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The book drags a bit during the f! ! irst 80 or so pages, mainly because of the endlessly repetitive scenes of Cooper and Josh partying and getting high. (This is an MTV Book, let's not forget.) But the authors compensate by creating a series of marvelously funny vignettes depicting the past history and inner life of each of the characters. And the story really kicks into gear once the Dead Man's Clause is introduced, and our "heroes" begin their quest.
The legendary David St. Hubbins once said, "There's a fine line between Stupid and Clever." In the course of its 215 pages, "Dead Man on Campus" jumps back and forth across that line more often than you can count. The set pieces range from the painfully obvious (a misunderstanding causes the other guys in the dorm to think Cooper and Josh are gay) to the genuinely inspired (a depressed poet hurls invective at his adoring groupies during a coffeehouse reading, to no discernible effect; Cooper gives outrageously inappropriate adv! ! ice to a bulimia sufferer who's contemplating suicide; a mo! ving van driver delivers a profane and hilarious monologue about the best customer he ever had). One suspects that the novel's funniest bits -- a stand-alone prologue that combines the sensibilities of O. Henry and Howard Stern, and a surreal chapter detailing the bizarre family history of Buckley, one of Cooper and Josh's potential roomies -- probably aren't even in the movie (which is as yet unreleased). No matter. In the duel between Stupid and Clever, Clever manages to win more often than not, allowing "Dead Man on Campus," the novel, to stand on its own as a lighthearted, enjoyably crass, and raucously un-PC entertainment.
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