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One small quibble: Adams doesn't devote any time at all to the geological history of the river itself. Given that it's generally regarded as the oldest river in North America, I thought this was surprising. My only complaint is that, just like a rafting trip down the New in Spring, it's over way too soon.
Coal mining was a big industry in much of this section of the country, but much of it is gone now. Towns, mines, have almost completely disappeared, while others are ugly blots on the landscape. And still, the New River cuts its way through mountains, creating gorges, south to north, in the same way it has done for millennia. Bridges cross it. People live beside it. And a new industry -- whitewater rafting, kayaking, and other touristy pursuits -- has encroached on its waters.
As Adams traveled the river, he met professional guides, herbalists, and others who make their livings on the river. Many, perhaps most of them love the river. Each knows some of its history, and their stories often only whet our appetites.
Readers of travels in America would enjoy this book. However, someone who once lived in North Carolina, Virginia, or West Virginia, having some knowledge of both history and geography of those areas, will be reminded of their time there and stories they may have heard. It might even make some of those who moved away want to go back. Even if only for a vist.
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Milton's great talent is for his blending of period documents within the text of the book, to bring the past directly to us in all its archaic, but usually very clear details. Its fascinating reading and provides a light, humourous tone to the book which at times could get very bogged down in minutiae.
Essentially this is a clash of cultures - that of the insulated Japanese who did not wish to have contact withe the outside world, the British who essentially did not choose to understand the Japanese culture or the types of goods which they valued, and the Jesuits who had insinuated their way into the Japanese court and were very anti-British.
William Adams provided a junction for all three parties, but it was a narrow line he was forced to take and his negotiations and diplomacy against the competing interests was often taken in bad part or very often ignored.
But Adams is only part of the story, Giles Milton is very good at building up a picture of the time and creating a living history in which British trading with Japan is explored in all its details and all its main characters.
I don't think this is his best book so far - Big Chief Elizabeth (which examines the history of America's first colony) has my vote for best - however this book is a great demonstration of how these small histories are best written. If you like this then try Big Chief Elizabeth and Nathaniel's Nutmeg (about the South East Asian Spice trade in Nutmeg) all set in the same approximate period.
Early chapters talks about the history of the arrival of the first Europeans in Japan, and their journey. The incredible journey of William Adams was also discussed in detail. Although there are some fact that I couldn't believe, for example: they met a certain tribe in South America that are 7 feet tall.
The book also talks about how the Europeans traders live in Asia (Japan, China, Java) at those times. The diseases they have survived through, the nutrition, the drunkeness and the parties that they had, the deals with local native ruler, competition among the Europeans traders (English, Spanish, Dutch, Portugese).
Religious affairs was also discussed, the spread of Christianity in Japan, why Tokugawa declared an edict against Christianity after a "close-eye" period.
The most interesting part is the detail on Osaka Castle battle. It's the battle between Tokugawa's army and Hideyori's followers. I have read a short summary of this battle in history book, but this detail was much more interesting.
Final words: this book was both entertaining and informative.
There are some stuff that I can't believe, but I think that's just because I haven't research much into it.
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The plot was well constructed, with the clues spaced just right, although I feel that James did cheat in a couple places. I dislike her tactic of having a character ask a question of another character, then not letting us see the answer, in order to keep from us information that the protagonist now knows. She did that in at least one place here and I find it annoying. The loose ends are tied up neatly and there's a surpising and very well done epilogue.
The characterization is where James falls down a bit. This is one of her early Dalgliesh books, and I think it shows, as most of the characters are more sketches than real persons. A big revelation about one character's past, near the end of the book, comes as something of a "so what?", since we don't really care about the character. Nurse Goodale was the only one I felt really stood out as a person. Even Dalgliesh seems to swing between supercilious and nasty, and he doesn't come off as a character a reader would care to spend more time with.
These flaws aside, I'd glady recommend this to any fan of the series, although it's not a good introduction for a non-fan ("A Mind to Murder" is perhaps best for that). Not on par with her best, but pretty good overall.
This is James at her most provocative, her most intriguing, and her most thrilling. The plot is one of her most brilliantly conceived--not only are there plenty of well-laid clues and red herrings, but the murderer's true identity comes as a surprising twist. James' plot construction is even more sound than usual--everything fits perfectly. But anyone who reads a James novel knows that there's more to her books than just a satisfying mystery. She offers the reader a lot to think about--the motive behind the murders is both shocking and thought-provoking, and Dalgliesh is written with great sensitivity and complexity as a human being! . His subordinate, Sergeant Masterson, is a rather unsavory but interesting character, and the suspects are all extremely well-developed and vividly drawn. The setting, a dark, lonely nurse training school with a frightening history, creates atmosphere and adds suspense to an already suspenseful plot.
