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One recent eveing at Northern Lights Book Store and Cafe in St. Johnsbury, Vt., 70 people heard two local women who participated passionately in that movement. The authors read from their book, Deep In Our Hearts: Nine White Women in the Freedom Movement.
The book is an eloquent and powerful one that takes us back to one of the most tumultuous periods in American history; the erly days of the Student Nonviolent Coordinating Committee (SNCC), Freedom Summer, voter registrations, lunch counter sit-ins and the rise of Black Power and the women's movement. Deep In Our Hearts is a collection of essays, that take us into the lives of a group of young women who were transformed by the Civil Rights Movement.
The audience listened as Penny Patch looked back and read softly. "I understand well that what was between us will never be again, but still, that experience remains at the core of who I am. The fact that some of us had deep friendships that crossed all racial lines is simply a miracle. For short periods of time, in those early yers, we leaped over all the history and all of the minefields between us."
Perched on a stool and sipping warm tea to sooth a sore throat, Theresa Del Pozzo read from the book. "My involement with the movement began as a moral reaction to the blatant injustice of segregation and the denial of basic human rights of African-Americans. Along the way I got an education in the intricate patterns of racism and began to experience what I think as the small-c culture of the African_American community: the wisdom, dignity, strength, humor, gentleness and creativeness of its everyday life and people. The experience of living within the black world changed forever the person I was to become and the way I live my adult life."
Listening to the authors as they told their stories one could not help but admire their courage and admire this courageous book. They stand as powerful testaments to a time when the goal of universal justice was truly in sight and to the hope that a new generation of blacks and whites will take up the challenge to make the world a better place.
Marvin Minkler of the North Star Monthly
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There are many instances of humour. The reader is left to wonder how it might have been for the 'first' couple. Kierkegaard remarked that Adam and Eve must have felt trapped by their own freedom, not knowing what to do. I myself regard Adam and Eve as mythology but can see the curiosities of what a 'first couple' would have been like. Would they be happy? Would they be attractive? What were their conversations like? It gives to the imagination, undoubtedly. But like Twain, I can't take it seriously.
Throughout the entire delicious epic of the story, the two characters grow from unaware children to mature humans, able to make a living together through all difficulties.
Adam, on one side, starts regarding Eve in a critical way that reminds the rigorousness of an engineer and ends warmly with the calm passion given by a lifetime of togetherness.
Eve, on the other, depicted here as the essential expression of the womanhood, appears as a living miracle of contradictions. She is so playful, sunny, innocent and wildly alive, that Adam finally realizes he's happy to be sentenced to love her forever. It is worth saying that even the Sin is reconsidered here rather as an abuse of Eve's ingenuity than an assumed trespassing...
The friendly, optimistic approach to life, the art of putting strong, fundamental feelings into everyday's words, the gentle humor far from cheap melodrama, the subtle metaphor of the joy of living arising from each chapter made me to consider this novel the most touchy love story ever written.
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Times have changed since the writing of 'An Essay.' Mead is now relatively available, the law prohibiting homebrewed beer was reversed in 1978, brewing supply shops abound, and wine shops are many. Still, Adams instructs us -- no doubt as he did his students in the great state of Washington -- in the general concepts of making a fairly good beer inexpensively, producing an ancient drink that still gladdens the heart (and produces a nasty hangover), home-distilling substances that the government still frowns upon, and producing a good wine from those local fruits.
I wonder if Adams ever considered a "How to Make Booze Revisited."
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And I should add: for poetry with such an aggressive intelligence, there's a lot of heart in it, some moments of sublime tenderness-- "Black Marbles," "Sin Titulo." Really quite amazing.
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How can you not love a dog?
On the surface, this is an accessible easy read; we're in the point of view of Ruslan, formerly a guard dog in a labor camp. When the camp bewilderingly closes, Ruslan is left to his own devices-- trying to find his commander, trying to get food. One terrible scene I have never been able to get out of my mind is when a peasant cruelly offers him a piece of bread-- covered with hot mustard, knowing it will cause the dog pain. No animal lover can read this scene without compassion or tears.
And yet.
Ruslan is faithful, but the reader knows the system he served was an evil one. Like the best allegories, this book works fully on all its levels-- as a sheer survival story from a decent, though misguided, dog's point of view the book is sad. But with the knowledge that certainly any Russian reader would have (and that any reader should have, really) about the changes in Russian society-- this book comes out of the Thaw period, when artists began to be able to critique more openly the repressive Stalinist regime-- the book's real tragedy is almost too much to take.
For Ruslan, you see, like so many Russians, had been deceived in his attempt to be a Good Dog. What Ruslan remembers fondly, the reader with horror can understand as atrocity (attacking prisoners, for example). (Another book which does this is Martin Amis' brilliant TIME'S ARROW, in which the Holocaust is remembered backwards, so that the narrator recalls resurrecting millions out of ashes).
Ruslan comes to a terrible, inevitable end-- the details of which are left to the reader's shivering imagination. Ruslan sees some people he once knew-- and goes to do his job. But the world had mysteriously and completely changed.
Poor Ruslan, he was only doing his job-- truly. The real criminals are the ones who corrupted and perverted his loyalty and decency into serving their evil ends.
An unforgettable book. I wept at its end, and emailed my Russian teacher to complain! (I got no sympathy; tragedy and sorrow are so Russian, she said).
The survivors, whether they worked for the system -- as in the case of a guard dog, or those who who were crushed by the system, as in the case of millions of former prisoners, were all forced to continue to endure in Soviet Russia, without any real justice for the victims.
The confusion that resulted, with former victims being "rehabilitated" and yet never enjoying any real restitution, and the former tormentors never being required to face the enormity of their deeds is palpably felt.
In addition, by using a morally neutral character, a dog, the author shows that in the case of many who supported the system, it is impossible to definitively assign to them guilt for the system which they supported. The book shows that while totalitarianism has a few monsters, it has many more people who accede unquestioningly to the environment with which they are surrounded. And it does all of this quietly, without melodrama or histrionics.
This powerful book is a must read for anyone who is interested in the human condition. Let us hope that more such books are written in Russia, and that this book is reprinted.
Michael Glenny provides a well-crafted translation of this important book.
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