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This should be enjoyed by anyone who understands the mind of a dog or who has been to Paris. It will be especially pleasing to those who appreicate both
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Purchased out of need because my husband's triglyceride count and other medical tests show him to be pre-diabetic. For a beginner in counting carbohydrates, learning about all types of diabetes and meal planning for a healthier lifestyle, this book fits the need! Easy to read, hints and comments from other diabetic patients & medical advice from contributing M.D.s.
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It is a exelent Cookbook.
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Later, when I had a break between classes, I sat down in the main square and started reading. I was not prepared for the effect it had on me. Funny at times, touching at others, the book had me smiling and tearing up at the same time.
I won't reveal which people and their objects were my favorite, because they need to be unwrapped and savored on their own. Suffice it to say that they are people of all ages, from all walks of life. I would definitely reccomend this book. I wish I could keep it, but it's obvious this book needs to go to the coffee shop so it can be enjoyed by everyone!
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I also have all his Elvis World Magazines. He only writes the truth. You will find no lies about Elvis in his books so they will sell.
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This book really got me thinking when I read it, and it showed how she had to deal with the problem that she created- how it impacted on her life.
I realized just what a great difference one decision can make on the course of your life. It is realistic and very believable. Every teenage girl should read it.
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Our retired friends were particularly impressed with the book's perceptive analysis of what work and retirement mean to husbands and wives. It will definitely help us prepare for that time in our lives.
Thank you Dr. Polston!
Francie and Jerry Levin, Baltimore, Maryland
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Mr. Karade needs no help when writing chapter 2 (of three), where he is concentrating solely on the Ifa religion. He displays more knowledge, intelligence and poetic power than 999 out of 1000 writers on this and similar subjects. His brief but succinct characterizations of seven of the orisas ('gods/goddesses') are astoundingly rich - so incisive and deep! Read them at the right time, when you're relaxed and in the right mood - not only will they begin to light up your world, but will show how these principles of divine intelligence interlace beautifully and powerfully to render our world/cosmos both its form and function. Each one of these terse formulations shows one of the orisas as a layer of the whole - and how they all interpenetrate so beautifully.
Karade also does an amazing job articulating Ifa's principles of right, ethical living, etc. There are so many, very expressive kernels of truth and knowledge running through this entire chapter, it totally wows me. And he attempts at certain junctures to help out his parishioners by offering interpretations of some of the more obscure phrasings of Yoruba myth and text, and does a good job. Interpretation is always a dicey game - he doesn't go too far - just opens the door a little so you can get a sneak peek, then decide to explore for yourself, now or later.
Elsewhere in the book (chapters 1 & 3) there are literally dozens of times it seems Mr. Karade is riding a wave of numinous excitement when he resorts to a sound bite to get his point across, or to amplify his argument; but the sound bite he's chosen often doesn't compute. We can cut him slack because, after all, his thesis is moving excitedly along, and making quite a bit of sense; but there are too plentiful moments that some might consider 'brain farts'. Maybe these were direct, intentionally unedited transcriptions from speeches or sermons, which somewhat lets him off the hook.
I mean we all write this way to an extent, but most of us edit it several times before we let it fly off to public view. That way those bits that don't quite fit the context, or don't quite match the way people usually talk and listen, can get weeded out. Mr. Karade either didn't edit, or he's too proud to improve on his original draft (which I doubt, but . . .), or otherwise he doesn't care to. Possibly, he just doesn't yet know any better. But we all have to live and learn. (In one of Zulu shaman Credo Mutwa's most recent writings he strenuously chastises the writing style of his much earlier work 'Indaba, My Children', though I personally haven't found much of anything to fault there.)
In spite of the frequent stylistic gaffs, Mr. Karade effectively assumes a mantle of eloquence with respect to his attempts to outline and explain the deleterious effect the Muslim and European/Christian colonizers have had upon the native religions of Africa, and upon the practitioners of those high-minded and deeply rooted modalities.
But at times, I think he's just too brief, and uses high gloss vocabulary to make the reader ignore how spare his explanations are . . . when we really want more . . . more . . . more. Maybe being a minister makes him want to flesh out the full story only to the initiates/members of his church - and maybe that's OK, but . . .
