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He often begins either with carefully-selected nursery trees or with commercially produced pre-bonsai trees. This way, he tends to start with mature trunks and roots, and some branching. This is probably the best way to go when seeking to create a truly good bonsai specimen within a few years.
If you like this book, you'll probably also like Gustafson's "Bonsai Workshop," which has been particularly helpful to me with conifers, and which uses a similar project-related approach.
I'd put this book on my short list for any bonsai library, and would have given it five stars had it been longer and more detailed with general bonsai information. But fortunately, the information not found in "The Art of Flowering Bonsai" can easily be found elsewhere.
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But therein lies the fault I find with the book. With the exception of a few brief moments where Douglas manages to smirk at himself, his writing style is largely (and annoyingly) pedantic. He approaches the subject seriously, but he takes it to the point of stuffiness.
I also found that a lot (and I mean A LOT) of the information Douglas spends page after page running into the ground had little or nothing to do with the subject of werewolves. His interest seemed much more focused on displaying his copious (albeit only indirectly relevant) research and knowledge than in writing a digestible book about werewolves.
I am hard pressed to find problems with this book, and I think you would be, too.
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P.
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If you want to decorate or redecorate your room because you're tired of those boring white walls and plain furniture, GET THIS BOOK!
Even if you aren't planning to redecorate, it is still an excellent book to look at all the ideas to decorate anyway!
EXCELLENT EXCELLENT EXCELLENT! :)
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Jean Seberg has come down to us today as a tortured sado-masochistic saint who still has the power to beguile men. Film posters and stills featuring her and her movies command a premium in today's cinememorabilia market; and I know several collectors who seek out anything they can find depicting her. Perhaps, what Marilyn Monroe was for the 1950s, Jean Seberg was for the 1960s.
Why Fuentes wrote this novel in the way he did puzzles me. If I were as obsessed as he was, I would still feel queasy about exposing the dirty bedsheets and underwear to the gaze of the public. To me, love -- however brief or unhappy -- is a gift of the gods; and by spiting it, one shows oneself to be somehow unworthy. Fuentes has flouted a gift whose memory I would have locked away in the deepest recesses of my being and thrown away the key.
If, however, Fuentes feels himself to have been traduced by his relationship, like Charles Swann at the end of Proust's SWANN'S WAY after his recognition of Odette's unfaithfulness, I could understand his need to exorcise this "expense of spirit in a waste of shame."
Instead, I see both the anger and the gratefulness simultaneously. As a result, DIANA THE GODDESS WHO HUNTS ALONE leaves me with a feeling of unease, as if the author did not know his own mind and went off in several emotional directions at once.
The result is a very well written book that in the end does not quite jell. One can't worship at the shrine and spit at it at the same time.
The novel captures the turbulence of the era being portrayed. Such phenomena as the Black Power movement and FBI surveillance of suspected "radicals" are woven into the narrative. Particularly interesting is the way that real people appear as characters in the book; the other characters have encounters, and sometimes conversations, with such figures as William Styron, James Baldwin, and Tina Turner. The novel is superbly written, and deals with such fascinating topics as national identity, racial identity, obsession, paranoia, creativity, political radicalism, fidelity, and Hollywood mythmaking.
One interesting note: The character of Diana Soren appears to be based on a real-life person, actress Jean Seberg. I recommend that those who are fascinated by Fuentes' novel do a little research on Seberg's life. Finally, I give "Diana" high praise as an outstanding example of the art of the novel.
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Here is the real dough: The Pair are assigned to help track a terrorist on a satellite planet which wants to put the terrorist behind bars. That terrorist is Carvahol, and he can switch bodies with an illegal personality chip, that plugs into an interface near the base of the neck of any one with such a modification. This helps him download his personality into a new body, and become quite difficult to catch. But in the eyes of the people inhabiting the satellite planet, the terrorist ranks second on their list of: Most Likely To Blow Us To Smithereens - Just a tad behind the infamous Dirty Pair, whom managed to cause mass genocide by accident on each case they take on. Trust me- its not their fault! But if you pick this up you'll see that they're just a little slow and suffer from a general streak of bad luck, and you will come to understand how innocent freelance reporter, Cory, first hates them like anyoneelse, but then realizes that the Pair just has a bad rap. Pick it up and enjoy.
P.S.: For the future - place a letter in a time capsule so that you can warn your decendants about living on planets with Kuan Yin military products. They tend to lend a hand in "accidental" mass genocide.
Although this one lacks the darker edge of other entries in the series, and doesn't progress as fluidly as "Fatal But Not Serious", the story is still quite interesting, and probably the one most laced with dark humor. Of course, the villain, Carvalho, helps this humorous status quite a bit by being obsessed with pornography(this obsession reaches some interesting heights towards the end...).
For a change, the focus of the narrative is not on Kei and Yuri, but on the journalist Cory Emerson, who has the unfortunate task of writing a "fluff piece" on the two. Of course, things don't go exactly as planned, and the story builds to an absolutely insane climactic battle which rages on for forty pages!
"Dramedy" and science fiction at their best, and a good starting point for readers new to Kei and Yuri. Highly recommended.
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I would like to compliment James Alinder on an outstanding biographical essay concerning Adams' life and photographic techniques. This essay will add useful knowledge to anyone who wants to better understand Adams' work and life, and their effects on us all. I would also like to compliment the selection of the images. These are clearly among Adams' best work.
Adams' technique used the very stark light of dawn and dusk to create vivid detail that echoed across the image from figure to figure. The result was to help the eye capture the connectedness of nature, the oneness of creation. So when the details become too small, it is like rubbing out whole chapters in a book. I was very disappointed in the publishing decision for this book's page size. In fact, only one of my favorite images still held most of its power for me in these large postcard sizes, Moon with Half Dome, Yosemite, 1960.
Without Mr. Alinder's essay, I would have graded this book as a two star effort.
Some of the lesser works which have less fine detail still show well. Here were my favorites of this small-sized collection:
Self-Portrait, Monument Valley, Utah, 1958
Monlith, The Face of Half Dome, Yosemite, 1927
Winnowing Grain, Taos Pueblo, New Mexico, 1928
Rock and Grass, Moraine Lake, Sequoia National Park, 1982
Georgia O'Keefe and Orville Cox, Canyon de Chelly National Monument, 1937
Mormon Temple, Manti, Utah, 1948
Moonrise, Hernandez, New Mexico 1941
White House Ruin, Canyon de Chelly National Monument, 1942
Monument Valley, 1958
Cypress and Fog, Pebble Beach, California, 1967
Sand Dunes, Oceano, California, 1950
If you are like me and love Ansel Adams' work, I suggest you look into Ansel Adams, The American Wilderness, which does feature large enough reproductions.
Sometimes we learn more from mistakes than from successes. Where are your efforts being undertaken on too small a scale to be fully effective? What can you do to change that?
Enjoy the beauty of nature in its full scale brilliance (outdoors and in larger-sized photographic books)!