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Lynette D'Aubere's family was in dire straits. Her father had been declared a traitor many years ago, forfeiting his wealth to the Crown, and causing Lynette to be disinherited. Riley, her mother, would do anything to ensure a secure marriage for her, dowry or not. Now Richard, guardian to the young King Edward, wants Lynette brought to court. In an act of sheer desperation, Riley goes to an old friend on his deathbed, begging him to sign a marriage contract, binding his son, Devon Seward, to Lynette. Under questionable behavior, Riley gets the contract signed, securing Lynette's future.
Lynette has plans of her own though. She loves Malcolm, one her family's servants, and they desire to be wed. Her plans are halted upon her betrothal to Devon, but she vows she will marry no one if she cannot have the man she loves. So she runs off, hiding out in the woods until she can find her way to a convent. Lynette revels in her freedom, short-lived though it may be.
Devon is shocked and angered to hear of his father's final act, having no desire to marry right now, especially the daughter of the infamous traitor. He knows she is his responsibility though, at least until he can find her another husband. He goes to the woods in search of her, and is fascinated with the beautiful wood sprite that is Lynette. She mistakes him for a common hunter, enlisting his help in her bid for freedom. Lynette is surprised to find herself falling for this mysterious hunter. When she finds out he is her intended, she is furious with him for tricking her.
Lynette and Devon are soon married and she discovers it is not so awful after all. She falls in love with her husband, and he loves her, though he doubts her integrity.
The times keep them apart however, as this is a very turbulent time for England. Richard has imprisoned Prince Edward, heir to the throne, and is making plans to steal it away from Edward. He is not the only one vying for the coveted crown; Henry Tudor is in love with Princess Elizabeth and vows to marry her. England is in an uproar, as is Devon's household, with factions supporting Henry, and others for Richard, who is killing any and all suspected of treason. Devon is opposed to Richard's plans, fighting them in secret, until a traitor in his household exposes Devon, putting his and Lynette's marriage, and Devon's life, at serious risk of death.
Ms. Davidson has written a fascinating story, capturing the essence of the times. Here is a tale full of intriguing plot developments and lots of drama. The focus of this book is more on the happenings, and how Devon and Lynette react and cope with them, adding depth and growth to their relationship.
This book is not a light read, requiring good amounts of concentration, to follow the story line fully, but it is well worth the extra time taken to read it. The characters are passionate and full of life, and the descriptions of life in England are vividly drawn, making one feel as though present for it all. Take the time to sit down and read this book, it won't be regretted.
When Devon Seward learns about his deceased father's final act, he becomes irate for he does not want to be married to anyone. Instead he believes the contract is non-binding and plans to find a spouse for Lynette even if he has to pay the dowry price. Lynette does not want to be wed either so she runs away, but he follows. When they meet she thinks he is a hunter. As they fall in love and the truth of his identity surfaces, both struggle to survive as two rival factions use them as pawns in an attempt to gain the throne.
The sense that the reader is in the late fifteenth century flows throughout the wonderful historical romance turning HEART OF A HUNTER into a superior tale than usual. The story line is fast-paced as the lead characters struggle with what their parents have wrought as well as the outside terror. Though Devon's duplicity seems out of character, he is a heroic individual while his intended is an intrepid person. The sequel to the powerful HEART OF A WARRIOR (Riley's story) proves how good Betty Davidson is with her vivid fifteenth century romances.
Harriet Klausner
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(There is a slight variation, in which nice girl marries aloof older man early in the book, as a marriage of convenience, but he was secretly in love with her all along and just never told her).
This book follows the same old formula: Beatrice meets Dr Oliver Latimer, who treats her in exactly the same casual, almost dismissive manner which all Neels' heroes use on their heroines. Somehow, we're supposed to understand that this means he loves her. I have to admit that I found the book patronising in this respect: women *do* have the right to make their own choices in live, and yet Latimer, like most of Neels' heroes, has a tendency to ride roughshod over Beatrice's wishes.
Neels' books seem increasingly anachronistic these days, for several reasons. First, she writes men and women as they were perhaps in the 1950s or 1960s, right down to dress, manner, way of speaking and so on. Second, when her books are set in a hospital, as this is, it becomes clear that she has not set foot in a hospital for at least twenty years. Hospitals are run very differently nowadays. Nurse training (in the UK, where her books are set) bears no resemblance to the depiction in Neels' books. Frankly, her publishers would do better to market her books as historical fiction, which is what they actually are.
