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The omission of the writing sample can perhaps be forgiven, if the authors of this book are correct when they say that the writing sample will never affect the decision of any admissions committee. The omission of the fifth section makes these tests a fairly poor simulation of the real LSAT, on which you have to complete all five sections, because it is impossible to know which one will not count. The LSAT is in part a test of endurance, a test to see if you can retain your mental abilities after being subjected to difficult questions for nearly three hours. The practice tests in this book may help you figure out how to answer questions, but they cannot help you learn how to keep your mind working during that last 35 minutes. If you buy this book, just be aware that the publishers are apparently using a very unusual definition of "full-length" when they display this term prominently on the book's covers.
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However, if you're not bothered by that sort of thing, this book is a quick and interesting (if not particularly accurate) read.
Maybe it's a little one-sided but there are some cool interviews with key collaborators and Webb writes strongly with a genuine passion for Dennis Wilson's work. If you're intruiged by what you read here I strongly recommend that you search high and low for a copy of "Pacific Ocean Blue".
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Further, in spite of the title, the book is heavily biased to FCP, with just a few scant chapters on DVDSP.
I'm very disappointed and consider this book a waste of money.
All I can say is this my second time though the book. A lot of the things people are unsatisfied about, are missed due to hasty studying. You have to label those clips yourself, right from the start! That book has helped me tremendously. I made the same mistakes the first time through the book. Final Cut Pro is very complicated, first time through you are going to miss things.
You are getting taught with this book. Making it though the book is not easy,however once you do make it. You will have a very good skill. This author is a teacher! The way he writes makes you think! He really takes you through at a good fast pace, and it is tough for the student(reader) to keep everything staight. There are so many details. Everyone tends to think that it is the author who is incorrect, I can tell you from experience that it is the reader, not the author or the book. I get that, Ohhhhhhhhhhh Yes, now I get it. But it took me the second time through.
This book gets you rolling. This book will get you right into it. You will learn extremely fast. If you take the free downloaded manual from Apple with this book you are set. Even better is Lisa Brenneis's and the DVD studio Pro manual too. I had these manuals for a year and did not get anything going. Then I got the Watkins book. I thought the same thing hey these clips are not labeled, I was in chapter four or five, I thought it was the author. No NO No you have to lable the clips yourself. And chapter stops are on page 289. You finish Adam's tutorials you will be able to take the book, computer, camera hook them all together and get very nice work accomplished. It is not an easy study it takes effort. Once you learn it, you can do a big project. You learn a lot from Adam Watkins, he is good teacher. I would easly buy this book again, I would only buy it sooner.
My past I used imovie for two years. I bought FCP and did not due a project for a while. Then I got Adam's book and started to get my hands dirty right away. I am not afraid to do anything with final cut pro. I learned a lot. The tutorial is great, good beat beat sound to set clips to. I can match sound and a clip together. I learned an awful lot from this book.
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very interesting and moving.
The book has drama, history, and personality......a rare combination!
review by: The Rev. Pam Feeser
I checked this out, there was also a NY Dodgers FOOTBALL Team in the NFL in the 1930s and early 1940s. On December 7th, 1941, they were playing football against the NY Giants in New York City. There is a famous radio broadcast on CBS of this game as the announcer had to break in to announce that the Japanese had attacked Pearl Harbor.
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Adam Warren is somewhat well known for his deeply sarcastic, satire-ridden, dark humor-laced writing style. Interestingly, he does not do much of that in "Grand Mal," which has to be the darkest and most serious of all the stories he has worked on(and I've read them all). However, some of that satire is still present, particularly in the depiction of the media, and in the "poetry" seen in the story, which is a blatant humorous imitation of the incredibly pretentious urban street poetry of New York, Paris, London, and yes, probably Tokyo.
The story itself is nice little piece of "cyberpunk"-class science fiction, involving an attempt by a brain-damaged, seizure-prone, and decidedly suicidal ex-mercenary to complete his final mission, two years after it originally failed. The "Knight Sabres," the main characters of "Bubblegum Crisis," just happen to be in his way, which is likely why so many BGC fans were miffed. The mercinary is the true main character of the story, and everything centers around him. Personally, I find it interesting when one can see known characters through the eyes of a third party, so I see no reason why a BGC fan wouldn't like this story.
The artwork: yes, it's a bit lacking compared to some of Warren's other work from the period, but there is a reason for that. This was the first comic Warren ever did in color, and an artist must alter their style accordingly to go from black and white to color. Warren didn't quite catch on here, but did make the proper shift eventually with "The Dirty Pair: Fatal But Not Serious" the following year, which looks excellent. Even so, the artwork is still clean, and nice to look at, and as I've said elsewhere, bad Warren art is still good art by most sandards.
So, "Bubblegum Crisis: Grand Mal" may not be ideal BGC, but it is still a good book. Personally, I like variations on a theme, and I thusly enjoy all four incarnations of "The Dirty Pair," especially Warren's version. Any long-time "Bubblegum Crisis" fan should have no problem enjoying "Grand Mal," so long as they keep an open mind. Highly recommended to sci-fi fans, manga fans, Warren fans, and yes, BGC fans. After all, there really isn't much BGC manga out there in the first place.
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Go have a root canal instead of reading this, you'll be glad you did.
I also was bothered by the book setup, I like a biography to follow chronologically - I want to learn about the person through their life. This book takes subjects or topics and details his life via the subject so each part of the book covers the mans whole life. I also felt the writing was somewhat choppy and just not very smooth. To tell the truth I kept reading to find errors in what the author was saying. If you are looking for an unbiased look at Guiliani then keep looking, this book is nothing more then a political hack job.
If you don't like Rudy, the book will provide abundant ammunition when you make your case. Barrett is obviously biased against Rudy, and there's no ambiguity about that. But only the ignorant, of the hopelessly dogmatic, will accuse him of not doing his homework, or of being a 2nd rate journalist. Every assertion he makes is backed up with facts and data, sometimes ponderously so.
It's not light reading, or particularly entertaining, but if you want the facts (nothing but the facts, ma'am) on the phenomena that is Rudy Giuliani, this is the only book to read.
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Clearly, there is no substitute for visiting a school to decide whether or not to attend. But for many applicants, that is simply not an option. Knowing this, the Princeton Review paid someone to whip together an "inside" guide to the law schools. They must have either paid poorly, or not paid attention: not only is this book chock full of factual errors, it relies on a very lazy, and perhaps even unethical methodology. After sending surveys to students at the law schools, the Princeton Review author pulls a few quotes from the few responses he managed to cull, and writes around them as quickly and cautiously as he knows how.
Nowhere in this book will you find substantive or even detailed information about life at one of these law schools--such as how the specific strengths and weaknesses of faculty; structure of the first-year curriculum; residential life situation, etc. But you will find comical lists of statistics such as "hours of study per night," as if the responses of .2% of a student body could provide anything resembling fair representations worthy of standing as a comparative figure in examining various programs.