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This is a true depiction of the quintessential Jamaican rural mad man. Those of us who grew up in rural Jamaica know an Aloysius. The theme might seem like a simple silly Jamaican comedy, but the writing style is eloquent and easy. Tony does not skip a beat.
I have two criticisms; the first is that we end on an anti-climax as if the writer ran out of ideas or he became tired of writing. Therefore I felt that the tale ended too abruptly. Then again, this feeling could also be due to my desire to have this story go on and on. My second criticism is that I sensed a touch of Condescension by the narattor to ordinary poor country folk. In the Jamaican context, the church going old woman who slept with the mad man would hardly have done such a thing. But then again this is fiction. I guees the problem for me is that when fiction mimics real life so closely, one wants consistency throughout. Nevertheless, I give this five stars - and more - every time I read it.
Also recommended: Slip Stream, by Rachel Manley, Orange Laughter, by Leone Ross, Mine Boy by Peter Abrahams.
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Life Lines, especially the poem about Sam, made us think again about what is important in our own lives.
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Most books on magic and ``tricks'' tend to be frustratingly dull, but the lively prose, scrumptious humour and fine photos and illustration make this one a pleasure to read.
This magic book also has the virtue of presenting several tricks that are easy to perform--if you want to learn two or three very funny and fun tricks table gags that require almost zero practice, this is the book to get.
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Hobson makes his admiration of Waterhouse's paintings obvious. This makes the book a very enjoyable read. It is a wonderful introduction to Waterhouse's work. Hobson spends a lot of time discussing paintings--this is something that is too often forgotten in art history texts. He identifies aspects of Waterhouse's compositions that help make his paintings outstanding. He describes the literary sources of Waterhouse's subjects. He mentions the artists who influenced Waterhouse's style. The essays are clear and well-organized. Anyone who is interested in Waterhouse's work should read this book.
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Prepare yourself for a great journey...read the story.
I highly and enthusiastically recommend _Journey to the West_ to...well...everybody.
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Lots of maps, tips and explanations of the deeper meaning behind the sites you're visiting.
I'm bringing this book with me on my trip!
West gives an alternative account of the meaning of the monuments and antiquities to be seen in Egypt, more esoteric (though certainly not more difficult to understand) than that which is usually presented in guide books. He points out the details which brought him to the conclusion that the Giza Sphinx is in fact closer to 13,000 years old than the 4,500 years old that has been traditionally believed, and has a different viewpoint to the orthodox school in many cases. He presents both sides of the argument, and gives the information necessary to make up one's own mind based on observation of what is actually there to be seen.
On my first visit to Egypt, my companions and I felt rather sorry for tourists in groups with official guides, because they seemed to be missing out on at least half of the story, and in many cases the whole point.
I was particularly impressed with West's analysis of the architecture of the Temple of Luxor, based on the work of Schwaller de Lubicz, and once it was pointed out how the whole building maps onto a plan of the human skeleton, I found it very difficult to refute.
Whilst I did not always agree with his conclusions on every occasion, it cannot be disputed that West has raised thoroughly pertinent questions which conventional Egyptology has either glibly brushed under the carpet or failed to address at all.