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Here's the table of contents as I jotted it down:
Tape 1, Side 1:
Lost at Sea
In the Spring
In the Country
Tape 1, Side 2:
In the Country (cont.)
The Umbrella
A Deal
Playing with Fire
Tape 2, Side 1:
Playing with Fire (cont.)
An Encounter
The Hand
Tape 2, Side 2:
The Hand (cont.)
The Hostelry
Some are dark tales, some very funny ("A Deal," which begins in a courtroom during a trial for attempted murder, is unexpectedly hilarious); some, like "In the Country," are both (and rather cynical - the author doesn't seem to *like* people very much; even in the lightest stories, few of the characters come off in a very good light). Other tales are positively eerie; both "The Hand" and "The Hostelry" have appeared in horror anthologies, and the latter is wonderfully evocative of howling blizzards and snowbound isolation, as it grinds towards its icy, grim conclusion...
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Willie La Rue and his cohorts figure that they can rob a bank and disappear into the hoopla and pageantry of Mardi Gras. The indolent Tubby, not known for his altruistic feelings towards anything but food, decides he must save his city from the invaders. However, the criminals know that the gauntlet has been thrown down and Tubby must be eliminated because he can identify each of them.
The fourth book in the "Tubby" series is by far the best of a very good collection. By caring for something besides his palette, Tubby seems more human and even a half decent individual. The forces of nature playing havoc with the city makes New Orleans feel genuine rather than the usual traveler's guide most novels set in the Big Easy seem to mirror. Amazingly, Tony Dunbar has done raised the bar, which he previously set at a very high of quality, on New Orleans mysteries. Though SHELTER FROM THE STORM is the elite of the lot, all the "Tubby" books are highly recommended for their humorous look at New Orleans.
Harriet Klausner