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Great reading for anyone interested in photography (mostly landscapes and medium and large format).
The book and photographs are well printed and seems sturdy.
In 1983, Ansel Adams picked 40 of his most memorable and diverse black and white photographs as examples of his work. For each one he wrote a brief essay that described the circumstances of deciding to photograph the subject, how he came to prepare for the photography, his companions, special challenges that occurred along the way, how he selected the composition, tricky light and shadow conditions encountered, technical details of how the image was captured (equipment, film speeds, settings, filters, lenses, etc.), technical details of printing the image, and the surprises he experienced.
In the midst of all this, he shares his philosophy of life, nature, and the art of photography. It's like attending a master class with a genius. Even if you know nothing about photography, this book will open your eyes to new ways of seeing and experiencing the world around you.
For those who love these images, the stories that accompany them will broaden and deepen your appreciation of what Mr. Adams accomplished. If you are not a technically-oriented photographer or fan, realize that only about 20 percent of the material is primarily technical. The technical parts are very interesting, but the rest of the material is even better.
Mr. Adams did draw the line at one point though. "Absent from these pages [is] a statement of what the photograph 'means.'" His reason: "Only the print contains the artist's meaning and message." In other words, the work should speak to you for itself.
He does point out some limits to his essays that you should keep in mind. He often doesn't remember when he made a particular photograph. Friends would remind him that a certain print was published in a certain publication in 1934 and he had dated it as 1936 elsewhere. He also did not keep notes of how he made the image after the negative was developed. So all of the technical notes and dates are probably off a little. That's all right in many cases. You are not a historian, and you are probably not going to use glass plates. Modern equipment is much different from what Adams used, so you will be making major adjustments anyway.
His style of photography was one adventure after another. You'll be climbing with him through snow-clad forests in freezing weather, and suddenly he's down to his last exposure. Which filter should he use?
In fact, in many cases, Adams was gambling on how the image would turn out because he would not get a second chance. It's like reading a detective story, in which the story begins with a flashback sequence of how the mystery ends, like Sunset Boulevard, because the finished image is there is its duotone beauty.
In other cases, the experiences of Edward Weston helped him avoid mistakes. As a result, you get to see his delightful, dramatic images of dunes in Death Valley.
As usual, the Little, Brown pages are often too small for the images. Despite my annoyance at this limitation, I did not grade the book down since the essays are so wonderful (of more than five-star interest) and are the real reason for reading and examining this book.
I would suggest that you read The American Wilderness before reading this book. That will give you a context for understanding what Mr. Adams is talking about in these essays. The essays assume a certain level of familiarity with the people, philosophies, and locations involved. The American Wilderness can provide that background for you.
After you have swum in these wonderful stories, I suggest that you write an essay about something you have done that contains high drama and meaning. Then share that essay with someone who would appreciate know the whole story. How can others learn as rapidly and as well as possible if your experiences (successful and unsuccessful) are lost?
Keep your mind open for opportunity! It's all around you!
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First of all, "The Money Game" starts out with the thesis that the stock market and all other equity markets are just a game. It is not long-term investing that wins in this game for most. This would be heresy for most finance professors and financial planners out there. One example from the book involves a family that passed IBM stock down from generation to generation, it was only sold to cover estate taxes. Many members in the family became very wealthy. However, they worked just hard as their cohorts with no money, and the buy and hold stretagy profited them almost nothing despite the fact that they were "wealthy." Another example is a man who died in the late 1800s with a portfolio worth over $1,000,000. By the time the inheretence was passed down, the portfolio was worth 0, as the companies had gone out of business.
"The Money Game" gives a great explanation of crital issues such as technical analysis, fundamental analysis, mass psychology, mutual funds and their managers, "performance" vs. more conservative funds, accounting practices, random walk theory, "valuation" of equities, and most importantly the money game itself.
Ever wonder how a company like Priceline.com could be worth more than the market capitalization of all the airline stocks put together? This book explains how something so out of whack can happen and gives many examples.
In this game, money is how you keep score. When someone is making lots of money, they are winning the game. When they are loosing money, they are loosing the game. But the game is there to be played, win, lose, or draw. For the players, it's just too tempting to stay in, it is vital, it is life for many.
