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Another reviewer remarks that this is like a 1950s movie. I see it more like a 1950s/60s TV western. In fact, the set-up is basically Gunsmoke with a darker side. But the morality play is missing. What we have is half-Apache sheriff who (by his own admission) doesn't look like an indian. And yet he has to face various degrees of prejudice. Now, that's a good premise, but it wouldn't have hurt if he looked indian, even just a little.
There is a politically correct female who is virtually lost in the meager, well-worn story - with nothing to do and nothing to say. The mayor (girl's father) is a J. Jonah Jameson type (from Spider-Man): all bluster and hot air but with no depth. The newly added deputy is taking on the Festus role, and of course Mitch (the sheriff) is growing into Matt Dillon - if he's lucky.
This book was obviously written to a word count and, with the edict that it had to move quickly, the author opted for simplistic dialog which didn't advance plot or character. Despite the fact that this story is mostly dialog, no one says much of importance. In fact, they spend half their time repeating the last half the previous talker's line. It's very tiresome.
What would have saved this book, even from its mediocre delivery, would have been an ending that would have fit into a Gunsmoke episode and still not have been as obvious as the ending provided. The killer should have been the character Carson. Besides being meeker than other players, he could have had a fairly devastating motivation built for him for killing the town prostitutes. His wife is sickly, he seeks comfort from the prostitutes but, being a religious man, feels enormous guilt. The preacher comes to town and his sermons, full of venom toward prostitutes, pushes Carson over the edge in an attempt to cleanse himself. This at least would explore morality far more than the ending - and the killers - provided.
Maybe the others in the series are better, but I doubt it. At least they're inexpensive.
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He also goes into great detail, describing society during each of John Quincy's diplomatic posts, so that we feel like we're part of that era. I also learned a lot of history, and have a better appreciation for the fragile democracy that existed between the American Revolution and the Civil War.
The first part of the book is especially lively, describing their courtship and wedding. I thought the book lost a little steam at the end (or maybe I was losing steam, since they lead such full lives!) I agree that the book leaves me wanting more, only because it focuses more on their personal lives, rather than John Quincy's career, which I want to explore more now.
I definitely recommend this book as an easy-to-read and well-researched document about two Americans who sacrificed so much of themselves for their country, yet have been forgotten.
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I labored through the book because I am a dedicated Adams fan. I have read every novel that he has ever written, and enjoyed them thoroughly. The Day Gone By is helpful if you want to get inside of Adams' head and figure out how he thinks. After reading the work, I think that Hazel, a character from Watership Down, may actually be a model for his father, to whom Adams was very close.
Other observations about Adams' works can be gleaned by reading The Day Gone By.
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The problem with this book is that the author desperately needed an editor. Misuse of words ("heard of runner beast", "no bases in fact"), lack of punctuation, grammatical errors all marred the story. The dialogue is repetitive and doesn't ring true. It's a shame, because without these difficulties, this would be a really good read.
I can't write a novel and applaud Mr. Adams for his effort, but in future, a good proof-reader and editor may come in handy to reduce the kind of errors that ruined the suspension of reality for me.
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Interesting is the story behind the making of the ALAMO, a film he produced, directed and starred in, the subsequent Oscar campaign, and the aftermath. Also interesting is Wayne's relationship with director John Ford, whom he loved, and their disagreements.
--Derek Leaberry
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And I can understand Baldwin's great perplexity...he wants to point the finger at the American way of life. How years and years of being considered not human has affected the mindset of the average person of color. And of having to come through identity crises, legal crises, social crises to be confronted with who...? A person who is this insane enough to be killing innocent kids? Why have we struggled so much, Baldwin seems to be asking, to create this monster?
And so, it is another probing we received from the always philosophical, questioning, always provocative Baldwin.
Why read the book now? Well, although this murderer has been found and given punishment based on the fullest extent of the law, the questions remains.
How have we come to this?