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Like many bright provincials, he went to the metropolis, Tokyo. "To this charmless, featureless plain, people from all over Japan roll up in droves to push and shove and sweat, to fight for an inch of ground, to live lives of alternating joy and sorrow, to regard one another with jealous, hostile eyes, females crying out to males, males merely strutting about in a frenzy."
As boorish as was the figure of himself that he wrote, and as debunking of many verities, there is still something delicate in his perceptions as in both his resistance to the cult of Mount Fuji and how he is affected by it and by other natural phenomena. "One hundred views of Mount Fuji" and "Eight scenes of Tokyo" are self-lacerating, but not wholly self-absorbed. That is, there are other characters. There is even, in "Early light," reportage of being on the ground during the incendiary bombings at the end of World War II (lacking in rancor, preoccupied with surviving and taking care of the children). There's nothing about the American Occupation.
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