Written almost a decade before I was born, the book is just as relevant today as it was in the latter half of the sixties. The high flyers Smith writes about are so similar to those of the 1990's bubble, it is literally as if nothing but the symbols have changed (and perhaps the clothing styles). Sixties screamers like Brunswick and Solectron were bid up to hundreds of times earnings, then flamed out and fell through the floor with spectacular declines of 90% or more- just like the JNPR's and CMGI's and JDSU's of our more enlightened age. The Great Winfield, master tape reader of his day, is the perfect 1960's equivalent to the modern daytrader banging bids on Island or Selectnet. The technical analysts of the sixties, with their punch cards and their vacuum tube computers, are in perfect harmony with the high powered number crunchers and stochastics trackers of today. And when Smith discusses the complete and utter wackiness of corporate accounting methods, complete with a hundred and one ways to massage earnings statements six ways to Sunday while technically remaining within the law, you would swear he is foreshadowing the fall of Enron. And of course there is good old John Jerk, proud representative of the general public, buying high, selling low and getting taken behind the woodshed by the smarter players, just as he still is today (but don't worry John, you'll come out okay in the "long term," really truly you will, snicker).
Smith also takes some time near the end of the book to roast the gold bugs, who were the same bunch of pessimistic doom mongers back then as they are today (surprise!). The uber-pessimists had their brief moment in the sun in the early 80's, but of course 99% of them gave it all back too. What self respecting bug would have cashed in with gold at $800 an ounce when it was surely going to infinity? ...
The old hands are always saying that the game is the same. Young gunslingers and wet behind the ears traders nod and smile, because they know the old timers are wise- yet the youngsters are still naïve enough to harbor doubts in the back of their minds as to whether it is true. Is the game always the same? Couldn't it be different this time? Couldn't it? 'The Money Game' really, seriously puts the issue to rest. There is no way a book written in 1966 could sound perfectly suited to 2001, no way that bowling stocks and fiber optic packet switching stocks could give the exact same performances under mania circumstances, unless the game is always indefinitely, immutably the same. And why shouldn't it be? We can put a man on the moon, but we certainly aren't any more humble or mature than we were yesterday. Our knowledge may increase but our greed and our fear stay the same.
Bravo Adam Smith (or should I say George Goodman). I don't know if you are even still alive to read this praise, but your book is as fresh today as it was on the day you wrote it.
The setting is Wall Street in the late 1960s. Alcohol flows freely, and smoking is not taboo (don't forget about sex, these were the "Go-Go Years"). It is an almost exclusively male, smaller, whiter, and more white-shoe environment (most women in the book are referred to as "pretty young things"). Nevertheless, don't let the differences fool you; there are many things to be learned in this tale told from the inside.
New York has come into its own as a financial center in the 1960s, and the electricity in the air is communicated through the pages. London, which was more of a co-equal in the prior, twenties bull market, is now a shadow, with Wall Street houses decorating their dining rooms with (page 223) "...paneling [that has] been flown over from busted merchant banks in the City of London..." The foundations of the confident World Trade Center are being drawn up. Older Depression-era Wall Street hands are still dominant, but as the Vietnam War hovers in the background, cracks in the establishment are beginning to show as twenty and thirty something "gunslinger" investment managers show up on the scene.
Almost every major investment paradox or problem we face today is foreshadowed in miniature in this book. As a work of literature, it combines an engaging text with profound underlying meaning. The chapter "What Do the Numbers Mean?" on aggressive accounting was eerily prescient.
The constant presence of John Maynard Keynes and Sigmund Freud as background figures to the culture of the times left an odd taste in my mouth, but the author (George J.W. Goodman, writing under the pen name "Adam Smith") never missed a beat in deftly applying their insights to the world of finance. The book has a strong undercurrent of behavioral finance, but it's about much more than that. There's a lot of humor, but there is also tragedy, when he recounts the tale of burnt-out and broke ex-millionaire Harry (many names are changed in the book to protect anonymity):
(p. 93) "Time is getting shorter," Harry said. "I'll be forty soon. You have to do what you're going to do. All professionals use leverage. You have to, or you end up just another face in the crowd, someone who worked on the Street thirty years and saw a lot of markets and retired with a hundred and twenty thousand dollars. That's no reason to be on the Street."
(p. 96) "[Goodman comments on Harry's misfortune] We all know what a millionaire is, and when the adding machine says, "$1,000,000," there is a beaming figure facing it. But when the machine says 00.00 there should be no one at all because that identity has been extinguished, and the trouble is that sometimes when the adding-machine tape says 00.00 there is still a man there to read it."
