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Before going into a description of this book, let me further caution those of you who do not know Edward Weston that he much favored nude photographs of women and had intimate relations with many women in his life which are described in Terence Pitts' interesting essay. If such things offend you, I suggest that you avoid this volume.
"Edward understood thoughts and concepts that dwell on simple mystical levels." -- Ansel Adams
It is appropriate that this volume contains some comments by Ansel Adams about Edward Weston. The two have many similarities in their work, and were friends. Both were attracted to the underlying grandeur of nature, and looked for the connectedness in all things (a sort of fractal-based perspective on unity). Weston was especially successful in integrating images of people with his nature images.
The works speak for themselves. "Edward Weston, contrary to so many now practicing photography, never verbalized on his own work." -- Ansel Adams
The potential for each of us from considering these images is very great from Adams' point of view. "You might discover, through Edward Weston's work, how basically good you are, or might become."
Edward Weston was formally trained to be a studio photographer, and soon sought to escape the limitations of doing commercial portraits. He was very skilled in this area, and there was always demand for his work. After 1930, he was able to stop retouching portraits which was a great relief to him.
Nature always fascinated him, and in the latter part of his life he was able to focus on the potential of his work rather than on eking out a living. In the 1930s he received the first Guggenheim Fellowship to travel for photography, and made good use of this to see locales he would not otherwise have reached.
Weston's influence is important in the 20th century for establishing photography as an art, rather than as representation.
Weston did his best work in California and Mexico, where he traveled extensively. I was also impressed with his industrial photography, which I had not seen much of before. He had an amazing eye for form in industrial settings and in designs of mundane objects.
The images here are well reproduced in almost all cases, and the size of the pages is excellent for the images involved.
Here are my favorites from the images in this superb book:
Epilogue 1919
Sunny Corner in an Attic 1920
Ruth Shaw 1922
Armco Steel 1922
Lois Kellog 1923
Rose Roland, Mexico 1926
Shell 1927
Shells 1927
Cabbage Leaf 1931
Cypress Root, Seventeen Mile Drive 1929
Cypress Root and Succulents, Point Lobos 1930
Bedpan 1930
Charis 1934
Sheels and Hill, San Juan 1934
Dunes (5), Oceano, 1936
Iceberg Lake 1937
Juniper, Lake Tenaya 1937
Nude (#4 and #5) Oceano 1936
Dante's View, Death Valley 1937
Church Door, Hornitos, California 1940
Potato Cellar, Lake Tahoe 1937
Stonecrop and Cypress, Point Lobos 1939
I believe that a rewarding way to enjoy this work even more is to give yourself the equivalent of a Guggenheim fellowship for a shorter period of time, and visit many of the locales where Edward Weston produced these images. Take along your camera, and see what you can capture for yourself. It will increase your appreciation of what he saw, and the issues of capturing it for others.
Enjoy the beauty around you, in all of its natural forms.
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Our initial impression of the Lonely Planet book was too dense to be useful to us. The Frommer's guide, however, had suggested itineraries based on the time one could spend in New Zealand. Even better, the author, Elizabeth Hansen, was available to "consult" on the trip on an hourly basis. Because we'd be toting our 18-month old, we used her services and pre-booked the entire trip.
Once there, we found the Lonely Planet book much more useful. The Lonely Planet guide excels at providing abundant information about towns, including attractions, restaurants and maps giving a rough layout.
For example, one of the folks at a Visitor center clued us into Farewell Spit, an area we were going to forego because it was well off our chosen route. As it turned out, Tahuna Park, our campground in Nelson was pretty bad (right under an airport takeoff path; lots of people permanently living there; undermaintained kitchens), and we didn't relish the idea of spending three days there as originally planned.
The side trip to Farewell Spit was long and we'd have to find some place relatively nearby to the Spit to make it a reasonable trip. Unfortunately, this is where the Frommer's guide was very weak. It caters more to the B&B crowd, and there isn't that much north (or west) of Nelson. The Lonely Planet book, however, paid for itself by suggesting a lot of options, providing maps of the little towns, and listing restaurants where we might stop at for "snack time."
In summary: The Frommer's book is helpful for initially planning your trip.
The Frommer's book has more of a focus on higher-end accomodations, e.g., motels or beds and breakfasts, and covers a smaller area. This is not such a big deal unless you want to venture too far off the beaten path.
We felt the author's services were worthwhile.
Don't underestimate the value of the Visitor Centers scattered throughout New Zealand. They were generally very good at providing local information. Most will also book special activities for you.
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The only problem is that the book does not go beyond the series. There is no extra information about the future creatures and the only real add on is the small glossary in the back. If you had to pick between this or the series on video or DVD, buy the video or DVD.
With 160 pages I wanted more. It took less time to read the book than watch the television series!
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It's a thursday when the earth get's destroyed to make space
for a new hyperspace highway. The human Arthur Dent and
his friend, Ford Prefect from the Planet Beteigeuze, are
flagged up to the Vogon spaceship. From now on begins a
crazy travel through the Universe (and beyond) ...
Specials about this book:
If you are a real Douglas Adams fan, you MUST own this book.
The whole story is described with funny looking pictures,
and even Adams itself has a guest-role.
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Children love to explore their world, taking the familiar and extending it into the unknown, developing new ideas about physical relationships that can be used in many areas. This book, containing no arithmetic problems, takes that approach and manages to teach an enormous amount of mathematics. The basic ideas of inside and outside a curve are explored in ways that forces the reader to grasp that the content is simple, but complex in the ways it can be used. The Mobius strip, which shows that objects can have only one side, forces thinking at a level that is simple while also profound. Recognizing the distortion of one object into another can also have fundamental benefits in many areas. As someone who has struggled with Chinese ideograms, I am convinced that the skills taught in this book will help open up another avenue for children. It would be very interesting to determine if children brought up writing in pictures are better at topological abstractions than those who have not.
Learning mathematics can be fun if properly presented. This book truly earns the highest of possible praises: "It helps to make learning fun." It belongs in school libraries at every level.
Published in Journal of Recreational Mathematics, reprinted with permission.
For each animal there is a complete sketch of the front, side and three-quarter view as well as close-up front and side head views. Next, sketches using basic shapes show the animals from several angles. Then, skeleton, musculature and surface anatomy are shown and discussed. A brief three-step demonstration of how to draw the animal follows.
Complete drawings of the animals doing various activities such as drinking, touching, sitting, and resting are also shown along with sketches of the animals' young. Sometimes different species of animals are shown such as polar and black bears. Animals sharing a similar shape such as zebra, buffalo, hippopotamus and burro are shown sometimes as well. Drawings include brief commentary.
Though I do like this book and did find it helpful, especially the anatomy/muscle diagrams, I wish the written instructions were a little more detailed. Overall, I would recommend it to any beginning to intermediate artist who wishes to improve their animal drawing technique.