Read this book--you won't be disappointed.
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There is a good reason that Nobel Laureate Sean MacBride wrote the introduction to this book. It deserves to be read by anyone who cares about the Troubles in the North of Ireland. Indeed, it deserves to be read by anyone with a love of the indomitable human spirit, of wich Bobby Sands was one. Rest in Peace, Bobby.
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of how he and a few colleagues in 1971 founded the Gesundheit
Institute--a free hospital in West Virginia . . . it is dedicated to an unorthodox view of medicine and of the patient-doctor relationship: one employing laughter, listening and mutual respect . . . imagine being able to see a doctor and actually smiling when you do . . . and have him or her smile back at you! . . . you'll come away thinking that health care could be different; i.e., if practitioners would take heed of Adams' advice . . . the narration by Artie Johnson (of LAUGH-IN fame)was excellent.
Patch Adams is the founder of Gesundheit, a holistic home-based medical practice that managed to see more than 15,000 people without bills, malpractice insurance, formal facilities and paper work. Adams' vision is a wake-up call for all of us.
Like Adams I became discouraged when the art of counseling and medicine was replaced by the science of business and technology. During my 20 years of working as a children's counselor at a Mental Health Center I witnessed how mental health and medicine, the nations number one industries today, shifted from the community to the corporate level. When the loving human interchange between a client and counselor became more a business transaction, and the paperwork not the people became the bulk of our services due to fear of litigation, I decided it was time to retire.
In "Gesundheit" Adams discourages health care professionals from carrying malpractice insurance. When fear is the baseline from which to practice healing it encourages caregivers to prescribe "cookbook" treatments even when they believe them to be inadequate or potentially harmful. Fear and distrust makes physicians reluctant to explore alternate therapy and leads them to put patients through procedures and tests that are unnecessary and defensive. When professionals see patients as passive recipients of wisdom there is no room for humility or mistakes. A malpractice climate denies physicians the right to be imperfect.
Third-party reimbursement is also a problem. It has diverted medicine from a service to a business and become a circus act with many hoops to jump through. Doctors tend to over-order tests and overdo procedures when patients are insured. It's easier to order tests than provide care or comfort. Hospital supply companies, medical technology and pharmaceutical firms have become multimillion dollar moguls of medicine.
Another problem is that the professional distance ethic often leads to aloofness and arrogance. Many patients are described as diseases, lab values, or treatments. When people are called the names of their diseases other facets of the patient's life are neglected such as family, friends, faith, fun, work, nutrition and exercise. Life itself is bigger than illness, diagnosis, treatment and disease.
When touching is taboo and getting close to clients is forbidden we loose the magic of vulnerability and trust in a relationship. Healing happens in the relationship between the healer and the patient. A healer cannot offset the pain and suffering of a client without intimacy. Healers need the freedom to cry with and hug their patients. Transference is inevitable. Every human being has some kind of impact on another. A solid relationship creates a loving, human, creative, cooperative and open environment.
Privacy or confidentiality rules make intimacy difficult. Public disclosure strengthens relationships and helps develop a greater sense of support and understanding. Like 12-step programs the surrendering of privacy is the cornerstone of friendship and an antidote to loneliness. Our stories are important and listening to each other's stories provides the magic for healing. We are a tribal people and we need community. We need to move from the insurance of cash to the insurance of clan.
Progress has become synonymous with "advances in technology." Although modern medicine has made great strides in knowledge and technology, health care professionals are rarely vibrant with the joy of human service. Many doctors feel naked without their instruments and machines. Even though comfort, empathy, and reassurance-so vital to a medical practice requires no technology. Our magic as healers is not in our tools but in ourselves.
We also need to integrate humor and nature in healing work. Humor is a powerful antidote to pain and nature tops the list of potent stress reducers. An individual's health cannot be separated from their natural and human environment and wellness needs to include prevention of ecological disasters.
Adams' book "Gesundheid" is an excellent summary of how today's high-tech medicine has become too costly, dehumanized, mistrustful and grim and gives us a vision of what good health care could be. We not only need a better health care system but a healthier one. Profit, paperwork, medication, and medical procedures cannot be a substitute for time spent talking to and observing patients.
