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I found this book hard to comprehend.. even if I'm a immediate user, I wouldn't picked this book, as this is so boring.. It teaches you how to do certain things, but don't tell you much why you are doing it, or why is it necessary to take the steps..
there are few other good ones out there if you are a intermediate user...
Inside 3D Studio Max shows you the concepts behind how the program works, and allows you to apply these concepts, and skills to your own work, rather than a preformatted tutorial. It is this fact, however, that makes the book not extremely useful for modelers who are new to the program. This book often speaks of the manual which ships with 3DS Max, and the writer made it clear that this was not yet ANOTHER MANUAL. Inside 3D Studio Max explores how to expand your ability.
If you have no prior modeling practice, read the manual which ships with Max, then buy this book. If you do that, you will appreciate what is taught in this massive book.
This is an overall GREAT book, and it has really helped me to become a much better 3D artist.
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Hitler is an example of a human being without conscience or feeling, and Mein Kampf offers a dark insight into the depths of human depravity. Read about Gandhi or Mandela to be inspired, read Mein Kampf to be chilled to the core. I think this quote summarizes the man and the magnitude of his stupidity, intolerance and evil:
"I am freeing men from the restraints of an intelligence that has taken charge; from the dirty and degrading modifications of a chimera called conscience and morality" (p.219.)
However,leaving apart the content,the book is a literary treat in itself.I had heard about hitler's capabilities as an orator,however this book proves him an equally effective writer as well.Some of his ideas,if implemented in a better way can go a long way in improving the prevailing political scenario.
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One cannot help but wonder what JUNETEENTH would have been like had the original copy not burned in Ellison's legendary house fire. Would it, in fact, even have been called JUNETEENTH? Callahan says he believes this is what Ellison intended to title his multi-volume epic, but we will never know. It is merely speculation. It is an "editorial decision," as is the whole book. And therein lies the problem with the novel.
JUNETEENTH is a monumental testament to the power of friendship and editorship (Callahan and Ellison). I am not denying the bravery and dedication it had to have taken Callahan to sort through all the disparate notes, and passages of dialogue, and sections of narrative told in the bits and pieces that Ellison left behind, and then to dare to somehow put it all together in some sort of coherent form. It was a monumental task, and Callahan is to be commended. But the final result is messy, incomplete, and largely unsatisfying.
As the editor of an unfinished volume, Callahan was left with making authorial decisions on the line of narrative structure, and character development development, etc. He had to repeatedly ask himself (as editor) questions that only an author can fairly ask, and so I'm afraid the book is finally more Callahan's than Ellison's.
While there are scenes in JUNETEENTH that hint at Ellison's lyrical and haunting brilliance, the "jigsaw puzzle" effect of the storyline is finally disappointing, leaving me with a mixture of emotions--sadness that Ellison never lived to finish his great life work, and anger that JUNETEENTH, as we have it, is a novel that maybe never should have been published.
All that aside, I don't agree that this book is "unreadable" or a waste of time. Ellison always had powerful things to say about race in America, and a mastery of language to bring to the task.
Ellison's point in Juneteenth is that Blacks are martyrs in their acceptance of the suffering imposed on them by whites, and that whites are irredemably evil--and, if I read the end right, damned to spend eternity in hell as a result.
Apparently this is true even if whites "see the light", are reborn black, and raised black--as Bliss--one of the books two real characters--as, most obviously through nightly staged "resurrection" out of the coffin, but at least symbolically at birth, and then again when he suffers an almost fatal illness as a very young child. Despite these early influences, as soon as Bliss reached adolesence, he abandoned blacks, turned white, and became a populist racist demagogue politician.
In contrast, Daddy Hickman (the other character) undergoes his own salvation (turning, through the influence of Bliss' birth and near fatal illness) from a life of a road musician to become a man of god. Even as a traveling preacher, he becomes more Christ-like, in contrast to the typical portrayal in literature (and movies) of white evangilists as charltain hustlers. In the end, Daddy Hickman apparently has the power to reach right into hell to try to save (yet again) Bliss from the eternal fire. It is, of course, unclear whether Hickman succeeds in saving Bliss, but similarly it is unclear (I think this is Ellison's underlying message) whether white America is beyond salvation.
On one level, this is a book about the unsettled state of race relations in America. On another level, the story of Bliss is the oft told story of balck and white friendship which is inevitably destroyed at adolesence (triggered here by a white female movie star).
I thought Juneteenth was interesting, certainly has a well defined point of view on American race relations, and continues (in spots) Ellison's powerful way with words. But clearly this is not a finished novel, and no one should expect that it is when they pick it up.
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