Mr. Karade's third chapter (on the origins of the slave trade in Africa) is an amazing read, even when he makes claims that I hadn't heard before. There's plenty of fire, and it's quite astounding how effectively he channels it (good energy - no hints of hatred), despite the occasional tangents, false starts, etc.
But it would help immensely here (and, really through much of chapter 1 and parts of chapter 2) to have detailed footnotes so one could go and check out the references, not because one doesn't believe him, but because you want to read more . . . more . . . more! There is not a footnote in the entire book, despite its containing a 3-page bibliography.
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Peter Abelard is a far more complicated human being than any artwork could deal. This is a man who was blessed with talent that's so distinctive, born with the charisma that's so appealing, and yet, tormented by the tragedy that's most appalling. The letters included reveal the connections of Abelard and Heloise years after both of them took vow to monastery life. You'd feel that the tragic consequence of their love relationship had created a different Abelard, from whom the words were more focused on his devotion to God and his advice to Heloise on the same subject, also his keenness on the his study, and his somewhat apathy towards their previous relationship, for which it could be easily mistaken as selfishness or indifference. But it'd be very unfair to blame Abelard for negligence. If we are able to see that this is a man who had suffered unimaginable infliction and unbearable humiliation, for which he himself believed to be the punishment for his sin, it becomes all so understandable of his words of remorse and his dedication. I believe that after the tragedy, he tried to hide his pain and forget the past in order to re-live his life. After all, he had paid the highest price for his love to Heloise. However, despite all these, his deep love and emotions towards Heloise could not be concealed but be felt between the lines written to her and from the Historia calamitatum: The Story of His Misfortunes, written by Abelard to a friend. Although their love that once reached its peak was forced to come to an end so suddenly, later on through letters it had been restored in an unusual spiritual way and on a new level of depth.
Heloise, an equally extraordinary human being as Abelard, on the other hand, was simpler and more straightforward, and yet, with a mind that's almost as acute and a heart that's braver and more passionate. When disaster struck upon these two lovers, she took the veil and entered the abbey in obedience to his wishes, only for her love to Abelard. Her sentimentality could be fully felt from her emotional outpouring of tears, grieves, and longings in the letters. The walls of Abbey never stopped her from loving Abelard, to whom the love she confessed and never denied to be beyond her love to God. Her perspective about true love is most incisive. Her talking about sensuality of flesh is very frank. When responding to Abelard on the subject of virtue and chastity, her strong arguments and copious quotations from various resources are simply brilliant. This is a woman, who had an exceptional beauty both inside and outside as well as the most admiring courage, that can't be judged conventionally.
The text translation is eloquent, literary, and beautiful. These letters, once were written many centuries ago and once were the only connection between two passionate hearts, are still compelling to read nowadays. In their own words, they told the story, in which they were teacher and student; friend and lover; husband and wife; brother and sister; and ultimately, two inseparable souls.
The story of Abelard and Heloise is "star-crossed lovers" yarn akin to something out of Shakespeare. This is the story of Peter Abelard, an outstanding scholar from twelfth century France, and Heloise, a beautiful young girl with a reputation for brilliance. Abelard is impressed with her, and manages to talk her uncle into making her his pupil. They fall in love, and eventually are secretly married and have a child. However, Heloise's uncle becomes suspicious of Abelard's motives and has him castrated. Abelard seeks refuge in the monastic life, and insists that Heloise follow his example. In the midst of their hardships, they keep in touch through the letters contained in this book. The letters are beautifully written and really manage to bring the story to life.
And I would just like to add that I don't agree with the reviewers who criticized Abelard. Abelard was a fine man, and there are no real grounds for anyone to suspect him of deceit. Sure, he was reluctant to renew his relationship with Heloise, but that is completely understandable. He had been mutilated, for crying out loud--the guy was humiliated. If he didn't love her, why wouldn't he say so outright? He had nothing to gain from lying. Cut the poor man a break! He was persecuted viciously enough during his lifetime. Do you people really have to keep pecking at him a thousand years after his death? Stop trying to turn a classic love story into an episode of Jerry Springer, okay? Potential readers, please don't let a few overly suspicious critics fool you--the book's demmed good. Buy it now!
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