Mother Teresa's Mission of Charity has provided free services to the poor in over 52 continents since 1952. They accept donations from individuals not companies and have not only survived but thrived. Gesundheit, a non-religious modern day version of the Missions of Charity, also offers free services in faith not fear. Both demonstrate how giving is intoxicating and produce intimacy as a byproduct. Both show how fulfillment that comes from service is one of the great medicines of life.
Although most of us cannot give our services away for free we can learn from Adams' vision. Putting people before profit is a win win situation. When people are happy they're less likely to litigate and surprise, surprise the business ends up making a profit.
The one story in this book which sticks out in my mind is the story of the man with arthritis. To summarize, Patch discovered that the man did not feel the pain of his arthritis while watching the sunset. The man really enjoyed watching the sunset and pleasure from this event helps him forget his pain. Thinking of something pleasurable or performing a pleasurable act helps us forget pain. As Patch Adams himself said, The best medicince is not to treat the illness, but to treat the patient."
Thanks for your inspiration Patch! A great book!
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There are other very unusual characters in this book that you will come to know and like (or dislike), and this is another book you will hate to put down.
I started this book in the morning, took it with me for my flu shot (stood in line reading) at the Church, and stayed up all night to finish.
I think you will like it!
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The pacing of the book was also very well written. A lot of time was equally devoted to not just the beginning, but the middle and end of the book that there's no way I could find the romance rushed in any way.
I originally didn't think I'd like The Silken Web because it had adultary... and a blonde hero. But Erik was as appealing as any other dark hero (with the qualities to match) and the way everything was handled makes me want to go and buy more of Sandra's books.
If you liked The Silken Web, try Bittersweet Rain. It was a shorter read, similar but fun as always.
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I would recommend this highly to fans of the series who feel bereft at its close and long to return, to poke around a little themselves. Harbors and High Seas is full of taking off points, tangents to the stories that the curious reader can follow up on. A print of the decrepit Temple, reproduced here, might spark you to pursue some detail or other about Napoleon's Paris. The discussion of the many Desolation Islands has lots of little sides to it that could reward some curiosity. Like the stories, this is a sort of open-ended invitation into the historical setting, you might say.
Harbors and High Seas is a "companion" to the series, a complement to it, not just a reference to be consulted when you're muddled. Don't just refer to it -- read it for fun.
The only downside to having this companion is the irresistable temptation to read ahead...the plot lines of the first 17 books are all given in general outline. As O'Brian readers know, however, much of the joy is as much in the characterization and writing as in the plot line. So, even if you do look ahead, it in all likelihood only will increase your desire to move on to the next book....I personally can hardly wait to get to Treason's Harbour and the mood that O'Brian will create around historic Malta.
If you love maps, though, and have always used them to add a visual learning dimension and reference to the words, you can't possibly read the books without it.
In closing, I guess I should add the warning that as addictive as these books are, they become even more addictive with the companion.
Beware!
Now as I travel the world in the O'Brian series I know where I am and where I've been -- and often where I'm going. The maps are outstanding (I always thought a map here and there in the novels themselves was called for), and King's narrative takes me ashore in places all over the aquatic world to round out my adventures with my favorite literary characters.
The old pictures from The Naval Chronicle are worthy -- and thoughtful -- additions to the whole fine work.
I guess I'll be reading Aubrey/Maturin books forever, and with Harbors and High Seas right at hand. Too bad the guide had to end with The Commodore but, hey, I'm not complaining. I'm happy for what's here.
Thanks to King, too, for his lexicon, A Sea of Words. That was the finishing touch for the O'Brian addict that I am -- I want to KNOW what a studding sail is, a snow (for I, like Maturin, thought a "snow" must be a white ship), the mainchains (not "chains" at all), the messenger (definitely not a means by which you might get a message to Garcia) . . .
A tip of the hat and a warm thank you to Dean King and his cohorts: John B. Hattendorf, J. Worth Estes, and mapmakers William Clipson and Adam Merton Cooper.
It is truly wonderful that this incredible series of historical novels has inspired these indispensible accompaniments. There is also the volume edited by A.E. Cunningham, "Patrick O'Brian: Critical Essays and a Bibliography" which belongs on the shelf with every O'Brian fan's collection. These books about O'Brian's books are a further testimony to the greatness of them -- they stood tall on their own, it's only that they're even more robust now.
Doug Briggs