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The Modern Library Chronicles are intended to be short works to serve as general introductions or refresher courses. When covering more than two millennia in less than 200 pages (it is 167 pages plus introduction and addenda), choices have to be made in what to keep, what to skip. Pagden's focus is the concept of empire and how it was adapted and revised over time to shape European civilization as it gradually circled the globe, then ebbed. There are entire wars, events and personalities that are left out because they do not directly relate to the conceptual development of empire. You will not find the Crusades in this text (though noted in the chronology) nor the Spanish Armada. You will find a detailed, charged discussion of slavery and its role in empire development. Likewise, you will find an energetic account of the conquistadors. Pagden's prose is always lucid and level, but in those chapters he shines.
This is the second Chronicles volume I've read. The series editor displays a knack for identifying authors who infuse their topics with voice, vision and heart. The books are well documented with indexes, chronologies and bibliographies. While seasoned historians may debate their perspective or find the content too general, it is just what a mainstream reader needs.
Twenty years prior, a young girl, Evelyn Todd, was confined to an orphanage, the only balm to her loneliness the stories she made up to entertain the other children. In her stories, Leerie, the Lamplighter, led through the streets of the city, illuminating the darkness with his torch. On his nightly rounds, Leerie was Evelyn's friend, an extension into a world from which she is shut out. Later, when Evelyn is claimed by a "relative, she is not heard from again, until she shows up as an adult in Edinburgh, confessing that she has dreamed each murder in perfect detail, even the notes.
Inspector Groves, assigned to the case, is ready for retirement and completing his memoirs, the more sensational the better. He is convinced that Evelyn is the perfect addition to his book and determines to get to the bottom of her nightmares, her obvious affiliation with the murders. There are two other observers willing to act on Evelyn's behalf, Thomas McKnight, Professor of Logic and Metaphysics and Joseph Canavan, an unemployed night watchman. The men are of a more sympathetic nature and believe Evelyn's dilemma is one of great danger, threatened with the very essence of evil. Slowly and tenderly, they coax her to reveal the tortuous story of her youth, searching for a solution to her nightmares.
It is past the Age of Enlightenment and philosophy is tempered with scientific knowledge, the psychoanalytic theories of Freud and Darwin's Origin of the Species, the clash of religious dogma and superstition with science. The darkened streets of Edinburgh are rife with mystery and menace, as McKnight and Canavan journey into the very bowels of hell, there to confront the face of evil. As the girl's mentors descend into the abyss, they struggle against the power of perception and the distortion of imagination. Theirs is a pitched battle between good and evil, the rugged path strewn by humanity's hubris.
O'Neill thrusts the soul of Satan into the light, exposed in his efforts to inhabit a human body, cloaked as Lucifer. Somewhere between heaven and hell, the fine line that separates human from inhuman may have been breached, unloosing untold evil. Evelyn is the epitome of helplessness, though capable of exercising free will. Leerie, as her familiar, seeks his freedom from the confines of imagination, to be made flesh, to wreak havoc on the unsuspecting souls of Edinburgh. O'Neill has created a stunning and visual exercise on the nature of evil, a cataclysmic denouement awaiting the intrepid reader. Luan Gaines/2003.
Set in late Nineteenth Century Edinburgh, the surface story is about a series of catastrophically violent crimes that happen so quickly that witnesses are unable to describe the killer. Two groups of investigators are drawn into the crimes. The police are involved, of course, in the person of acting Chief Inspector Carus Groves. He is a man whose experience is limited to mundane crimes, and whose imagination is limited to a suspicious and self-centered nature. The other team consists of Thomas McKnight (ex-professor of logic and metaphysics) and Joseph Canavan an ex-graveyard watchman.
Groves is a tumult of action, often pointless, and a stream of suspicions that get in his way more often than not. He is driven by his desire to succeed in a truly notable case, which will be a fitting cap for his memoirs. McKnight and Canavan, representing both doubt and belief, carry their research out in the ethereal world of the mind. The murders become a metaphor for the nature of the creative imagination and the power of both the mind and the spirit.