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And what of Mrs. Grissom? "The tragic and heroic story of her husband and family caught up in America's race for the moon," as the cover proclaims, is told unevenly and superficially. I expected to encounter spleen from the wife of one of the space program's more perplexing, misunderstood, and maligned characters, and I would have said more power to her. Watch "The Right Stuff:" the Betty Grissom actress, with tears and rage, has it down pat as she screams "Are these the goodies? The military owes you, Gus, but they owe me, too." The real Mrs. Grissom, when she can extricate herself from her collaborator's self-aggrandizement, tells a blunted tale of marriage to a man whose mistress is indeed the military and the hard drinking jocular goodies of the test pilot world. Perhaps no insight is more telling than her remark that she missed Gus's phone calls after the fire because, in essence, that was the sum and substance of their marriage. Her chief regret, it would seem, is that her boys had little of their father in his lifetime, and none after the fire.
The inner rage does make a brief appearance well after the Apollo fire. In 1971 Al Shepard and Pete Conrad tell her rather pointedly that as a widow she is no longer in the astronaut club, in that her money from the Life Magazine astronaut contract would be redirected to the living astronaut pool. Reasonably and profoundly affronted, she learned through a quirk of fate of two hungry young personal injury lawyers working out of a tiny office in a Seven-Eleven complex. And thus began a Quixotic $10,000,000 damage suit against North American Rockwell that covered three states in a frantic effort to outpace statute of limitations problems. The suit brought considerable national consternation toward Mrs. Grissom who was perceived as suing the country and the military rather than a private manufacturer of space hardware. [The other two widows, for reasons unexplained, declined to join her in the action] Hampered by lack of funds and the hard reality that astronaut Grissom himself had participated in preparation of his ship at Rockwell, the lawyers were happy to settle for $350,000: after expenses, each attorney pocketed $75,000. Betty Grissom received $60,000. Another shameful legacy of the fire.
The one redeeming element of this work is the hint of rich raw material. The film "The Right Stuff" draws substantially from scenes in the book, though it inflates them with steroids. The time is ripe for a scholarly and literary masterpiece on Gus Grissom, the second American in space and certainly the most star-crossed of the American astronauts. If Liberty Bell 7
can be rediscovered and restored, why not the Grissom legacy?
But what of the memories of Gus' Apollo 1 crew mates, Edward White and Roger Chaffee? Betty makes a shocking revelation about those two. Gus was "so mad" with them because he couldn't get them to work! They were too busy wheeling and dealing with their business investments and playing to have any time left over to devote to Apollo! Chaffee was, and will always remain, an unknown commodity as he died before he had the chance to prove himself on a space flight. However as the first American to walk in space Ed White's reputation was made.
What I find absolutly incredible is the admission that Gus had lost control of his own crew. He had only two men as his subordinates, one of which was an American hero, and that was more then poor old Gus could handle! Deke Slayton wrote in his autobiography that had Gus lived he and not Neil Armstrong would have been the first man to walk on the moon. But if Gus was unable to command respect from Ed White what would have happened when he found himself with Buzz Aldrin as his Lunar Module Pilot?
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Quite frankly, her life growing up and all of her wonderful friends and aches and pains are not worth reading about. Now if this was more of a balanced autobiography that combined her professional and personal lives, the book would be much better. She grew up rich (she admits the Great Depression did not affect her much) and became quite successful. She admits to guilt about being a part-time mother and talks at embarrassing length about her son who died of HIV due to his years as a drug addict.
...
That, of course, was the culmination of a long line of absurdities, beginning with a half-witted heroine named Lynette, who wanders about a wood on the outskirts of London for two days with the not particularly appealing hero without once questioning why it is taking them such an incredible amount of time to get back to town.
I suppose this foolish girl is supposed to be independent and spirited, but she comes off as capricious and willful and not very bright. And as for the hero, Devon, I wouldn't have him in a pinch.
I suppose they deserve one another, but the reader gets short-changed. The dialog is trite and awkward, the plot thin and contrived, and the historical research extremely limited. So for readers of historicals who expect a high level of integrity to the known facts, this is definately not the book for you! For others, who simply enjoy a good story, it's still the work on an amateur.