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Historical novels have an additional dimension of interest for aficionados: one wants to revel in the recreation of a time or a place or, better yet, to find anachronisms, so that one can criticize the author's historical scholarship while conveniently overlooking their writing skills in general.
Having said all of the above I want to say that I find "the Owls of Gloucester" an interesting well written summer read, but please, Mr. Marston, don't think that I believe that the 50 monks of Gloucester Abbey drink their ale from glasses! This precious fragile material so rare in 11th century England would hardly be used for holding a monk's ale. I think you mean bowls or mugs of wood or fired clay. Perhaps the abbot drank from a pewter cup, but otherwise.... I might note in praise that my knowledge of the prescribed times of monastic prayer has been increased through reading this novel. I had known of Vespers, Compline, and Nones, but her for the first time I was made aware of Sext.
The Brothers and the novices panic while Sheriff Durand stuns the Abbot when he insists that the opportunity to kill the victim was only available to one of monks. In the area to resolve another minor land dispute, Domesday Commissioners Ralph Delchard and Gervase Bret travel to Gloucester Abbey to conduct their own investigation. They quickly conclude that the murder of Nicholas is just the start of an evil that will kill again and ultimately destroy the abbey unless stopped.
Instead of turning repetitive and as boring as resolving an insignificant land dispute (just ask Ralph), the tenth is a delightful fresh treat. The "locked door" who-done-it is cleverly designed and fun to follow as the lead sleuths struggle with a closed mouth abbot and an irate sheriff wanting them to stay out of his business to solve the case. Historical tidbits interwoven into the plot enhance the murder mystery. However, the key to Edward Marston's latest William era tale is the depth of the support cast which enables the audience to visualize medieval times inside a strong investigative novel.
Harriet Klausner
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This book made it so much easier. Great diagrams, simple explanations. I ended up with an A.
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GO TECH!
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By that time he graduated college, Kuralt had a work record that would be the envy of a college journalism graduate. As recounted in "Remembering Charles Kuralt," a collection of interviews and essays edited by Ralph Grizzle, the high school senior had worked for a radio station, helping to call the baseball games of the Charlotte Hornet. The summer he was 13, he had a once-a-week radio show. He had won an essay contest on democracy and delivered his speech in the House of Burgesses in Colonial Williamsburg.
Kuralt knew what he wanted to be a reporter early in his life, and he pursued it with a single-minded determination. But not only that, he did it on his work ethic and talent alone, and in a good-natured manner that came through in his television appearances. "I never heard Charles say anything unkind about anybody," jazz pianist and friend Loonis McGlohon said, "that's true, and in thinking about it, it's pretty unusual."
"Remembering Charles Kuralt" covers the whole of his life and career: his upbringing in eastern North Carolina, his growth as a writer and reporter, his career at CBSNews, and his life in retirement, his illness, decline and death. It's an affectionate look that reveals more about the man than Kuralt probably would have wanted.
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In the meantime, read Rigadoon. It is not in a class with Journey to the End of Night or Death on the Installment Plan, since its focus is narrower. Celine's racism is more clearly in evidence, and even admirers will find the first thirty pages or so very trying. Celine was not a collaborator, at least not in a legal sense, but on hearing him rave about race suicide or hurling abuse at the resistance, who understandably hated him, one thinks that he should have been grateful he wasn't shot. After that, we get to the novel proper, which is a lightly fictionalized version of the last months of the war. Time, and much else is rather hallucinatory. At one point, Celine says it is May, at another point he is told about Rommel's funeral, which would have been eight months or so earlier. Rigadoon consists of his nightmarish account of Celine's ultimately successful attempt to flee, with his wife and cat, from Germany into Denmark as the war ends. As he is doing so Germany is being systematically pounded into rubble and Celine provides some horrifying passages about painfully slow trains that could be doused at any minute with phosphorous. At one point Celine suffers from a concussion. Along the way Celine and his party meet 17 mentally retarded children, and despite much abuse of these pathetic children, Celine manages to see them safely into Denmark. It is rather revealing though that he never mentions that the Nazis tried to slaughter precisely these children. Through it all we see the trademark Celine style, the famously obscene vernacular, the pages dotted with ellipses, a style which looks so easy, and yet Celine worked so hard on. Obviously, this is a novel which should be better known.
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