In between these two is Evelyn Todd, a young woman whose past is marred by a dark secret. One that ties the victims together in a strange cabal that has echoes the religious brainwashing of the past few decades. Suspicion falls on her, even though the crimes are bestial, and clearly beyond her capacity. There is no question that she, and her dreams, are somehow central to the mystery, but each investigator sees the truth though a glass of his own making.
The real truth, if one may call it that, is far stranger than anyone's suspicions. The players re-enact a Dantesque journey into the imagination, in search of a redemption that comes unexpectedly, much as the murderer did. We are treated not simply to a murder mystery, but also to a wry and unique vision of the nature of evil. O'Neill does this in such a fashion that the intellectual dialogue never bogs down the narrative pace, and with a fine sensitivity to the power of language.
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Save your retirement, read this book!
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I have found it easier to understand in other textbooks with many more examples, but simple ones. With a half-dozen or so examples for each chapter, it makes the later problems way more difficult. Difficult is good, sometimes, if a student can understand more than just the basics in that section.
I believe why many textbooks (engineering and physics [see Haliday and Resnick]) are tough to follow and understand is to "weed out" many students. Letting the ones who adapt well to the writing/teaching style of the text go on. I myself really want to understand this material, and go on in engineering.
I agree with another reviewer somewhere, which says that having more than one text helps your understanding. I had to buy another book when I was learning C++ and I understood a lot more. In this case, I will buy another textbook, because I'm having a hard time (and so are many of my classmates) reading this book. On a side note, nor does it help to have an instructor who's teaching style does not work for you.
And at least a partial Solution Manual would be extremely helpful to students, 'cause, the examples are not extensive enough.
Thanks and God Bless!
Nevertheless, this class is not easy. It is hard to undersatnd the concept of Materials for the beginner. It is very helpful for students to have peer group or ask for your professor to have further explanations or examples.
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Author has never implemented Kaizen, only told about others' successes.
Not a "how to do it" book.
A lot of references and notable people and companies are mentioned, but where is the real hands-on "How to do it?"
This book is a story book and should be classified as FICTION.
This trio are writers, not "Lean Manufacturing" implementers.
The material is organized within 11 chapters whose titles correctly suggest the nature and extent of coverage: The Power of AME's Kaizen Blitz: Learning by Doing; The Roots of Kaizen; Improvement Strategy: Implementing the Big Picture; Getting Ready for Kaizen; Time Prints and Takt Times; How to Tell If There Is Improvement: Adding Value, Subtracting Waste: Uncovering the Flows: Establishing and Clarifying Process Flows; Forms, Charts, and Measurements; Sustaining the Gain: Lean Leadership; and finally, Never Look Back. Throughout the book, the authors reiterate the imperative that Kaizen Blitz initiatives must be sharply focused, task oriented, results driven, measurable and -- meanwhile -- FAST. Hence the relevance of the concept of "blitz," which gained worldwide prominence prior to and then during World War II when Fascist and then Allied forces attacked enemy positions with unprecedented velocity. As the AME Kaizen Blitz has demonstrated so convincingly, the same strategy (with obvious modifications) can effectively be implemented within any organization, regardless of size or nature.
Obviously I think highly of this book because it offers a sensitive, flexible, thoughtful and rigorous program to achieve what the subtitle correctly describes as "accelerating breakthroughs in productivity and performance." If these brief comments suggest that this is a program your organization needs, I strongly recommend that all of its decision-makers read it. Then, schedule an offsite meeting during which the book becomes the agenda for collaborative efforts to formulate and implement a Kaizen Blitz appropriate to your organization's specific needs and interests. If there is a need for additional resources, I strongly suggest Breyfogle's two books as well as one written by Pande and his co-authors.
Those foodies out there hoping for the cooking overtones of Bone in the Throat will be somewhat disappointed (only a few forays into Bourdain's cooking descriptions). Bourdain does do a nice job of setting the scene in St. Maarten though.
The ending leaves one hanging to a certain extent ... perhaps there will be a sequel. Being a fan of Bourdain's writing in Kitchen Confidential, A Cook's Tour, Bone in the Throat and Gone Bamboo one can only hope that he continues to explore the seedy underbelly of life more in future fiction. Have fun.