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There are a lot of "crunchy bits" in this supplement. New Virtues, new Flaws, new types of magic, construction rules, the not-quite-familiars pahedros, etc. Many players and storyguides will love it just for this, but do not stop there, please! There are dozens of mystical organizations in this book, groups that can add wonder and, well, mysteries to your saga.
For all this praise, why not 5 stars? Well, because this is not a supplement for beginners. For the most part I recommend this supplement for those who have been playing Ars Magica for quite some time and feel they want a change, a rather serious change. Equally there is NO WAY you can add all this material to a single saga. Not only would it become confusing from a bookkeeping/logistical point of view, but also it would ultimately lead to the question of just how many magi can be in each of these lineages? just how many breakdowns are there in the Order of Hermes? These are serious considerations in what is a very serious game.
Bearing these points in mind, I think anyone truly interested in Ars Magica will find a lot of useable bits in The Mysteries.
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The opening introduction and background section is totally inadequate. While the author takes time to mention Hawaii's historical background, he makes less effort to paint the immediate causes of the attack. There is no mention of either the Chinese invasion of China in 1937 that led to the deterioration of US-Japanese relations or the Russo-Japanese border fighting in 1939-40 that shaped Japanese strategic conceptions away from further Eurasian entanglements. The statement that the "US Pacific Fleet was a deterrent" is misleading; that was how FDR viewed it, not the Japanese, who saw it as a threat to their expansionist ambitions in the Pacific. Even Admiral Kimmel, who commanded the Pacific Fleet, felt wholesale transfers of men and vessels to the Atlantic undermined its deterrence value.
The section on opposing commanders is more than a bit rambling and has odd choices of individuals, some of whom were not military commanders involved directly in the campaign. The US section has Kimmel, Short, Stark, Marshall, Hull and FDR. The Japanese section has Yamamoto, Fuchida, Genda, Nagumo and Nomura. Certainly politicians and diplomats such as FDR, Hull and Nomura do not belong here. Noticeably absent are the US air commanders in Hawaii, Bloch and Martin, who certainly bore some responsibility for the defeat. The entry for Nagumo is misleading, implying that he committed suicide at Saigon in 1944 "when the inevitable result of the war became clear." Instead, Nagumo was commander of the naval base on Saipan and committed suicide when US troops overran the island. The entry for Yamamoto that claims he was, "a man who fought but wanted peace" is nauseating. Just what did he ever do for peace? The chronology section, although detailed, is also marked with misleading or erroneous entries, further complicated by the fact that the author does not specify what time zone he is using. For example, he states that the Japanese fleet sailed on 25 November, but local time was actually 26 November. The crucial 27 November "war warning" is falsely delivered as advising Kimmel and Short that negotiations had failed and to "be prepared for any eventuality." It said no such thing.
Although there is a section on the Japanese attack plan, there is no section on US defensive plans or the Rainbow War Plan. The author should have mentioned the Martin-Bellinger studied which addressed the vulnerability of Oahu to air attack. In the Japanese section, there is no mention of the vociferous opposition to the raid and how Yamamoto had to threaten resigning in order to get the operation approved. The whole approach to Japan's strategy is euphemistic: "Japan expanded into Asia..."and the US "thwarted every Japanese attempt to extend Asian influence," instead of, the US sought to contain Japanese aggression. There are many other errors in this section, some so mundane, like claiming that the Japanese task force sailed from "Tankan Bay" instead of Hittokappu bay, that it is a wonder that the author even bothered to peruse secondary sources.
Amazingly, the sections on the actual attack are quite good. To be fair, they are better than Gordon Prange provides in his long-winded At Dawn We Slept. Smith provides excellent maps and graphics for the attacks on each air base and the naval facilities, as well as a decent textual summary. Three-D maps are provided for the first and second wave attacks, as well as the attack on Hickam Field. There is even a map depicting US naval movements in Pearl during the attack, which is most unusual. Several excellent illustrations and many photos complement the text. Overall, these 36 pages that cover the attack (one more page than Prange) are excellent.
Unfortunately, in the aftermath section the author reverts to his misleading tendencies. He claims "all eight [US] battleships [were] sunk or heavily damaged," which is totally wrong. The USS Maryland and Pennsylvania were only slightly damaged and soon available for service, USS Tennessee was moderately damaged. His follow-up conclusions are overly generalized and ignore the immediate affects of the raid.
Overall, this a handy, colorful summary volume, but it should not be used as a substitute for serious history. Unfortunately, the author has taken far too many liberties with the historical record for this to be considered a reliable summary.
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Although I may not agree with the philosophy of all the women included (Margaret Thatcher for example), for good or not they made a difference, changed lives and influenced the world around them.
The authors have spanned socio-economic, ethnic, geographic and chronological distances giving a flavor of the whole 20th Century. The photographs are wonderful and unique. When is the last time you saw a truly elegant, young Eleanor Roosevelt?
From those who experienced the early years of the 20th Century to those who will always identify themselves as 21st Century women, this book offers a reason and the means to reflect upon the the 20th Century and many of the women who made it remarkable.
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Then came She Walks in Beauty. I haven't even finished reading it yet, and am still confident enough to give it a big thumbs up. The pacing is wonderful. The characters are sharply drawn. Situations are rendered with humor. The settings are authentic. A mystery writer who knows what she's doing.
I will continue reading and sincerely hope that Ms. Shankman continues writing.
She Walks in Beauty is funny and quirky. The characters are well developed and reminded me of Elmore Leonard's funny but loveable bad guys. Who 'dunnit' is not much of a surprise, but the story telling and wierd characters are so much fun, that you don't really care about the plot development.
I'll continue my search for more books by Shankman and hope that her older books are re-released.
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Enough of that - Lee Bermejo's artwork is what makes this book so impressive. I would call it Lenil Francis Yu done properly. It's like single frames from a movie, rather than the stylised cartoon figures of most modern comics. The expressions and details and body language is so accurate and realistic, it's a pleasure to look at, and the colours and inks suit the pencils just perfectly. Best of all is the way Superman is drawn. Most artists need to draw Superman as a characature these days to get across how mighty he is, a ridiculously over-built cartoon. Berjemo makes the Man of Steel far more impressive by showing him as just a big, strong, yet realistic-loooking guy, and thus makes him look truly awesome. Hands down, some of the best Superman artwork I've ever seen.
Overall, a nice, small-scale story with sensational artwork.