Carter, Lin: "The Goblinry of Ais" - Lady Ais is a great beauty, whose fame has spread far over the years. But now she's interested in something more dangerous than politics...
Cherryh, C.J. "To Take a Thief" Sphix, like the small sly animal that's his namesake, is a 'good' thief: he never takes anything whose loss'll hurt the victim. But no one can ever keep to one level of evil...
Clayton, Jo: "Jezeri and Her Beast Go to the Fair and Find More Excitement Than They Want" When Jezeri's family took in Old 'Un, Tanu (a tiny little thing, whose like had never before been seen), crept out of his gear and won Jezeri's heart. Unfortunately, someone at the fair appears to know more about Tanu than Jezeri does...
Llywelyn, Morgan: "Fletcher Found" - The narrator, a "cuckoo's chick" among the mountain forge-folk, has in his loneliness become convinced that he's a foundling of those beings from another world, the Three Lordly Ones.
Mathews, Patricia: "Well Met in Ithkar" Master jeweller Corielle is reestablishing herself after what she can only now call 'the fortunes of war'. She'll never forget the voice of the man who ordered the beating that blinded her, even years later at Ithkar fair. But how can she formally identify him by voice alone?
Mayhar, Ardath: "Esmene's Eyes" Esmene's magnificent embroidery is magical - when she pours her very life into it. Despite her illness (she's slowly dying of internal injuries), she answers the priests' summons the fair, to wield her talents one last time.
Norton, Andre: "Swamp Dweller" Kara is one of the Quatka, animal trainers whose companions are Second-Kin to them, cherished and communicated with. Even the ugly, abused reptile Kara found in a beast seller's cage at the fair deserves consideration. But Kara feels that he has hidden potential...If you like this story, try Norton's _Moon of Three Rings_.
Sampson, Judith: "Qazia and a Ferret-Fetch" The evil wizard Chond is more than a match for any hero, and his ferret-fetch familiar will never let a prisoner escape. But when blind Hoel fetches up at the Joyous Goblet in Ithkar, tavernmistress Qazia won't let her guest be dragged away. (The ferret-fetch, by the way, is an interesting character in his own right.)
Schlobin, Roger C.: "For Lovers Only" Brother Jerome "the Huncher" piously wears a hair shirt - concealing his thefts from the temple treasury. He was driven half-crazy (and into the monastery) when his lover dumped him *very* brutally for a richer man, and he's financing a suitable revenge.
Schutz, J.W. "Dragon's Horn" - Tonya's father left only debts and the Enchanted Doll Show. While the dolls move by enchantment, they need human voices; Tonya hires strangers to fill out the parts of Dragon and King, while Lord Caum licks his chops, waiting to enslave Tonya if she can't pay off the debt after the fair...
Schwartz, Susan: "Homecoming" Andriu fled his novitiate at the Temple of the Three Lordly Ones fifteen years ago. As a dream-singer, able to shape reality with his songs, he's been in and out of scrapes for years. Now suffering from lung-fever, he's come home. But someone has far worse trouble than he; Vassilka needs an exorcism for an unborn child...
Springer, Nancy: "The Prince out of the Past" Even spirits are drawn to Ithkar Fair.
Waters, Elisabeth: "Cold Spell" Eirthe the candlemaker refused a Thotharn priest's request to make candles in the likeness of wealthy merchants. He retaliated by cold-cursing her: her candles will no longer burn. But she can't prove he's running a protection racket, so how can she make a living?
The Adams Round Table series of books is always top-notch entertainment and this year's edition may be the best of the lot. Each story is well written and exciting while leaving the reader thinking about how far one goes for a friend. This reviewer still wonders what took me so long to join the short story bandwagon that has forced a scramble to find earlier works including some of the previous editions of this powerful anthology.
Harriet Klausner
List price: $22.95 (that's 30% off!)
Why do I think so? Just because I am a Brazilian and that was the way I was taught in school. Yes, Brazilian school. Like in the US you go to school and learn that the Wright Brothers were the first, in Brazil we also go to school, but we learn that Santos Dumont was the first.
Does it matter all about the Write Brothers' case? Not more than it matters whether Santos Dumont made that "first flight on December 23rd, 1906 before a huge crowd on Bagatelle Field, Paris, with full press and media coverage and movie recording and that It was an Official Experiment, homologated by Aero Club de France members present at the meeting." No, it does not matter. Why not? Because like Theodore Roosevelt said "It is not the critic who counts*".
It is not who the first was that counts! Santos Dumont and the Wright Brothers were conquerors, while you and I and all these people trying to defend one or the other are just a bunch of critics, who does not count at all.
Whether the Americans "explained their position with unassailable logic" or the Brazilians go with our "way of recounting history that isn't quite so dependent on a timeline", this is just a cultural difference.
In my opinion Santos Dumont x Write Brothers is analogous to Brazilian x American culture. Americans will never prove to Brazilians and Brazilians will never prove to Americans.
"It is not the critic who counts: not the man who points out how the strong man stumbles or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly, who errs and comes up short again and again, because there is no effort without error or shortcoming, but who knows the great enthusiasms, the great devotions, who spends himself for a worthy cause; who, at the best, knows, in the end, the triumph of high achievement, and who, at the worst, if he fails, at least he fails while daring greatly, so that his place shall never be with those cold and timid souls who knew neither victory nor defeat." by Theodore Roosevelt.
At the height of his first fame and triumphs, when he was 30 years old, Santos-Dumont dashed off an intriguing and delightful book about himself and his work, Dans l'Air (immediately translated as My Airships), published in 1904. In it he tells of his childhood in Brazil, his early fascination with machinery and passion for the novels of Jules Verne, his early success in France as an enthusiastic automobilist, his first balloon ascent in 1893, his famous balloon Brazil, and the joys and trials of his first ten dirigibles (1898-1904). Referring to himself as "inventor, patron, manufacturer, amateur, mechanician and airship captain all united," his egocentric but nonetheless admirable personality imbues the whole account with grace, whether he is praising the joys of lunching in a spherical balloon or describing one of his numerous hair-raising scrapes with death while navigating the air.
Today, this book appeals to us as a delightful evocation of the age he lived in, with all the romance of early aeronautics. Prize competitions, brief touch-downs at a café for refreshments, and the near-slapstick crash landings that somehow can't be taken seriously are only a few of the exciting elements of Santos-Dumont's account. Information on early aviation, excitement, evocation of the turn of the century, and lively, passionate writing on a fascinating subject; and all of these will captivate and enthrall any reader in the pages of this extraordinary book.
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