Read this book, whether you are an investor, English major or engineer. You'll get a lot out of it.
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There were two downsides, in my opinion. One is that there is no pull-out map. The map pages are integrated with the rest of the book. Second, the prices in the book are given in pesetas, not in Euros. I found that hotels, restaurants, etc. were all quoting prices in Euros, making the guidebook slightly less user-friendly. Still, the printed prices seemed to give a good idea of relative cost.
Overall, a good guidebook, but be sure to pick up a map when you arrive in Madrid.
Summary:
Every Dorling Kindersley Guide has been a great and interesting book... and delightful to have and use, even if you are not traveling to that location, but are only interested in learning more!
The Guides are well organized in a logical and easy to follow manner. They are beautifully illustrated, well developed with accurate information (it is unusual for hotel and restaurant information to be that accurate), have enough history to help the reader understand the people and cultural background, and have a lot of useful travel information and useable maps in the appendixes.
The really great attraction to this book is several fold; it is:
............Very complete
............Easy to read
............Beautifully and artistically completed
............Good shopping, safety and other tips
............Gorgeous photographs too numerous to list.
Specifics:
The guides are organized as follows:
How to use this guide
Introduction to Historical and Geographical information
Geographical Regions
Introduction to Madrid
............Putting Madrid on the Map
............History of Madrid
............Madrid at a Glance
............Madrid Through the Year
............Madrid Area by Area, each section includes:
........................Introduction to street by street area
........................Detailed pictorials of area buildings
........................Architectural drawings, pictures, cut-aways of buildings
........................Specific stops, historical monuments, churches, buildings, etc.
Madrid Sections Reviewed:
........................Old Madrid
........................Bourbon Madrid
........................Around La Castellana
........................Further Afield
........................Beyond Madrid
Travelers Needs - includes full list with rankings and notes
............Hotels
............Restaurants, cafes, bars
............Shopping
............Entertainment
............Outdoor activities
Survival Information
............Practical
........................Tourist info., Etiquete, Personal Security and Health
........................Currencies, Telephones, misc info.
............Travel Information (Getting to Madrid )
............Street Maps (Getting Around Madrid )
............General Index
............Phrase Book
Discussion:
The book begins with "Introducing Madrid", including a complete map, a review, the city's history, and Madrid thought the Year - including events, etc.
Areas with an "At a glance" overview, then has subsections of specific blocks, or forums, then specific locations, churches, historical monuments, bridges, galleries, etc.
Architectural reviews include various views, and cutaways; given greater understanding and better perspective. They are all attractive, if not works of art - honestly.
The travelers' Info. offers good and valid info. on prices, currencies, customs, important words, etc. I have used the reviews on hotel's restaurants and nightclubs, in most European cities, and Dorling has yet to disappoint me. I have found they were useful and accurate, and helpful with my touring and site decisions.
The books are so well thought-out that it has multiple maps, with various lookup tables, and the book's flaps are designed to be used as bookmarks for map pages.
Negative:
The only negative with this book is that it is substantial with good quality paper, and is therefore heavier than other travel books.
Conclusion:
Each book in this series is a great help, and beautiful collectible resource. As the President, CEO of an International Meeting Planning Corporation we have many resources and techniques to learn about places we have meetings / groups at as well as the cities and sights. But, as a traveler, this book really is top notch and I would recommend it to anyone going on a personal trip, or wanting to learn about a city, or location. We have used some of these books to augment our research to investigate cities for our groups.
I started with the Insight Guide. I was seeking to get background, history, etc. The Insight Guides seem to vary enormously from one to the next in both quality and orientation. I think they are good for an entire country if you are trying to decide where in the country or what parts you want to see. I thought the guide for Madrid was useless. It provided very little information about the city or the culture. It seemed to be best if you were planning on moving to Madrid and wanted to find out the differences between the various suburban areas. I suggest you forget this one.
