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However, some years have now passed, and a re-read of this book left me frustrated and irritated. The authors seem to have a very limited perspective on family gender roles, centered around a white, middle-class, heterosexist perspective. Many times authors speak in generalities about what "mothers and daughters" or "fathers and daughters" do in their relationships with one another, and I find myself writing notes in the margin: "says who?" "Not in my family!" etc.
This book is helpful for students if taken with a grain of salt and presented by an instructor versed in more postmodern techniques and multicultural critiques.
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I have never heard of any animal rights activists being concerned about the plight of sheepdogs, but after reading this book, I wonder if maybe there is cause for concern. Why is Levin so hostile and defensive? Her unrealistic depiction of animal activists leads me to wonder if Moss's yearning to return to his work as a sheepdog is pure invention as well.
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Ok, who writes these plot descriptions? As a long time reader of Ms. Neels, I almost didn't read this book because of this description. Don't worry, this book is like all the rest, Kate is stuck in a nasty job (she is not happy) and instead of dragging animals around, in this book it's her mother. And James is like all the rest of Ms. Neels' heroes, silent and not saying much about marriage to the heroine. Enjoy
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Compared to other books, I like this one a lot more than even science fiction, which few books I've read even close to being like this were. On a scale of 1-10 stars, I give this book 8 stars.
I really expected more than I got in this book. The authors introduce the various women, but leave out some important information. For example, no mention is made of Louisa May Alcott's "pot boiler books" which are now available to modern readers. While they may not be of the quality of some of her other work, they certainly reveal a lot about Miss Alcott that Smith and Carlson don't bother to mention.
I was perplexed at their inclusion of Gertrude Stein in the book, particularly since they are recommending Stein's work. I suspect that the audience most apt to read Great Women Authors would be relatively unimpressed with Stein's work and would not really want their adolescent daughters reading her. Since this work is best suited as an introduction to women authors for younger readers (or perhaps older readers with little literary education) it would seem appropriate for them to tailor their list just a bit for that audience. This certainly is not a book for more sophisticated readers.
I will admit to using the Jane Austen chapter with a class of homeschooled girls with whom I was doing Pride and Prejudice. I had to go far beyond what Smith and Carlson included in order to cover Austen in what I considered an appropriate fashion, but their chapter was a good lead-in.
If you are looking for high quality scholarship you should look further. If you are looking for a simple introduction to some classic women authors this may fit the bill, but be advised that evangelical parents may not want their teenagers reading all the books they recommend.