the way in which their individual paths cross that fateful night, forever unites them. And the consequences of this chance meeting will involve courage and choice.
"Funny how sorrow always seems more powerful than joy. Joy just kind of jogs along, but grief, that really throws a person off the track, onto a new one." pg. 202
I was fascinated with Barfoot's unsentimental voice in the bodies of Isla and Roddy. There is a striking contrast between Barfoot's gift of prose and her main characters' sparse use of verbal expression.
And while most of the characters in Critical Injuries, are "doomed to observer status in the shocking events" [pg. 51] that transpire, I was entertained. I couldn't wait to find out what happens to these characters.
Barfoot's narrative flows seamlessly between Isla's and Roddy's ongoing drama, guiding the reader to its inevitable conclusion.
Barfoot's tale convinces me that living in the moment may be a good thing, for when tragedy befalls us, you'll have more than enough time to recall your past. That is, until you focus on a place you want to be.
Barfoot's yarn is woven to perfection, words spun like the master craftswoman she is. No wonder Critical Injuries is longlisted for the 2002 Man Booker Prize and shortlisted for the 2001 Trillium Book Award!
I fully expect to see the cinimatic Critical Injuries, made into a movie and shown at Cannes and Toronto Film Festivals in the very near future. It will be well worth the wait!
The tremendous strength of this novel is in the power of Barfoot's prose to create a sense of immediacy. She does this through establishing powerful voices for her characters that comment upon situations as they occur letting their thoughts and memories leak out into the present moment. Her portrait of each character is deeply sympathetic to their struggle to live happily and thus the reader feels a strong connection to them. It is as if, through a slight alteration of fate, these moving characters could be us and their harrowing events might be ours. Each character is neither perfect nor evil. The author depicts with elegantly constructed prose the flaws of human nature using accuracy and profound wit. The intellectual conflicts the characters face are presented with emotionally rounded pictures lending depth and wisdom to their struggle. The novel makes a powerful impression.
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(IM AM 13 IM NOT 12 I PUT 12 SO I CAN PUT THIS REVIEW)!!!!!
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~Adele
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