I looked at the Mini-Rough Guide. I didn't like the format and it was too terse for my taste. In my opinion, Rough Guide still needs to produce a guide for Madrid that is a regular, not a mini Rough Guide. The LP Guide to Madrid seemed pretty mediocre. The stiff covers also made it awkward to use or hold open to a particular page. The information and descriptions were inadequate compared to some other guides. The Eyewitness Guide to Madrid is, I think, the best overall guide to Madrid. (Generally I prefer Eyewitness guides for City's much more than as a guide for an entire country.) The maps are good, the pictures of the food and other items are very helpful. The hotels and restaurant sections were pretty good, but not great. If you are looking for hostels, you will need the LP guide. Eyewitness does not give great historical depth, but it gives you some, probably enough for most tourists. Guide Books are not the best source for detailed historical and cultural information anyway. The Time Out guide was almost like a tourist's yellow pages, primarily a listing of hotels, restaurants, sites, services, etc. It had the best listing of restaurants and hotels and covered all price ranges. It wasn't as good as Eyewitness is describing the things to see and do.
I ended up getting the Eyewitness Guide to use while sightseeing, supplemented by the Time Out Guide for picking hotels, restaurants and being able to look up things. Another reviewer recommended this same combination in order to visit Tapas bars. I'm not that much into Tapas, but I still think these two are the best combo. Eyewitness is not perfect, but it's the best one that I saw.
Incidentally, the Spain Rough and LP guides Madrid sections do not cover Madrid as well as the Madrid-only guides. You are looking at a 60-page section, compared to the Madrid-only guides of around 300 pages length.
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There's a fine line between parody and parroting the liberal party line; unfortunately, while X-Presidents hits the mark most of the time, the authors can't help but devolve into Bush- and Reagan-bashing from time to time. For example, the "From the X-Presidents' Mailbag" section consists of nothing but cheap shots against the three Republican X-es -- and in predictable ways, too: Reagan, Iran-Contra and firing the air-traffic controllers; Bush, Iran-Contra and son W.; and Ford, stupidity.
Also, there are multiple gratuitous sexual references that are simply nonsensical. True, the whole book is gratuitous, but seeing Bush having sex with Babs on every page, or Carter having a threesome with Imelda Marcos and a mystery mullet-dude, lends little to the plot except to make it strangely embarrassing.
These aside, X-Presidents did contain the most hilarious bits of humor I've read in this dark post-September 11 world. Best of all were the peculiar "Archies"-style interludes wherein the X-es play and sing various tunes (yes, they even play the same instruments that the animated Archies did) summarizing the plot action.
This is a bizarre little book, no doubt.
But now, after the terrorist attacks on NYC and the Pentagon, there it is right on Page 1 of the New York Times: "Bush Appeals to Ex-Presidents for Coalition-Building Efforts." Life imitates art to a 'T'. Absolutely amazing.
I highly recommend this comic to anyone, especially people who enjoy shows like SNL. The laughter and enjoyment that abounds from it is definitely worth the money!!
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This is not an easy book to read; not because it's disgusting or the words are too difficult; it's just that this man is so repulsive it's very difficult to continue reading this book; it's literally torture to read this book; but finishing it and getting to the end; putting this man to death and putting him in perspective at the same time; because this was a difficult read; you will come away satisfied that all that suffering Fuentes put you through was worth it.
Some books it brings to mind are Absalom, Absalom! by Faulkner and even maybe Wurthering Heights by Emily Bronte; if you're looking for a comparable parable. Read it; ...if you dare!
Why not five stars ? I feel guilty wasting so much paper. Wish I had an online version inbuilt in MS Outlook. MS and Scott Adams - now that is some combination!
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I BOUGHT IT UNTIL THE TIME I FINISHED IT,I DID NOT WANT
TO PUT IT DOWN.I WILL CONTINUE TO READ IT AGAIN AND AGAIN
IT TOUCHED ME ON A PERSONAL LEVEL.FOR EXAMPLE,IT STENGHTENED
MY BELIEF IN THAT THERE IS A HIGHER POWER OUT THERE.I AM
LOOKING FORWARD TO THE NEXT BOOK WRITTEN BY"ERYN ADAMS"
It will make you cry, it will make you laugh, it will make you think and it can help you start communicating with your animal friend.
This book has many stories from various professional animal communicators. Stories of lost and hurting animals, of troubled and happy ones. What never seizes to amaze me is the capacity of those creatures to love. While their owners/guardians are troubled by guilt, the animals rarely hold bad feelings about them.
The greater part of the book is consumed on these stories. However, the last chapter is a "How to" guide, compiled of exercises and techniques of various professionals. Some are easy, some are impossible, but most of them have results. The info on many animal communicators (phone number, web site etc) are also listed there.
In the US there are workshops on animal communication. However, if you are unable to attend one, this book is a good place to start.